When I walked across the wooden bridge across the mountain stream, the sound of gurgling spring water accompanied me; Came to the front of the farmhouse, the sun shone high on the eaves, and the chickens giggled as if welcoming visitors; Shan Nong accompanied me to visit the roasted tea and said apologetically, don't blame me for being smoked; When he arrived at the threshing floor, Shan Nong was ecstatic because he could thresh in fine weather.
Note 1 Mountain farmers: Zhang Ji wrote a book called Mountain Family. Visit, visit. 2 Chen: Resentment. Baking tea leaves: Bake tea leaves with low fire to remove moisture from wet tea leaves. Baking: Bake with low fire.
Walking on the Banqiao, I only heard the spring tinkling under the bridge; After noon, the rooster crowed in front of the thatched cottage. Don't blame baking tea for emitting smoke, but be glad that drying grain coincides with a sunny day.
Appreciation of Mountain Farmhouse This is a six-character quatrain on a trip to Shan Nong. The six-character quatrains are integrated into one, and there are few authors and works throughout the Tang Dynasty. Gu Kuang's six-character quatrains are simple, light and natural, which shows the true nature of farmers.
The first sentence "Banqiao people crossing sound of spring" intercepts a scene on the way. When the author crossed the wooden bridge across the mountain stream, the murmur of spring accompanied him. There is no word "mountain" in the sentence, only "Banqiao" and "Spring Sound" related to mountain scenery set off the mountaineering environment. "The sound of people crossing the spring" seems unreasonable, but it does express the unique feeling of people crossing the slab bridge filled with the sound of spring. The word "sound" in "The Sound of Spring" makes the spring come alive, reflecting the quietness of the mountain. This sentence describes the environment near the farmhouse, and the word "Guo" is dark. The "man" in The Traveler is actually the poet himself, but when he writes it, it looks like he is painting himself, and the lyrical subject seems to be integrated into the object and become a part of the scenery. In a short sentence, people seem to be there, as if they heard their voices, as if sharing the relaxed and happy feeling when the author stepped into a secluded place.
From the first sentence to the second sentence, there is a jump in time and space. Crow crow in the morning under thatched eaves is a scene where the author walks through a mountain and slopes to the front of a farmer's house. Cockcrow is not novel, but arranged in this poem, it makes the farmers in the deep mountains suddenly full of noisy and ordinary love and rich life. The humble hut under the thatched eaves is the true nature of a "mountain man"; The crow at noon seems to break the silence of the mountain village, but it also reveals the unique leisure and tranquility of the farmers in the mountain village. The six words in this sentence form three groups of events in turn, which is contrary to the three groups of events formed in the same way in the first sentence, showing the characteristics of six-character poetry. In terms of syllables, it just constitutes three "steps" of two words. Because this sentence pattern rhymes with the eight-Geng rhyme, it is particularly rhythmic and has a loud syllable.
The first two sentences can be said to be two independent and closely connected pictures. The previous picture, The Sound of Banqiao People Crossing Springs, depicts a Banqiao near a mountain farmer's home. Under the bridge, gurgling mountain springs flow. On the footbridge, what you see and hear is the clear tinkling sound of the spring. There is a picture in the poem. This picture is a sound painting that seems to hear the sound of spring. The latter one, "Cockcrow on Maoyan Morning", wrote "Going to a farmhouse on the mountain". In the warm sunshine, the eaves were quiet, except for a few long crows. This conveys the unique flavor of a mountain farmer who is far away from the hubbub and the whole family is working. "There are no idle people on the farm, and housework is in the south" (Wang Wei's "New Sunny Wild Hope"). Here, I wrote about the silence of the rooster in the afternoon, just to counter the busyness behind the silence. In terms of expression, this sentence is mainly dynamic contrast; From the implication of the content, it is busy with superficial idleness. So in a few words, the brush strokes will naturally receive Shan Nong's works.
"The smoke of Chen Mo tea baking is dark, but I like to bask in the sunny valley. These two sentences are the words that the busy master apologized to the poet when he arrived at the farmhouse in the mountain. A few days before the poet went to the mountain farmhouse, it rained for a few days, and the tea was a little wet, so the cut millet could not be dried; On this day, after the rain, while the sun is shining, the whole family is busy baking tea and drying food. The house is full of smoke because of baking tea and burning wood, and the millet on the threshing floor outside the house needs to be turned from time to time. Therefore, the hospitable host sincerely apologized. Shan Nong's words not only expressed Bi Xiao's tone, but also vividly showed Shan Nong's simple hospitality and the busyness and joy of Chu Qing farmers after the rain. Such natural language and simple words complement the quiet environment described above and present a simple and pure beauty of life. The first sentence "the sound of spring" means that after the rain, the second sentence "the cock crow" makes the sky clear, making the front and back pictures closely connected and seamlessly connected. Express "mountain" through "Banqiao" and "spring sound": there must be a stream under Banqiao; There is a sound in the stream, which is undoubtedly a mountain stream.
The first two sentences start from the environment and point out the characters, while the third sentence starts from the characters and brings out the environment. The change of brushwork is to highlight the image of Shan Nong. The author added the word "Chen Mo" before "baking tea to make the smoke black", and wrote Shan Nong's feelings while showing the labor scene. Shan Nong's tone of asking guests not to blame being smoked reflects his straightforward character and the true nature of workers. The word "Chen Mo" is emotional and full of emotion. After Chen Mo, the word "lack of drama" is used in the fourth sentence, which once again shows Shan Nong's simple feelings and distinctive personality, deepens the portrayal of Shan Nong's image and adds a distinct stroke to the bright tone of the whole poem.
Six-character quatrains, because the number of words in each sentence is even, and six characters are obviously divided into three sentences, naturally tend to be opposite sentences and tend to be carried out in order. Most of them are antithetical, and the language is beautiful. Although Gu Kuang's six-character quatrains also take the form of antithesis, they are not dull at all because of their simple and natural language and changes in sentence patterns before and after. Instead, they are quite light and natural, fresh and simple, and the style and content of the poems present a high degree of harmonious beauty. If classified according to Si Kongtu's poems, this poem seems to belong to the "natural" product of "discovering everything, not taking neighbors, conforming to everything, and becoming spring scenery". The author seems to tell a little thing about life casually, but it gives people a beautiful artistic enjoyment.
Poetry: Shan Nong Poetry Author: Tang Dynasty Gu Kuang Poetry: Jiangnan, Shanxiang, Labor.