2. Innovation of poetic style. Qu Yuan's works created a generation of poetic style and style. The first is the macro-scale system. How to develop a masterpiece with lyricism as the main theme? It is very important to take "circuitous and intermittent" as the style of Sao poetry. "Intermittent circuitous" is the "suppression method" mentioned in Liu Xizai's "Introduction to Art". The second is style. The so-called style, first of all, is the use of words, and more is spoken language, especially dialects; Secondly, the sentence pattern is prose, with uneven length and patchwork. Thirdly, the extensive use of the modal particle "Xi" has become a symbol of the Sao style sentence pattern. Finally, through two-syllable words and three-word rhythm. Third, the sound and appearance are wide and tend to be gorgeous. There are more metaphors and wider meanings in Qu Zuo than in The Book of Songs. It is not only used to choose words and make sentences, but also used to write and conceive, and its symbolic significance is extensive and far-reaching. Herbs symbolize nobility and talent, and compare the love between men and women with the encounter between monarch and minister to reveal the relationship between people who are inconvenient to say in reality, which are imitated by later poets.
3. Strong romantic color. Qu Yuan's romanticism is characterized by embracing the life ideal of the northern school and embodying the imaginative literary form of the south. The second characteristic of Qu Zuo's romanticism is that it uses a lot of unrealistic themes and shapes the poet's extraordinary self-image.
4. Clever combination of poets and folk literature and art .. The composition is closely related to folk art (1). Tian Wen and Evocation retain more prototypes of myths and folklore; (2) "Nine Songs" was originally a folk sacrifice song in Chu, but it was actually a reflection of men's and women's sexual life. (3) Qu Zuo was deeply influenced by folk witch songs.