Qing Dynasty: Song Wan
The milky way poured down in a flash.
There are many risks in the world, and it is said that the Yellow River is a terrible road.
Translation and annotation
The milky way poured down, just for a moment (yú).
It is often said that the Milky Way Waterfall. It's hard to say whether it's true or not. Now you can see the Yellow River, and the turbid waves can lift the sky in an instant.
Pour the Milky Way: The water in the Milky Way pours down. Moment: Suddenly. Turn it over: on the contrary.
There are many risks in the world, and it is said that the Yellow River is a terrible road.
The chaos in the world is more sinister than this, but some people say that the dangerous road is only in the middle reaches of the Yellow River.
Translation and annotation
translate
It is often said that the Milky Way Waterfall. It's hard to say whether it's true or not. Now you can see the Yellow River, and the turbid waves can lift the sky in an instant.
The chaos in the world is more sinister than this, but some people say that the dangerous road is only in the middle reaches of the Yellow River.
To annotate ...
Pour the Milky Way: The water in the Milky Way pours down.
Moment: Suddenly.
Turn it over: on the contrary.
Make an appreciative comment
The first two sentences of this poem put the turbid waves of the Yellow River outside the sky, hoping that the Milky Way would pour down in the sky as a foil, trying to describe its sinister; The last two sentences say that human feelings are more sinister than the turbid waves of the Yellow River, and it should not be said that the Yellow River is afraid of the road. This poem describes the understanding of social life by means of contrast, which is very profound, contains the feelings of injustice at that time, and sends out the voice of poverty, loneliness and anger, with mature style and vigorous brushwork.
The first two sentences say that once people come to the banks of the magnificent Yellow River, they will be frightened by its mysterious legend of "pouring the Milky Way". The poet despises such a timid person very much. Crossing the Yellow River is naturally dangerous, but to "lift the sky and cover the land, make waves" is just "taking the lead and moving the whole body". In the eternal time and space, human life is like a boat in a torrent: when the waves of life are huge, no one can predict in advance, and no one can know when the disaster will last. Song Wan was once a poet with a high reputation. In his early years, he was a scholar in high school. He also benefited a lot from being an official and won the love of the people. But I don't want to be framed, so that I will be arrested and imprisoned immediately and tied my wife. During my three years in prison, I was in danger of an accident. No wonder he used the topic of "crossing the Yellow River" to give a heavy sigh of "the world is full of risks".
In the last two sentences, the Yellow River is surging, but the ancients didn't know its birthplace and thought it was the Milky Way in the sky, so it was called "how the water of the Yellow River moved out of the sky". It has waves that lift the sky, but it won't be long before it can survive. The risk of wind and waves is very short-lived and can usually be crossed. The real risk is in the world. In the sinister world, ordinary people are used to the life of intrigue, intrigue, jackal, darkness, injustice and unconsciousness, but they have not yet realized its sinister nature. It means that the dangerous waves of the Yellow River are the most terrible, and they dare not spend them.
Song Wan thinks that poets are poor, have "sadness" in their hearts, and tend to be "sad and generous". (Preface to Dong Shi) The Yellow River is originally a dangerous road in nature, but whether it is "pouring into the galaxy" or "blowing up the sky and creating the earth", it is insignificant in the eyes of the poet compared with the life path full of intrigue. The poet wrote his own understanding of social life by contrast, which is very profound, contains feelings that hurt heaven and earth, and sends out voices of poverty, loneliness and anger. His poetic style is mature and vigorous, showing one aspect of his poetic style.
Appreciation and translation of the original text of Crossing the Yellow River 2;
Young Wan Li, laughing at the end of the year, is divided into north and south. You have to believe that you have never dreamed in your life, but you have traveled so far. Old Liuguan River, ancient setting sun road, the wind is still straight. The savage asked in surprise, where is Fancha?
