1. The poet did not describe these historical events in detail, such as the Anshi Rebellion, the Ma Su Rebellion, and the Ping Rebellion's return to Beijing. He just passed them as a bridge of lyricism, and concentrated a lot of pen and ink on loved one of Xuanzong to the imperial concubine, which was touching and touching.
2. The characters are very simple. Li and Yang are two characters in the poem, which are mainly accomplished through psychological depiction. Detailed psychological description not only successfully shows the inner world of the characters, but also effectively promotes the development of tragic stories.
3. The poet combined the characters' language with the author's integration of language, used fiction and imagination to unfold the plot and shape the characters, and created the artistic conception with beautiful language, which became the swan song in ancient long narrative poems.
4. In narrative stories and characterization, the poet adopted the expressive techniques that China's traditional poetry was good at, and harmoniously combined narrative, scenery description and lyricism, thus forming the characteristic of poetry's lyricism.
Extended data
The poetic style of Song of Eternal Sorrow;
At the beginning of the poem, both the hero and heroine were condemned, but with its development, the poet enriched the story with his own feelings and imagination, giving this love tragedy a more universal meaning, which made the author and readers have a high degree of sympathy for it. To a certain extent, it broke away from the true colors of history and became a sentimental "amorous feelings" poem mainly chanting the love of Li and Yang.
In writing, the author broke the rules of "focusing on truth" and "not writing for the sake of writing", and repeatedly used imagination and fiction in the narrative process, which perfectly combined emotion, scenery and reason, and strong lyricism ran through the whole narrative process. In terms of language, syllables are harmonious, sentence patterns are mixed, and the form and function of subject-object question and answer are adopted, which makes the whole poem swaying.