my country’s first landscape poet is Xie Lingyun. The poets who are famous for writing landscape and pastoral poems mainly include Meng Haoran, Wang Wei, Tao Yuanming, Liu Changqing and Fan Chengda.
Poetry genre of the Tang Dynasty. Representative figures include Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian, etc. in the prosperous Tang Dynasty, Wei Yingwu, Liu Zongyuan, etc. in the mid-Tang Dynasty. The main content is to reflect pastoral life and depict landscapes. Among them, Wang Wei has the highest achievement. He is a poet and a painter. He can understand poetry through painting. There is painting in poetry and poetry in painting. Apart from Li and Du, he has established a separate sect and has a great influence on later generations. big. Era background
1. During the prosperous Tang Dynasty, society was stable, national power was strong, and the society's politics, economy, and culture were all-roundly prosperous. The wealthy material life of the literati and officials provided conditions for traveling and admiring the mountains and rivers. Buddhism and Taoism are popular in society. Taoism advocates nature and pursues returning to simplicity, as well as the Buddhist Zen state of pure mind and clarity, which provides a cultural and aesthetic psychological foundation for poetry. The reclusive feelings of literati are also closely related to the formation of landscape pastoral poetry. However, at this time, they did not hide for the sake of being hidden, but formed a cultural mentality of yearning for nature, pursuing transcendence and independence, and advocating natural aesthetic taste. In addition, the creation of pastoral poems and landscape poems since the Jin and Song Dynasties has undoubtedly provided artistic reference.
2. The landscape pastoral poetry school is represented by Meng Haoran and Wang Wei, as well as Chu Guangxi, Chang Jian, Zu Yong, Pei Di, Qi Wuqian and others. They inherited the creative tradition of pastoral poems and landscape poems written by Tao Yuanming, Xie Lingyun, Xie Tiao and others since the Jin and Song Dynasties, and formed a poetry school with completely different themes and contents and similar artistic styles. Their poems depict natural landscapes and pastoral scenery, express their interest in returning to simplicity, enjoying themselves and cultivating their character, and express the leisurely and elegant life of seclusion. Their poetry style is fresh and natural, their artistic conception is remote and leisurely, and their descriptions of scenery are meticulous and vivid, which improves the artistic skills of expressing natural scenery in poetry. They are a unique flower in the poetry art garden of the Tang Dynasty. Characteristics
Specific style: fresh, lofty charm, broad layout, colorful, rich emotions
The Shanshui Pastoral School mainly describes landscapes such as mountains and rivers, and sings about pastoral life. Most of them use The themes include rural scenery and the labor of farmers, shepherds, fishermen, etc. Poets take natural landscapes or rural scenery and pastoral life as the objects of chanting, and cast their delicate brushstrokes on the quiet mountains and forests and leisurely fields, creating a pastoral life to express their dissatisfaction with reality and their desire for a quiet and peaceful life. yearning. Landscape and pastoral poetry belongs to the category of landscape poetry. The main characteristic of this type of poetry is that "all scenery language is emotion language", that is, the landscape and natural scenery described by the author are integrated into the author's subjective emotions, or the scenery is used to express emotions, or the scene is blended. Representative Works Drinking (Volume 5)
Tao Yuanming
The house is in a human environment, without the noise of cars and horses.
I ask you how you can do it, but your mind is far away and you are biased.
Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely.
The mountain air is getting better day by day, and the birds are flying back and forth.
There is a true meaning in this, but I have forgotten to explain it. Returning to the Garden and Living in the Fields (Part 1)
Tao Yuanming
There is no suitable folk charm, and his nature is to love hills and mountains.
I accidentally fell into the dust net and passed away for thirty years.
The tame bird misses the old forest, and the fish in the pond miss the old abyss.
Open up the wilderness in the south, stay humble and return to the garden.
The square house covers an area of ??more than ten acres and has eight or nine thatched houses.
Elms and willows shade the back eaves, and peach and plum blossoms line the front of the hall.
The distant village is warm and the smoke is lingering in the ruins.
Dogs bark in the deep alleys, cocks crow on top of mulberry trees.
The courtyard is clean of dust and clutter, and the empty room has plenty of leisure.
After being in a cage for a long time, you can return to nature. Passing by my old friend's village
Meng Haoran
My old friend brought chicken and millet and invited me to Tian's house. The green trees border the village, and the green mountains and hills slope outside.
Open a dining room and chat over wine. When the Double Ninth Festival comes, there will be chrysanthemums.
Mountain Dwelling in the Dark Autumn
Wang Wei
After the new rain in the empty mountains, autumn comes late.
The bright moon shines among the pines, and the clear spring flows upstream from the rocks.
The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.
Let the spring fragrance rest at will, and the kings and grandsons can stay. Zhongnan Mountain
Wang Wei
Taiyi is close to the capital of heaven, connecting mountains and sea.
The white clouds look back and merge, and the blue mist comes in to see nothing.
The peaks in the field change, and there are many valleys and clouds.
If you want to stay somewhere, ask the woodcutter across the water.