What's the next line in the poem "Make friends and stop being yellow"?

Eating deer over Bai 'an Pavilion with a yo-yo is a poem by Xie Lingyun, a poet in the Southern Dynasties. According to the order of traveling, writing scenery, feeling and understanding, this poem combines landscape with metaphysics of Laozi and Zhuangzi, realizing the artistic effect that the beauty of painting, music and philosophy permeate each other. The original works pass through Bai 'an Pavilion (1), brush clothes and follow the sand wall (2), and slowly enter the hut. There are dense stones near the stream, and the distant mountains reflect sparse trees. It's hard to be famous, but fishing is easy to be a song. Help Laura listen to the cliff [6]. The longing for love belongs to her. You can make love without being yellow, and you can eat apples and deer. It is sad to hurt that person, and Jia Lan is happy! Glory has come and gone, and poverty has turned into sorrow. If the dragon had not left, everything would have remained simple. Bai 'an Pavilion: Located in the southwest of Yongjia yi river, it is named after the white sand on the river bank. (2) Sand source: The sand on the shore is piled like a low wall. ⑶ trickle: trickle. (4) "Empty green" sentence: It is difficult to describe the green scenery of the distant mountains in words. 5. Easy to be a song: easy to sing. [6] Help Laura: Grab the vine. (7) Desire for love: There is a saying in "Songs of the South Evocation" which is used for its meaning. (8) Hybrid breeding: birdsong. Huang: A yellow bird perches on an oak tree. The Book of Songs Qin Feng Yellow Bird: "Friends with yellow birds stop at thorns. Who will follow Mu Gong and Ziche Yan Xi? ..... His pale days annihilated my love! If you can redeem it, you will have a hundred people. " In the following, "I'm sorry for hurting each other" means using it. ⑼ Yo-Yo: The Sound of Ming Road Literature. Xiaoya Luming Literature in The Book of Songs: "Yo yo Luming Literature, wild apple. I have a guest, blowing sheng. Blowing sheng drum spring, basket. " This is the first poem describing the feasting of princes and ministers in the Zhou Dynasty. This sentence and the following "Jia Er Cheng Basket Music" are all used in their meaning. ⑽ Glory and tension: glory and pride, haggard and depressed. ⑾ Poor communication: suffering and enlightenment. Sadness: mixed happiness and sorrow. ⑿ Long evacuation: Living a loose and free seclusion for a long time. [13] Simple: Stick to the natural nature and not be tempted by the outside world. Laozi is "simple and simple, less selfish and less desire." Creation background This poem was written in 423 AD (the first year of Jingping in Song Shaodi in the Southern Dynasties), that is, in the early spring of the second year after Xie Ling was transported out of Yongjia Prefecture. "Bai 'an Pavilion" is located in the southwest of Liaoning, 87 miles away from Yongjia, and is named after the white sand on the river bank. [1] The first two paragraphs of the work appreciation poem say that the poet brushed off his sleeves, got up and set off, and walked slowly into a hut along a sandy shore, which was Baian Pavilion. Follow, follow, follow. "Wall", low wall, refers to the accumulation of shore sand as a wall. "Brush clothes" and "walk slowly", the movement is slow, revealing the poet's leisurely mood when he set off. Write the scenery along the way in four sentences. Nearby is a stream, and the thin stream gurgles through the dense stones; Through the sparse trees, you can see the high peaks in the distance. The air is filled with green Shan Lan, which is invisible. I don't know what name to give it to let readers know its fun. However, the fisherman's natural pleasure in the stream is easy to sing naturally. These four sentences, with fresh and beautiful words, describe a distant, dense and brightly colored picture of green mountains and green waters. The words "trickle" and "reflection" are particularly useful for tempering. "Juanjuan" originally refers to a small stream, which is used as a verb here to describe the Jianshui meandering among rocks in Miluo Mountain, with a small and clear appearance and slow flow. The word "ying" points out that the mountains are reflected in the cracks of sparse trees and have distinct layers. As for the word "empty green", the whole picture is drawn in a translucent green tone. It is indeed the poet's ingenuity to use this word to describe mountains. Later, the Tang Dynasty poet Wang Wei also famously said, "There is no rain on the mountain road, and the air is green and wet" ("In the Mountains"). This endless