A beautiful and moving lyric poem is not only manifested in its rich and profound lyric content, but also in its temperament. Rhythm and musical beauty are the life of poetry, and a poem is a complete music. Lyrics should use the ups and downs of their syllables and beautiful melodies to arouse readers' feelings. Shian Nora's song "A Gift for Japanese Girls" is a gentle and affectionate lyric. It uses alternate verses (the first, third and fifth lines are short, the second and fourth lines are long) and even syllables to express an ordinary feeling of parting in details. The rhythm of the first sentence and the second sentence fluctuates slightly; The third and fourth sentences of Cherish are repeatedly used to create "sweet sorrow" in the unity of opposites, which is considerate and touching; The fifth sentence is to directly record the language of Japanese girls, which makes people feel like hearing voices.
The whole poem is gathered in short lines of four words, with clear tone and lingering sound. Xu Zhimo pointed out in the article Poetry Publishing Holiday: "A poem should be an organic whole, some parts are connected, and some parts are proportional to the whole; Just as a person's secret is his blood circulation, the secret of a poem is the symmetry and flow of its syllables. ..... understand that the life of a poem lies in its inner-THM syllable, so that we can understand the true interest of a poem. " Xu Zhimo put the idea of attaching importance to the beauty of music into practice in a song "A Gift for Japanese Girls" by shian Nora. He used his creative practice to interpret the unique understanding of the architectural beauty of new poetry. In Xu Zhimo's poems, there is the most attractive freedom and freedom, in which the strength and beauty of all things in nature are fully reflected. Zhu Ziqing: He's jumping and splashing a water of life that stays up all night.