The leaves rustled against the face, and the quicksand went away without a trace. The grass is greener in autumn, and only the idle gull is lonely. The waves hold the sky, the mountains invite clouds, and the silver pool is clear. The song is broken, and the sea toad flies to lonely white.
translate
I put my boat on the Yellow River in Wan Li, which was ridiculous. Somehow, this flowing water is regarded as the dividing line between north and south! Needless to say, I have never dreamed of this place in my life, and now I really come to travel. There are several old willows swaying by the Guanhe River, and the bleak ancient road reflects a touch of sunset. The wind has stopped, but the waves are still surging. When the villagers on the shore see us, they should be very surprised and ask: Where did these vagrants go to row happily on the river?
Rustling leaves fly head-on, and the river rolls yellow sand and flows far away. Gradually, there are no pedestrians in the distance. Rotting weeds are sad, greener in the autumn air, and only an idle seagull stands there. The high turbid waves seem to float with the sky under their arms, and the winding mountains seem to meet the washed-away clouds. After nightfall, the bright galaxy spans the sky. We beat on the hut and sang loudly. At the end of the song, the moon rose, so lonely and white.
To annotate ...
Hu Zhongtian: The epigraph reads Nu Wa, also known as Hundred Characters Order, Seven Rivers Moon, No Return to the River, Meeting, Double Tone with Hundred Characters, Up and Down Pieces 10 Sentence with Four Rhymes.
Shen Yaodao: Qin Ming, whose name is Yaodao, is Qiu Jiang.
Zeng: Name meets, word respects, and word spreads.
A ship with windows.
In a word: what, why, why?
Need to believe: notes.
Guanhe: An artificial river dug by the government.
Savage: refers to the aborigines by the river.
Check: Rafts, namely rafts and bamboo rafts.
Rustle: wind, the sound of plants shaking.
Water and quicksand are far away: the river is wrapped in yellow sand and flows far away.
No trace: No trace at all.
Pu Yin: Han Yin, or Tianhe.
Buckle song: while singing, knock on the ship's rail to think about the beat.
Rest: rest, end.
Creation background
According to the Biography of the History of Yuan Dynasty, "In the twenty-seventh year of Yuan Dynasty (1290), the Tibetan scriptures were written in gold, totaling 2,242 taels of gold." At that time, Yuan Shizu recruited Jiangnan writers. Zhang Qian went to write scriptures with Shen Yaodao. This word was written on the way to the north.
Make an appreciative comment
This is a poem describing the ancient Yellow River, which shows the magnificent and desolate scene of the ancient Yellow River, depicts a beautiful picture of crossing the river in autumn night, and expresses the feelings of the rise and fall of the country. The artistic conception is grand and the emotion is profound.
"Yang Yi Wan Li" is the meaning of "going to Yuan by boat" in "Songs of the South Wind", which reveals the negative feelings towards Wan Li from the very beginning. Then the phrase "laughing at that time" contains a feeling of "broken mountains and rivers" The ancients once lamented that the Yangtze River was divided into north and south. The author here refers to the Yellow River near the Yangtze River, because the style of the Yellow River is comparable to that of the Yangtze River. The author uses "looking back" (the Yangtze River was divided into the north and the south in the Six Dynasties) to "attend to one thing and lose the other": Jin (Mongolia after the death of Jin) still had the trend of juxtaposing the south and the north, and now even this situation no longer exists. Therefore, the author chose a word "laugh". "Laughter", originally a happy word, is a helpless wry smile here, expressing the author's indescribable complex feelings. These two sentences seem to ask questions, but in fact they are lamentations of "the overall situation has been decided" and "there is no way to return to heaven".
The sentence "must believe" began to touch on the topic. The author is a noble child born in the south of Jinxiu River. He never dreamed of this desolate place before, but the reality forced him to travel long distances here. Therefore, "travel" at such a time is an escape from self-deception-there is no such desolate "travel" in the world. The author and his peers, such as Shen Yaodao and Zeng, have different moods. Perhaps they want to take this opportunity to display their talents and seek promotion, and the author also has his own difficulties, so the king is obedient, but his heart is depressed. Therefore, in the face of the ancient Yellow River, which is divided from north to south, the author can't help but make a painful voice.
The three sentences of "Lao Liu" describe the face of the Yellow River in the eyes of a southerner: "old" and "ancient", extremely ancient; "The wind is still straight" describes the speed of its water flow, which was called "flying arrow" by the ancients. This is realism, which also reflects the vigilance of the poet.
