① Four-word idiom about calligraphy
The pen and ink are full: the pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake leap in the pen. Describe the vigorous and free-spirited brushwork of calligraphy. Also write for the conductor.
Huang ting was first written: Huang ting: the Taoist classic Huang ting Jing, and the Jin people had a small regular script of Huang ting Jing. In the old days, there was an idiom
"Writing Huang Ting at the beginning is just right". Later used as a metaphor to do things just right.
Spring earthworm and autumn snake: It is a metaphor for poor calligraphy, bending like the tracks of spring earthworm and autumn snake.
At daggers drawn: The sword has been drawn from its sheath, and the bow has been opened. Describe the tense situation, explosive. Later, it also means that calligraphy is vigorous and imposing.
Examples: Zuo Qiuming made a biography of Chunqiu, and summarized the calligraphy of Chunqiu into several types of examples, and gave a general explanation. Later, the style of the book was described as "giving examples and giving examples" because of the classification and examples. See "Make an example". Penetrating through the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poetry.
while flying like a dragon, flying like a phoenix. The original description is bold and unrestrained and magnificent. Nowadays, calligraphy is described as lively, flexible and skilled, and vivid plastic arts of dragons and phoenixes.
flying dragon and snake: describe the vigorous and vivid calligraphy style. Su Shi's Xijiang Moon? Ping Shan Tang: "I haven't seen an old fairy for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like phoenix. Originally, calligraphy was described as natural and unrestrained. It is also a metaphor for the separation of husband and wife of advanced students.
Luan Xiang Feng Jian: Jian: Fly high. It is a metaphor for the flying gesture of calligraphy.
beauty hairpin flower: describes the beauty of calligraphy or poetry style.
penetrating: the original description of calligraphy is strong (according to legend, Jin? Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep. Now he describes the profound and powerful analysis, description and discussion.
iron-painted silver hook: painting: strokes; Hook: Hook. Describe calligraphy as strong and beautiful.
② Four-character idioms in calligraphy works are always happy with contentment
[zh and zü chá nglè]
Explanation: Knowing contentment is always happy. Describe being content with the benefits and status you have already obtained.
from "Lao Zi" by Li Er in the pre-Qin Dynasty: "The disaster is greater than not being satisfied, and the blame is greater than wanting, so contentment is often enough."
Example: A hedonist must first have the accomplishment of contentment, which is what the old saying says.
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③ Four-character idioms are suitable for calligraphy works
Hello, I have written a few four-character idioms about calligraphy works for you. Please take a look at them.
A total annihilation
Poetry, calligraphy, etc. are described as magnificent and verve.
Writing a dragon and snake
Calligraphy is described as vivid and imposing.
A swallow-tailed silkworm head
describes calligraphy as a dignified stroke and a light stroke.
Rich in muscle and strength
It means that the font structure is solid and full, and the brushwork is more than strong.
agile
is often used to describe the vigorous strokes of calligraphy, or graceful dancing
penetrating the back of the paper
to describe the vigorous strokes of calligraphy, which almost penetrate the back of the paper.
incisive
describes calligraphy as having great pen power. Nowadays, the problem of metaphorical analysis is very profound.
Iron-painted silver hooks
describe the softness of calligraphy.
Fairy Dew Pearl
describes the elegance and roundness of calligraphy.
④ Four-character idioms are suitable for calligraphy works
with a long history
yuá n yu ? n liú chá ng
The explanation source is far away and the water is very long. Metaphor has a long history.
Tang Juyi's "Epitaph of Mrs. Pei Jun's Li's Epitaph in Haizhou" says: "The husband has a long history, and the roots are deep."
combined structure.
the usage is positive. It is mostly used for the origin and origin of historical things. Generally used as predicate and attribute.
pitch length; It can't be pronounced as "zhǎnɡ m?n ɡ".
shape identification source; Can't write "original".
Synonyms are endless, endless, and endless.
Antonyms have no roots, no water
China has a history of 5, years; China culture can be described as ~.
