Jincheng silk tube day after day,
Half into the river, half into the clouds.
This song should only be in the sky,
How many times can the world smell? The music in Jinguancheng is soft and melodious.
Half of the translation drifted away with the river wind and half floated into the clouds.
This music can only be found in the palace,
How many times can you hear it in ordinary people's homes?
In addition, sending flowers to Qing means sending flowers to Qing. Creation background This poem was written in the second year of Shang Dynasty (76 1). Huaqing refers to Ding Jing. "Qing" is a polite address for people with lower status and qualifications. Hua was the Ministry of Yin Cui Guangyuan in Chengdu at that time, and made great contributions to pacify the chaos of Zizhou secretariat section. This poem may have been improvised at a banquet in China.
There are different opinions about the meaning of this poem. Say it as irony. Yang Shen's Poem of Sheng 'an says: (Hua Qing) "A brave general in Shu is also arrogant. Duke Du's poems refer to his abuse of the rites and music of the son of heaven. However, it is implicit. Those who have the wind are not guilty, and those who smell it are enough to quit. There are more than 100 quatrains from the public, the highest. "Du Shi Jing Quan": "It seems flattering and ironic. The so-called speaker is innocent, and the listener is enough to quit. "
It's not irony, but a gift for geisha. "Tang Fenghuai" says: "Nancun said: Shaoling's poems all have feelings, but they may not all refer to something. Yang Yongxiu respects Hua Qing, which is quite like Fu Hui. Yuan Duanyun is a geisha, which is reasonable or possible. " Notes on Tang Poems in Master Garden: "There is no need for irony, but there are endless implications."
There are people who don't care about intentions. A detailed explanation of Du Fu's poems: "This poem is gorgeous in style and ups and downs. Although it is too white and too little, it is beyond reproach. "
Make an appreciative comment
This four-line poem is literally as clear as words, but there have been many objections to its theme. Some people think that it is just a hymn without any implication; However, Yang Shen's Poem of Sheng 'an said: "Hua Qing used imperial rites and music in Shu, mocking it, but his meaning was beyond words, and he got the poet's meaning." Shen Deqian's "On Poetry" also said: "Poetry is expensive and intentional, and words are here. Du Shaoling's tattoos and theft, he wants to write new songs in the sky. " Yang and Shen's theory is preferable.
In the feudal society of China, the etiquette system was extremely strict, and even music had an unusually clear hierarchy. According to the book of the Old Tang Dynasty, after the establishment of the Tang Dynasty, the great-grandfather Li Yuan ordered the great-grandfather to research the elegant music of the Tang Dynasty, "The emperor is in the Xuan, playing Taihe; The princes went in and out, playing books and; The crown prince announced that he would hang out and play; ..... "These fragmentary music systems are all established laws of the dynasty, and a slight violation is chaos and rebellion.
Hua Qing, whose real name is Ding Jing, is Cui Guangyuan of Yinbu, Chengdu, who has made great contributions to the counter-insurgency. But he was arrogant, defiant, broke the law and discipline, and allowed the foot soldiers to plunder East Shu. And beyond the imperial court, arrogate the joy of the son of heaven. Du Fu's poems are euphemistic satire.
Intriguingly, the author did not explicitly criticize Hua Qing, but adopted a clever pun. Literally, this is an excellent musical hymn. "Chengdu has more silk management days", which means Chengdu; Silk tubes refer to stringed and wind instruments; Succession, which originally meant that things were numerous and chaotic, was usually used to describe concrete things that could be seen and touched, but here it was used as a metaphor for abstract music that could not be seen and touched, which turned the invisible into visible from the synaesthesia of human hearing and vision, and accurately and vividly described the light, soft, mixed and harmonious musical effect of the stringed instrument. "Half into the river, half into the clouds" is also written like this: melodious music flies out from the banquet of Huaqing's family, rippling in the Jinjiang River with the wind, and Ran Ran floats to the blue sky and white clouds. These two poems let us truly feel the beauty of music. The word "half" is ethereal and clever, which adds a lot of interest to the whole poem.
The music is so beautiful that the author can't help but sigh: "This song should only be available in the sky and can be heard several times on earth." Fairy music in the sky, of course, is rare in the world, and it is even more wonderful to smell it.
There are four sentences in the whole poem. The first two sentences describe music with concrete images, which are real words; The last two sentences boasting about Yue Xian in the sky are daydreams. Because of reality and emptiness, the reality and reality are born together, and the beauty of music is praised to the extreme.
However, this is only a literal meaning, and the implication is meaningful. This can be seen from the words "heaven" and "earth". Those who are "in heaven" are also in the palace where the son of heaven lives: those who are "on the ground" are also outside the palace. This is a common pun in feudal society. It is said that music belongs to the sky, and the word "should only be" has been added. Since it is "should only be in the sky", then "people" should certainly not be "hearing". Don't "smell", but "smell", not only a few times, but also a few days. Therefore, the author's satirical intention is implicit, indirect and accurate.
