Correct writing of the poem "The Wind in Tian Zi"

The correct way to write the poem "Wind" in Gerry is to write it in the center of the poem, and the cross of X should be written in the center of the poem.

Wind is a poem by Li Qiao, a poet in the Tang Dynasty. By grasping the variability of leaves, flowers, waves and bamboo under the action of wind, this poem indirectly shows the various forms, verve and strength of wind: it can make leaves fall in late autumn, flowers bloom in early spring and February, set off surging waves when crossing the river, and blow thousands of bamboo forests askew when blowing into them.

The whole poem consists of four sentences in pairs, and the numbers of three, two, thousand and ten thousand are arranged in pairs to show the power of the wind and express the poet's awe of nature. Vernacular translation: It can blow off the golden leaves in autumn and push away the beautiful flowers in spring. Blowing across the river can set off rough waves, and blowing into the bamboo forest can blow the bamboo pole askew.

Creation background: The age of this poem has not yet been determined. Some people think that Li Qiao, Su Wei Dao and Du traveled together in Lufeng Mountain in spring. The scenery on the mountain is beautiful and lush. At the peak, a breeze blew, and Li Qiao was so excited that he recited the poem casually.

This poem describes the power of the wind. As far as the seasonal function of wind is concerned, autumn wind can make all trees wither, but spring breeze can teach all flowers to bloom; The last two sentences describe where the wind goes in different scenes: the wind crosses the river and the water surface is rough; When I entered the bamboo forest, I saw the bamboo poles close together.

works appreciation

Fu, Bi and Xing are the basic techniques of classical poetry. The so-called "xing" refers to arousing and feeling, from things to hearts, that is, inner feelings change due to the role of external things. The extreme development of things is a natural qualitative change, and the external force can only accelerate or slow down the speed of its change.

Here, the poet attributed the fallen leaves and flowers to the role of the wind, which showed the subtlety of the author's observation and inner delicacy, closely linked the changes of all things in nature with the role of wind-external force, and implicitly showed the vitality of the wind and its warm concern for foreign objects. Get rid of it. Get rid of the word.