moist air permeates Shan Ye, with fresh coolness, infiltrating and nourishing the poet's skin and soul, giving him indescribable beauty and pleasure from the aspects of vision, touch and feeling, so the poet lamented that "it is difficult to become famous". These three words are more imaginative than direct description. Shen said, "Everything can be named, but it is shallow." It's hard to be famous, but God likes to write empty Cui. "("Ancient Poetry Source "Volume 10) can be described as literacy. After reading these four poems, readers can't help admiring the poet's wonderful hand in writing landscapes. Look at this landscape painting, the color is so harmonious, the composition is so harmonious, and the realm is so fresh, clean and clear! In addition, the phrase "empty Cui" implies the meaning of "I don't know its name, but it is better than big" (Chapter 25), which combines landscape with metaphysics of Laozi and Zhuangzi, which is both chewy and creates an atmosphere for later enlightenment. Under "Assisting Luo", the landscape scenery is expressed from the perspective of hearing, and the location is quietly moved out of Bai 'an Pavilion. The poet climbed the vines in the mountains and slowly came to the bottom of the blue cliff. It was hard to describe a moment ago, but now it is close. The poet listened attentively with a sense of relief, but he heard a sweet voice coming into his eardrum and infiltrating into his heart. It was the song of a yellow bird parked on an oak tree, mixed with the song of a wild deer eating an apple. The sounds of nature in spring and Shan Ye's symphony are fresh and melodious, beautiful and charming, which makes the poet relaxed and happy. "Spring belongs to oneself", and his mind seems to have merged with the wild deer in this spring. The last part of this poem is enlightenment. The crowing of yellow birds and wild deer suddenly reminded the poet of two poems in The Book of Songs, Qin Feng Yellow Birds and Xiaoya Luming Literature. "Yellow Bird" is a poem of Qin people mourning three loyal ministers, such as Ziche Yan Xi, who died for Qin Mugong. There is a saying in China, "Make friends with yellowbird, and stop at thorns. Who is Mu Gong? Ziche Yan Xi. ..... His pale days annihilated my love! If you can redeem it, you will have a hundred people. " Luming Literature is the work of ministers at a grand banquet. As the China proverb says, "Yo, yo, Luming Literature, wild apples ... blowing sheng drums the spring, and the basket is the general." Accepting baskets means giving money and silk to guests in baskets. There is sadness in the sound of yellow birds, which makes the poet sad; There is music in Luming Literature's voice, which is praised by the poet. These voices are intertwined, making the poet realize that glory and haggard are sometimes absent, and there is really no deep love; It really doesn't make sense for people to be sad and happy for poverty and publicity. Therefore, it is better to be broad-minded and relaxed, and to hold the simplest attitude towards everything, not greedy or greedy. The phrase "be simple" also comes from "be simple and simple, be selfish and have few desires" in Laozi (Chapter 19), which echoes the above. Although there is not much artistry to appreciate in this revelation, its words are plain and consistent with the comfortable and quiet atmosphere of the whole poem, so it is not dazzling. In this way, the whole poem has slowly completed the process of "traveling-writing scenery-attaching importance to feelings-understanding", which is a typical Xie Shi style, with the beauty of pictures, music and philosophy advancing layer by layer, infiltrating each other and setting each other off. As far as the specific arrangement of this poem is concerned, although almost all poems use antithesis, there is a connection and interpenetration between poems. For example, the sentence of "empty Cui" is followed by the sentence of "distant mountain" to complement its meaning, while the sentence of "fishing" goes beyond the spatial arrangement of the two poems and takes care of the sentence of "near the stream" from a distance. The sentence "Fu Luo" first means "listening", and then uses two paragraphs of "biography" to clarify the content of listening. The four sentences from "Jiao Jiao" to "Jia Er" are connected by three sentences, and two sentences are interspersed with four sentences. This arrangement can be described as fine needles and dense lines, rigorous composition, easy to look around, making poems come and go, flowing, not stagnant, which can be described as a good spiritual poetry structure.