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2. This poem is unique, the first three sentences are all composed of noun phrases, and one * * * lists nine kinds of scenery, which is concise and meaningful. There are only five sentences and twenty-eight characters in the whole song. The language is extremely concise but huge, with profound meaning, exquisite structure and ups and downs. It is praised as "the ancestor of Qiu Si" by later generations.
First, borrowing scenery to express emotion, containing feelings in the scenery, constitutes a bleak and miserable artistic conception in the blending of scenery and feelings.
China's classical poems attach great importance to the creation of artistic conception. Artistic conception is an important category in the aesthetics of China's classical poetry, and its essential feature lies in the blending of scene and scene and the unity of mind and matter. Whether emotion and scenery can be well combined becomes the key to the formation of artistic conception. In the Qing Dynasty, Wang Fuzhi's Xuanzhai Poetry said: "There are two names of scenery, which are inseparable. God is infinite to poets.
Secondly, many dense images are used to express the author's pain and hatred of autumn during the journey, which makes the work full of rich poetry.
Image refers to the artistic image used to convey the author's feelings and contain the author's thoughts in poetry. China's classical poetry is characterized by the complex and intensive use of images.