How to understand the literary phenomenon of men using the boudoir voice in poetry of the Tang and Song Dynasties

As a unique literary phenomenon, "men's boudoir voices" refers to men using a female voice to create works from a female standpoint, objectively expressing women's inner feelings, and also using it to express their own thoughts and feelings. "Nineteen Ancient Poems" uses the creative method of "men's boudoir's voice" to express the unique feelings of literati hidden behind the poems, and expresses the "straight" and "sad" lyrical characteristics behind "men's boudoir's voice" .

There is a rather peculiar literary phenomenon in the poetry of the Tang and Song Dynasties, which is what Tian Tongzhi, a poetry critic of the Qing Dynasty, pointed out: "Men write the boudoir voice" ("Xipu Ci Theory: A Differentiation of Poetry") 》). In other words, the authors are obviously scholar-bureaucrats (male), but when they write lyrics, they often undergo a "sexual change" and change into a female voice. For example, the following is the famous song "Sheng Cha Zi"; On the night of Yuan Dynasty last year, the lights in the flower market were as bright as day. In the moonlit willow branches, people meet at dusk. This year on Yuan Ye, the moon and lights are still there. Missing the person from last year,

The explanation of "men's boudoir" is used to summarize the literary phenomenon of male literati making excuses for women, pretending to be women's identities and voices to create literature

Men's works The word "boudoir sound" comes from Qing Dynasty scholar Tian Tongzhi's "Xipu Ci Shu.·Identification of Poems": "If the words are written by men, they are written in the sound of boudoir. It describes the scenery and suddenly expresses the sadness of parting. It also chants things, and the whole thing is abandoned. There is nothing wrong with the hatred, but there is emotion, which makes readers fascinated. It is said that emotion comes from writing.

"Then, "men act as boudoirs" has gradually been used to summarize the literary phenomenon of male literati pretending to be women, pretending to be women's identities and voices, and creating literature.