Shao Yong's poems are based on the Collection of Killing Earths in Yichuan, which was first engraved by Zhang and Shao in Ming Dynasty. In 1975, the school collected nine volumes of Complete Works of Shao (hereinafter referred to as Song Edition), six volumes of Shao Reprinted Collection (hereinafter referred to as Cai Edition), Yuan Edition (hereinafter referred to as Yuan Edition), Huang Jifu Edition in the first year of Ming Dynasty (hereinafter referred to as Yellow Edition) and the manuscripts of Sikuquanshu in Wen Yuan Pavilion in Qing Dynasty (hereinafter referred to as Yellow Edition) He is the author of Huang Shi, Yi Chuan Ji Tu Ji, Observing Things Inside and Outside, and Asking Cleverly in Words.
Shao Yong is not only a philosopher, but also a poet. His Collection of Killing the Earth in Yichuan contains more than 3,000 poems written in his life. The greatest feature of Shao Yong's poetry is that it not only expresses emotion, but also expounds philosophy. This is a rare content in Tang poetry. There are many people who pay special attention to Shao Yong's poems in later generations. In the Southern Song Dynasty, Lv Zuqian compiled the Literature of the Imperial Dynasty and included Shao Yong's "Luoyang Nostalgia" in the fifth volume. Volume 17 "Five-character Ancient Poetry" includes Shao Yong's "Four Stories" and "Gao Zhu"; Volume 23 "Five Words Rhyme" includes Shao Yong's "Winter Solstice", walking in the evening, climbing the stone pavilion on the 9 th, and understanding people's words; Volume 25 "Seven-character quatrains" includes Shao Yong's Poems of Idleness, Benevolence, Short Poems of Breeze, Wandering, Charlotte Garden Pool, Answering People's Language Teaching, What's the Story, Watching Huang San, Watching Five Emperors, Watching Three Kings and Watching Five Bo. Crown flowers, champion, self-sorrowful, self-singing, first and last singing, Cang Cang Yin Ji Li Shen Yan, under the forest, self-lying, self-harmonious and good at singing; Volume 26 "Five-character quatrains" includes Shao Yong's "Old Cold" and six-character "Four Sages"; Volume 28 "Seven-character quatrains" includes Shao Yong's "Heaven and Man", "No Smoking under the Mountain" and "Lazy Up"; Volume 87 "Preface" is included in Shao Yong's "Preface to Sowing Soil in Yichuan". Celebrities should be Yu Ji and Pan Yu, Bachelor of Hanlin in Yuan Dynasty. They built two rooms in the house. The left room is called Tao An, the right room is called Shao An, and the book is Shao Yong's. Scholars call Yu Ji "Mr. Shao An". Shao Yong's Daughter Temple, affection for Tianjin, sending Zhou Shiyan to settle down in Jianzhou, Pu An Tian, Nanyuan visiting Zhang Kunzhong, staying overnight, traveling in the Ming Dynasty, traveling in the moon, singing in late spring, and Tianjin's leisure are recorded in the Collection of Puyi in the Ming Dynasty. In the Ming Dynasty, Cao Xuequan included Shao Yong's poems in Volume 135 of Selected Poems in Shicang. There are also idle songs, high pillars, autumn outing, New Year's Eve in travel, Xie Fucheng's recruitment of officials, the work of magistrate Chang County, the summer drink, autumn Huai, Tianjin love, after the circle, nothing. The books I have read upstairs in Fengzhou County are Spring Tour, Sleeping in the Bamboo Pavilion, Working on the Good Road, Climbing the Building with Merchants, Two-color Peach, Wandering, Moonlight Night, Su Shou 'an West Temple, Shepherd Boy, Little Circle in Spring. The poems of the Four Dynasties compiled by Emperor Kangxi of the Qing Dynasty include Shao Yong's Daughter Temple and Shao Yong's Wandering after Spring. Minister Si Ku of the Qing Dynasty summed up the Collection of Killing the Earth in One Sichuan, saying, "Chao's reading records are rich in poems and songs, and Yu Gai is quite reasonable. According to the report, since Ban Gu wrote "Ode to an Epic", he began to discuss religious teachings, and Dong Fangshuo wrote "Commandments