The words "savage" were borrowed from the natives by the river. They asked this group of travelers in a surprised tone. "Fancha" originally had an allusion that Tianhe is connected with the sea. In August, someone accidentally arrived at Tianhe from the sea. Here, Tianhe is better than the Yellow River, which is in sharp contrast with the surprise and hardship of the local residents' surprise trip.
The last movie is mainly about love, which brings out the scenery with love; The next film mainly describes the scenery, but uses the scenery to bring out feelings. The three sentences of "face to face" in the film describe the bleakness and vastness of the Yellow River, which is similar to Du Fu's "Leaves fall like waterfalls, but I see the long river is always rolling" ("Up the Mountain"), in which there is a feeling of "bitterness".
The phrase "hay" describes the late autumn, and the northern land is cold early. Looking around, it looks like withered grass. This is quite different from autumn scenery in the south, where "the green hills are full of water and the grass in the south of the Yangtze River is not withered in autumn" (Du Mu's Letter to Han Chuo, Yangzhou Magistrate). "Only idle seagulls are independent" not only writes the real scene in front of me (only lonely seagulls are standing idly on the vast river), but also reveals the meaning in my heart (only Sha Ou is free in the vast world, and people cannot be independent).
It is really a warning to write in three sentences that the weather around the Yellow River is magnificent. At that time, Su Shi once described the thrill of the Yangtze River as "flying stones flying through the air, crashing into the shore and rolling up thousands of piles of snow" ("Niannujiao Red Cliff Nostalgia"), and "introduced" Zhou Yu, a heroic and elegant figure, into this magnificent picture; Zhang Yan also wrote the stormy waves of the Yellow River here with desolate and tragic brushwork, but in this artistic conception he revealed his lost mood.
Finally, I wrote two sentences about "seizing the ship's rail", and the author's excitement reached a climax. He had mixed feelings, and sadness came from it. He couldn't help banging on the ship's rail and singing and sighing wildly. And the last sentence, "The sea toad flies to the lonely white", is the strange scene of flying to the moon at sea in the middle of the night to set off his loneliness and unbearable pain.
The "style" of this word in writing has attracted much attention. Zhang Yanben, a graceful poet, described the ci styles of Zhou Bangyan and Jiang Baishi. However, here and now, his experience and mood have undergone tremendous changes. Here, he wrote "crossing the Yellow River" instead of "visiting the West Lake". No matter how he writes about love and scenery, he has the vigor and loneliness of the ancient Yellow River. Therefore, this word is more like Dongpo and Jiaxuan's style, and it is unique in Zhang Yan's ci.
Appreciation of the Original and Translation of Crossing the Yellow River 3
The river is fast and turbid, and the soup can't be ling.
I finally made the list, and Songzhou won.
An empty court destroys an old tree, but a wasteland grows old.
I don't see pedestrians, but I see foxes and rabbits.
It is said that the river is old. Why should it be clear?
Introduction to ancient poetry
Crossing the Yellow River is a five-character ancient poem written by Fan Yun, a poet in the Southern Dynasties. The first four sentences of this poem first describe the momentum and characteristics of the Yellow River, and then write that the river is fierce and it is very difficult to cross the river. The middle four sentences are written by what I saw on the shore. First, I wrote that the rural residents are empty and the fields are barren. Then I wrote that people left the house empty and saw only foxes and rabbits running wildly. Write the last two sentences about your inner feelings, pains and wishes. This poem is vigorous and powerful, describing the truth and conveying the poet's ambition to clarify the world with allusions.
Translation/translation
The Yellow River is turbulent and turbid, and its water potential is huge and unstoppable.
Paddles made of cedar are also difficult for boatmen to use, and only strong boats made of pine can be competent.
The old wood lay down in the empty yard, and the old ridge remained in the wasteland.
There are no signs of pedestrians here, only foxes and rabbits.
I want to tell the old people by the Yellow River that the turbid water is quite clear.
To annotate ...
(1) Quick: quick and urgent.
(2) soup (shāng): there is plenty of water. Ling: Beyond, beyond.