⑤ Four-foot banner nave four-character idiom calligraphy
Quiet and far-reaching room Yalan Xianghong Road cultivates Yun Geng to plant the moon and make it auspicious
Enjoy it. If you have no desire for water, you will just meet a sage. Si Qi
Muru is as clean as a breeze, and you will be open-minded and knowledgeable with the times.
⑤ Describe the four-character calligraphy idiom
Describe the four-character calligraphy idiom as an example:
Write a dragon and snake
.
the source of Tang Li Bai's cursive songs: "I always see dragons and snakes walking, and I am shocked by the left side and the right side."
Xiao Wangbin, a scholar in use cases, has a splendid chest. (Ming Ling Mengchu's Surprise at the First Engraving, Volume 2)
Flying while flying like a dragon and dancing like a phoenix
Free and unrestrained in meaning
Interpretation originally described the winding and majestic mountains, and later described calligraphy as powerful and flexible.
The source of Song Su Shi's "Expressing Loyalty and Viewing Monuments" is: "The mountain with a heavenly eye, the water is blooming, and the dragon and the phoenix dance, which is extracted from Lin 'an."
the use case looked up and saw four large screens hanging on the north wall, with cursive handwriting, which was amazing. (Liu E's Travels of Lao Can in Qing Dynasty, the ninth time)
Free to write
Free to use synonyms, handy, and responsive
Anti-sense, struggling
Interpretation: writing; Wine: Sprinkle ink. Describe painting, writing, composition, pen can follow one's inclinations.
The source of Tang Li Qi's "A Gift to Zhang Xu" is: "Prosperity is like a meteor."
A family member sends a pen full of ink. Jue Zhai picked up a pen and wrote more than 1 words on the paper. (Qing Ceng Pu's "Evil Sea Flower" back to the 25th)
Penetrating through the back of the paper
The meaning is as large as a rafter, and the brushwork is close to death
The antonym understatement
Interpretation describes that calligraphy is vigorous and powerful, and the pen tip can almost penetrate through the back of the paper. It also describes poetry as profound in conception and concise in words.
The source is Tang Yan Zhenqing's "Notes on Zhang Changshi's Twelve-sense brushwork": "When using the front, I often want to make it pass through the back of the paper, which is extremely successful."
the use case comes first. (Qing Zhao Yi's Poems in Oubei, Volume 6)
⑦ A complete collection of four-character idioms in calligraphy
A dragon snake at the bottom of a pen is still a snake in words. Describe calligraphy as vivid and imposing.
source: Ming Lanling Xiaoxiaosheng's "Jin Ping Mei Ci Hua" back to the thirty-first chapter: "I have learned a lot from the public, and I am really talented."
The calligraphy is vivid and imposing.
source: Tang Li Bai's cursive songs: "I always see dragons and snakes walking, and the left plate is stunned."
The swallow-tailed silkworm head describes calligraphy as a dignified stroke and a light stroke.
Source: Song Zhao Ji's "Xuan He Hua Pu Yan Zhenqing" "Only he is loyal to the daytime and knows the world, so his spirit is seen in the calligraphy, which is unique and inclusive. ..... after the popular science, it is to seek the end of its shape, which is called the swallow-tail of the silkworm head, and it is only obtained. "
sinking is vigorous and fluent, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: The Book of Dharma should be recorded. Volume I quotes Yang Xin's Book of Names from Ancient Times: "The emperor of the Wu Dynasty is like a grass, and the world is called heavy and happy."
calm, happy, firm and fluent, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: Song Yanyu's Poems on Canglang Poetry Debate: "There are two things about it, that is, you are not forced to travel, and you are calm and happy."
Full of muscle and strength: plump and plump; Tendon: a ligament on a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than strong.
Source: Song Anonymous's Xuan He Shu Pu: "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law, and the discussants said that it was full of strength and strength, and there was a tendency to travel in clouds and rain."
Feng Bo Luan drifts and parks: drifts with the current. The original description of calligraphy is chic and elegant, and later it is compared with the separation of husband and wife or the frustration of literati.
