2. Discussion 5. Meng Haoran's artistic style and creative characteristics A: 1, natural and simple, Meng Haoran's pastoral poems are close to his own life, and the words "Yu" and "I" appeared earlier in his poems. Such as "Passing through the Old Village": "Prepare chicken rice for me, old friend, you entertain me on your farm. We look at the green trees around your village and the pale blue of the distant mountains. " The description of scenery in Meng Haoran's poems is often a part of his living environment, which is characterized by improvisation without carving. Such as "Spring Dawn": "I woke up easily on this morning in spring, and birds were singing everywhere. But now I remember that night, that storm, and I want to know how many flowers were broken. " Dawn writes her own feelings, and the poetic language is naturally pure and beautiful. 2. Ming Xiu's poetic realm is plain, clear and full of interest. Meng Haoran traveled many times in his life and wrote many landscape poems. When you meet a scene, you often put pen to paper from the plateau and linger from the lonely place. Ming Xiu's plain and clear poetic realm is formed by the combination of randomly lit scenery and indifferent thoughts. For example, "Jiande Sleeps at Night": "Move the boat to park the smoke, and remember the old days at dusk. How vast the world is, how close the trees are to heaven, and how close the moon is to the water! "When writing" Worrying about Guests "while boating in the sunset, the lonely and melancholy mood becomes more and more boundless because of the low altitude and the approach of the clear moon. The sentences are plain, so light that you can hardly see the traces of poetry, but the poetry is very mellow. 3, the poem is more than one line, in one go. There is no trace of description, which naturally flows away, diluting leisure and not looking for a job after working. 8. Chen Ziang's literary ideas and positions and their influence in the history of literature A: Chen Ziang's poetry creation shows obvious retro tendency, and he advocates restoring the elegant tradition of ancient poetry, rather than expressing his ambitions. The feeling of bold and chivalrous can best reflect the unique style of Chen Ziang's poetry creation, which is the so-called Tang poetry style and the new content that he advocated to reflect the spiritual outlook of a literati in an era. Advocating the style of writing has played a positive role in promoting the change of poetic style at that time. Chen Ziang realized this earlier in his creation and made a very clear theoretical exposition. In Zhu Xiupian and Zuo's Preface in the Eastern Jin Dynasty, he first associated the style of Han and Wei with elegance and prosperity, and opposed the work without wind and prosperity. In this way, the purpose of returning to elegance is not only for the sake of beauty, but to pursue the tragic and generous spirit of Jian' an, pinning the ideal of saving the world and the spirit of life. Now, it is completely different from the poetic style of Qi-Liang court, which pursues algae decoration unilaterally. Secondly, he put forward the aesthetic ideal of "high spirits, frustrated voices and feelings, being open and aboveboard", and demanded that strong emotions should be combined with the beauty of temperament and the beauty of ci to create healthy and beautiful literature. Chen Ziang's poetry creation and theoretical proposition influenced the Tang Dynasty. His pursuit of style and the ideal of poetic beauty are of great significance to the reform of Tang poetry, which is confirmed by the further development of Tang literature and becomes the prelude to the arrival of poetry in the prosperous Tang Dynasty. Because after more than 90 years of development, the early Tang poetry has laid the foundation for the prosperity of Tang poetry art in many aspects, such as the expansion of theme scope, the maturity of scenery writing skills with objects, the perfection of melody and the formation of character style.
10. Li Shangyin's artistic characteristics A: Li Shangyin's poems are unique in the poetry circle of the late Tang Dynasty, because he is sentimental and devoted to them. He expressed the sad feelings of the scholars in the late Tang Dynasty and his persistence in love with many works, creating a new style and a new realm of poetry. The highest achievement of his poetry is modern poetry, especially the seven laws and seven quatrains. He inherited the characteristics of Du Fu's Seven Laws, such as prudence, depression and frustration, and combined the rich colors of Qi Liang's poems with the fantastic symbolism of Li He's poems, forming a unique style of affection, aestheticism and delicacy. For example, "Re-crossing Notre Dame Temple" expresses the feeling of being trapped and frustrated through the encounter of love and the symbol of Bi Xing in the writing scene. Another example is Spring Rain, which moves the strangeness of Li He's ancient poems into the rhythm. The language is beautiful and neat, and the melody is beautiful and euphemistic, but he likes to use obscure allusions, so the images in the poems are particularly beautiful, and the overall meaning is often obscure. Li Shangyin develops the expression of life emotion to a deeper and more subtle aspect, and is good at expressing disappointment and loneliness with gorgeous and exquisite artistic forms. His poems are full of confused and sad experiences. His best poems are profound and exquisite, with profound charm, full of symbolic and suggestive colors and hazy beauty. In a sense, Li Shangyin's poetry is a symbol of the soul and a purely subjective expression of life experience. In his quatrains, he is more aware of his life experience, which profoundly reflects the mentality of literati in the declining era. His poems are affectionate, profound, beautiful and somewhat obscure, but his euphemistic feelings can be realized in Seiko's rich poems, which is very sad. Such as: "A note to friends in the north on a rainy night", "You ask the date of return, and the rain rises in the autumn pool at night. When * * * cut the candle at the west window, but talk about the rain at night. "Poetry is delicate in emotion and beautiful in artistic conception, which runs through the sadness of current events and life experiences, and has a sad and melancholy artistic conception and sad beauty. The obvious artistic features are implicit, vague and implicit, which is a typical literary model of sadness and beauty.