Poetry". With the Northern Song Dynasty, people in the Tang Dynasty didn't know, taking reason as the basis and words as the compilation, and the poetic style changed greatly. This episode was specially written by the author. Zhu Guozhen's "Worship for Xiao Zhuang" said that "Buddhist language evolved into" Hanshan Poetry "and Confucian language evolved into" Ji Rang Ji ",which is the wonderful use of this saint to wake up the world". But before Jiayou, the Northern Song Dynasty was tired of the shortcomings of the five seasons, and everything was returning to basics. His character rate is mainly light and open-minded, and his articles are mainly plain and honest. Therefore, for a time, the author often praised the lingering wind, and Wang Yucheng said in his poem, "This is the backwardness of Lotte, and Du Fu is the forerunner." Shao Zi's poems also originated from Bai Juyi, but in his later years, he never cared about the world, no longer focused on words, but expressed his thoughts from the heart, which broke away from the method of poetry. Those who destroy it must be silenced by rhythm, and the so-called accidental injury to seabirds is real; People with a reputation think that elegance is true. Zhuang Chang's people turned to imitate each other, such as the so-called "give me a pot of Taojing Festival and give him two Shao Fuyao", which is also to describe the salt-free and abrupt Chinese calligraphy, and Shao Zi was lost as a poem. Kuang Shaozi's poems are not only for work, nor are they prohibited by work. For example, Shao Bowen's Poem of Appropriate Sorrow, which is contained in "Foreword", said: "After half a dream, it seems that there is no sorrow and tiredness. Lying on your side, you don't want to get up, the flowers fall outside the curtain and fly wildly. "Although this is in Jiangxi school, why not?" But Ming people only regard vulgarity as high and know Shao Zizai like the back of their hands! The collection was compiled by Shao Zi, but Shi Yang's "Guishan Quotations" said that "it is easy to believe the original painting, and there is no poem to delete", so there is no determination. Knowing that it is scattered at will and no longer cleaned up, it is sincerely for poetry, not deliberately for poets. He also said: It is also the ambition to build a humble alley for a young son to hold high the Tao, and Huang, with his innate knowledge, originated from Chen Tuan, a Taoist priest in Huashan Mountain. He also looks like Huang Lao calmly, so it is extremely absurd to compile the words "base" and "ceremony" in the book "The Department of Taoist Collection in Taiyuan". Now it's attached to it, so there's nothing to attach to paganism. "As far as the development of poetry is concerned, the Eight Dynasties, the Tang Dynasty and the Song Dynasty are three major historical stages, each with its own characteristics. Yuefu poems in Han Dynasty, metaphysical poems in Western Jin Dynasty, landscape poems in Song and Qi Dynasties and palace poems by Liang and Chen all have their own characteristics. In the Tang Dynasty, there were more than 2,300 poets and about 50,000 poems. Frontier fortress and pastoral are the themes of Tang poetry. Li Bai's romantic color, Du Fu's realistic color and Bai Juyi's new Yuefu color all had a great influence on the poets in the Song Dynasty. There were more than 3,800 poets in the Song Dynasty. " Tang poetry is the theme of love, and Song ci is meaningful. "Song ci seems to be engraved on the language style and expression means." In particular, the poems of Ren Zong, poets of the period, such as Ouyang Xiu, Mei, Su Shunqing, Wang Anshi and Su Shi, highlight the unique features of poets in the Song Dynasty. Shao Yong is a poet who lived in this period. His poems are not only argumentative, but also characterized by metaphysics. Although Song poetry has the characteristics of anti-simplicity and not deliberately pursuing works, it is not without rules.