Zhang Tianjue, a poet in the Song Dynasty, once commented on the satirical cloud of poetry: "Satire should not be in full bloom, and anger will show bones and muscles." ("The Poet's Jade Scraps", Volume 9) Du Fu's poems are just right, combining rigidity with softness, hiding needles in the cotton wool, satirizing the language, giving advice without being harsh. As Yang Lun commented, "It's like flattery and satire. The so-called speaker is not guilty, and the listener is warned. " Such a quatrain, how to reduce the dragon mark (Wang Changling) and sacrifice (Li Bai). (Shanquan) The author introduces Du Fu (7 12-770), a great poet in the prosperous Tang Dynasty. Originally from Xiangyang, Hubei Province, Gong County, Henan Province. Du Zhisun, a poet in the early Tang Dynasty. Tang Suzong, Official Left Addendum. After he entered Shu, he was recommended by his friends as a staff officer of Ren Jiannan Drug Rehabilitation Center, and Yuan Wailang was appointed as the school's engineering department. Therefore, later generations also called him Du Shiyi and Du Gongbu.
Du Fu is as famous as Li Bai and is known as "Du Li" in the world. The core of his thought is the Confucian thought of benevolent government. He has a great ambition of "making the monarch Yao and Shun superior first, and then making the customs pure". He loves life, people and the great rivers and mountains of the motherland. He hated evil and gave it to the corruption of the imperial court and the dark phenomenon in social life.
First, the roaming period of reading (before the age of 35)
During this period, he traveled to Wu, Yue (now Jiangsu and Zhejiang), Qi and Zhao (now northern Shandong and southern Hebei) and worked in Luoyang. After meeting Li Bai in Luoyang, they formed a profound friendship, then met Gao Shi and traveled with Liang and Song (now Kaifeng and Shangqiu). Later, Du Li went to Jizhou again, met at the east foot after breaking up, and separated again, so there was no chance to meet again.
2. Trapped in Chang 'an (35 to 44 years old)
During this period, Du Fu took the exam in Chang 'an for the first time and came last. Later, he presented gifts to the emperor and presented them to the nobles. He lived a life of "detaining the rich in the morning, following the fat horse dust at night, throwing a cup and baking it cold, hiding his worries everywhere". Finally, he got a small official who led the government to join the army. During this period, he wrote poems such as "Car Shop" and "Two Ways", criticizing current politics and satirizing dignitaries. The book "Singing 500 Words from Beijing to Fengxian" is particularly famous, which indicates that his understanding of the political and social reality of the imperial court has reached a new height after ten years of hard life in Chang 'an.
3. The arrested thief is an official (45 to 48 years old).
When the Anshi Rebellion broke out and Tongguan fell, Du Fu settled in Zhangzhou and went to Suzong alone. He was captured by the Anshi Rebellion and taken to Chang 'an. In the face of chaos in Chang 'an, he heard the news that the loyalist troops were repeatedly defeated, and wrote poems such as Moonlit Night, Spring Hope, Ai Jiangtou and Sad Chen Tao. Later, he fled to Fengxiang to cheat and made a collection. Because of the suggestion, Shangshu was demoted to be the prime minister of joining the army. Later, he recorded his experiences in the form of poems and became his immortal works, namely "Three Officials" and "Three Farewells".
Fourth, the wandering period in the southwest (48 to 58 years old).
With the collapse of Xiangzhou loyalist and the famine of Guanfu, Du Fu abandoned his official and fled with his family, passing through Qin Zhou and Tonggu, and lived a relatively stable life in Chengdu. When he entered the DPRK, the warlord in the middle of Shu rebelled and he went to Zizhou and Langzhou. Then go back to Chengdu. After Yanwu's death, he drifted again, lived in Kuizhou for two years, drifted to the same lake and died on the Xiangjiang River. The works of this period include Heart on the Water Threshold, Delighting in Rain on a Spring Night, Autumn Wind Breaking the Cottage, Sick Orange, Climbing the Building, Book Reading, The Yellow River was recaptured by the imperial army, Showing Wu Lang again, Ascending the Mountain, Qiu Xing, Three Jueju and Sui Yanxing.
Throughout his life, Du Fu's thoughts were "worrying about Li Yuan in poor years" and "being the best monarch and being Yao Shun", so his poetry creation always runs through the main line of worrying about the country and the people, which shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An Shi Rebellion, and are called the "history of poetry" of a generation. The style of Du Fu's poems is basically "gloomy and frustrated", and the language and text structure are full of changes, emphasizing the refinement of words and sentences. At the same time, his poems have many styles. Besides the five ancient poems, the seven ancient poems, the five laws and the seven laws, he also wrote many lines. There are also various artistic techniques, which are the epitome of the ideological art of Tang poetry. Du Fu also inherited the spirit of Yuefu in Han and Wei Dynasties, got rid of the old themes of Yuefu and created many new themes of Yuefu, such as "three officials" and "three parting". After his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems had a far-reaching influence on Bai Yuan's literary thought of "New Yuefu Movement" and Li Shangyin's near-body allegorical current affairs poems. However, Du Fu's poems received extensive attention after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems, from ancient times to the present, has long gone beyond the scope of literature and art. For details of his life, see Old Tang Book 190. This is Du Gongbu.