Source: Tang Hanyu's poem "Ga Shen Shan" reads: "Kodou's fist is thrown upside down, and the phoenix flies and the tiger flies."
While dancing like a phoenix, a dragonfly describes calligraphy as powerful and flexible.
Source: The Legend of Heroes of Children, the tenth time: "Only this calligraphy can be written like this, which is really admirable."
the phoenix flies high. Metaphor calligraphy strokes flying stretch.
Source: Jin Luji's Fu on the Floating Clouds: "Luan Xiang Feng Ji, Hong Jing He Fei, Whale Catches the Waves, and Cedar Catches the Road."
The fat in the past and the barren in the present are metaphors of different styles of calligraphy.
source: Tang Zhang Yuanyan's calligraphy to be recorded, volume 2: "impermanence is called ancient fat, and Zi Jing is called barren today. Ancient and modern times are different, and fat and thin are quite opposite. "
crane knee and bee waist ① This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.
Source: Song Wei Qingzhi's Poet Jade Chips, Poem Diseases and Eight Poems Diseases: "The third word is called bee waist, and the second word cannot be synchronized with the fifth word ... the fourth word is called crane knee, and the fifth word cannot be synchronized with the fifteenth word."
Hu Fei-zhong and thin Hu: Hu Zhao in the Three Kingdoms period; Zhong: Zhong in the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Describe the beauty of calligraphy.
Source: Tang Yanyuan's The Book of Dharma: "Liu Desheng, the Wei of the Three Kingdoms, was famous for writing running scripts, while Hu Zhao and Zhong Zhong copied their methods, while Hu Shu was fat and Zhong Shu was thin, and each had its own beauty."
Calligraphers who draw sand and ink are metaphorical about using a pen.
Source: On Books by Tang Sui-liang: "Draw sand with a pen like a cone, like sand printing mud."
Graffiti describes poor calligraphy or writing. Used as a modest word.
Source: Ming Song Lian's "Time Sequence of Giving a Gift to Han Bo": "Gu Yu is not sensitive, and he teaches useless learning. When he responds with empty words, he draws vermin and doodles, and gives it every day."
⑧ Pictures of four-character idioms in seal script calligraphy works
⑨ What are the four-character idioms in calligraphy works? They are
total annihilation,
long snake with a pen,
swallowtail with a silkworm head,
rich muscle and strength,
iron-painted silver hook,
immortal pearl,
quiet and far-reaching and vivid charm. Handed down masterpieces, elegance, beauty and nature, fluency, elegance, elegance, simplicity, modesty, elegance, freshness and truthfulness, Steep and sparse, thunderous, Rowen Tiger Shock, powerful and vigorous, vigorous and vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interesting, error-making, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, tall and straight, vigorous and powerful, vigorous and powerful, compact in structure, while flying and dancing, and charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
As an artistic creation, calligraphy has profound mystery.
from Oracle Bone Inscriptions and bronze inscriptions to the big seal script, small seal script and official script, to the Eastern Han Dynasty, Wei Dynasty and Jin Dynasty, cursive script, regular script, running script and other forms were basically shaped, and calligraphy always exuded the charm of ancient art.
A gentle breeze means a gentle breeze that makes people feel warm and comfortable.
The dragon and phoenix dance originally described the majestic mountains, and later described the calligraphy as powerful and flexible.
Total annihilation
Describing poetry, calligraphy, etc. as magnificent and verve
Writing in a dragon snake
Describing calligraphy as vivid and imposing.
Silkworm-headed swallowtail
Describing calligraphy as dignified in writing and light in finishing.
Abundant in strength
It means that the font structure is solid and full, and the brushwork is more powerful. < p Or graceful dancing
penetrating through the back of the paper
describes the strength of calligraphy, and the brushwork almost penetrates through the back of the paper.
Ingenuity
describes the pen power of calligraphy. Now, many metaphors are very profound.
Iron-painted silver hooks
describe the softness of calligraphy.
Fairy dew pearls
describe it.