(3) Reed: cedar oars. It is hard wood, which means that the paddle is very strong. List (bǐ ng): Paddle.
(4) Victory: Ability and responsibility. The Book of Songs Feng Wei Bamboo Rod: "Qi Wei, Song and Zhou Dynasties."
5] Empty courtyard: still empty courtyard, it is a deserted courtyard. Yan: Accommodation.
[6] chéng: The ridge of the past.
(7) Xing: Left, here refers to the fox and rabbit running.
Old in Jianghu: Old in Jianghu: In ancient times, Gao Shi, an official in Jianghu, could predict the future. Ge Hong's Biography of Immortals: "No one on the river knows his surname. During the reign of Emperor Wen of Han Dynasty, the masses made grass for temples on the banks of the river. It's good for the emperor to read Lao Tzu's classics ... he can't say it if he doesn't solve a few things. As soon as he heard it, he said that the classic meaning of Laozi was publicly explained on the river, which made him doubt. "
Levies: When? Cheng: Qing. Legend has it that the Yellow River is clear for thousands of years, the river is clear and the world is peaceful.
Creation background
The Yellow River was in the Northern Wei Dynasty, when Wei Zaiping City (now Datong, Shanxi Province) crossed the river to the north. This poem was written by the author Yongming on his way to the Northern Wei Dynasty in 492. It was written by the author, describing what he saw and felt before and after crossing the Yellow River, and expressing his thoughts and feelings of longing for national reunification and saving the people.
Appreciation/appreciation
The first four sentences of this poem are about crossing the river. "The river is turbulent and turbid, and the soup can't be mausoleum." Write down the momentum and characteristics of the Yellow River: the current is swift and muddy. "The list is difficult, and Songzhou wins." What is said here is that even the ship seems to be incompetent, and the ship can barely win the load, which shows the rapidity of the river and the difficulty of crossing the river. Write four sentences you saw on the shore. "The empty court destroyed the old wood and the wilderness was destroyed." The yard is empty, and the old trees are lying in disorder, as if they were going to collapse; The field is deserted, and you can still see the ridges of the past fields. "I didn't see pedestrians, but I saw foxes and rabbits." There are no pedestrians around, only foxes and rabbits are rampant. The village here has been completely destroyed, just as it is written in the "The Fifteenth Five-Year Draft of Ancient Poetry": "Rabbits enter from the dog's sinus, and pheasants fly from the beam. The atrium was born in the valley and the inoue was born in sunflower. " This is what the author saw under the rule of foreign regimes. In this description, we can see the author's feelings of sadness, sympathy and indignation. Fox and Rabbit is both a documentary and a metaphor for foreign rulers. Looking back at the description of the Yellow River in front of us, it seems exciting: the swift and turbid river is an allusion to the decline and confusion of northern China. In the Southern Song Dynasty, Zhang Zeng combined these two comparisons and wrote: "The bottom thing is Kunlun, and the nine foxes are scattered in chaos, and the foxes and rabbits gather in thousands of villages?" ("He Xinlang") In anger, the Central Plains fell into the hands of gold people. The last two sentences: "It is said that the river is old. Why is this water clear? " The meaning of these two sentences obviously refers to clarifying the world and setting things right. Because the situation of crossing the river is written in the front, these two sentences are not blunt; Because society is dying and people are wasting their lives, these two words are very emotional and powerful. This shows the author's thoughts and feelings of worrying about the country and the people, longing for national reunification and saving the people in the flood. It can also be explained that The Old Man on the River may have used the allusions of He Gong. Ge Hong's Biography of Immortals said that Hegong lived on the banks of the Yellow River and could predict the future. The author's "message", a figure who is determined to solve doubts, can better see his desire for clear rivers. The allusions here are seamless.
The theme of "crossing the Yellow River" is really rare in the poems of the Southern Dynasties. Being in the north, the author wrote down his feelings during his journey, thus revealing his ambition to clarify the world. In this case, the creation of this poem is very valuable when "Jiang Zuoshen seeks fame" (Xin Qiji's He Xinlang) no longer cares about the land of the Central Plains.