This is Ma Zhiyuan's famous song, and 28 words outline a picture of a barren land. This little song consists of touching scenes of heartbroken people. On the one hand, this little song has won such high praise because it depicts a wonderful night scene in late autumn and truly shows the loneliness and sadness of people in the world. Although the mood is low, it reflects the depressed atmosphere of the times at that time and has certain social significance. On the other hand, it is more important because it depicts a wonderful late autumn night scene.
The obvious features are:
1. Simple and profound interdependence
Song Yu, an ancient man, used "adding one point is too long and subtracting one point is too short" to describe the figure of a beautiful woman. Qiu Si's writing in Tianjingsha is so refined that he can't add or subtract a word. The whole article is only five sentences and twenty-eight characters, which is neither exaggerated nor classic. It was a vivid picture drawn by pure lines: it was a dusty evening in late autumn. He crossed the small bridge across the stream and came to the doors of several families by the stream. At this time, the sun is about to set, but he hasn't found a place to stay. It will be a long night, and he can't help feeling sad and deeply sad. As for why the wanderer drifted here? Where on earth is he going? These meanings can be left to the reader to imagine. This poem deserves to be a masterpiece. The first three sentences of the poem, 18, * * wrote nine things: rattan, tree, crow, bridge, water, home, road, wind and horse, word for word, word for word, a scene. Before the names of nine things, there are modifiers expressing their own characteristics, such as withered, old, faint, small, flowing, human, ancient, western and thin, which make everything have distinct personalities and make unrelated things form a unity in the bleak late autumn twilight. The author did not write about the location of these things, nor did he write about the relationship between these things and wandering activities, but readers can imagine.
2. Static and dynamic scenes set each other off.
The artistic effect of Qiu Si in Tianjingsha is also due to the successful use of contrast. The author brings many relatively independent things into a picture at the same time, thus forming the mutual contrast between dynamic and static, bright and dark, background and subject: the "flowing water" in dynamic contrasts with the "small bridge" and "people" in static, showing a quiet environment; "West Wind" and "Ancient Road" set each other off to make the road more desolate; On the autumn scenery map sketched by the author, on the one hand, the dead vines, old trees and crows are gloomy in the autumn wind and small showers, and on the other hand, the afterglow of the sunset paints the dead vines, old trees and crows with a touch of gold; The "small bridge flowing water" presents an elegant and comfortable scene, which is in contrast with the wanderer who fell into a foreign land, making the "heartbroken person" more sad. Judging from the whole composition, the first four sentences describe the scenery, while the last one describes people. But people are the main body and scenery is the background of people's activities. When the background is written, the main body is set off. This is the wonderful use of mutual contrast.
3. Scenery and emotion blend together
Poetry expresses ambition. This poem aims to express the tragic feelings of people in the world. And people's thoughts and feelings are abstract things and difficult to express. The author uses the traditional writing method of sending affection to things to portray this sad feeling incisively and vividly. These tangible things, such as dead vines, old trees, faint crows, westerly winds, thin horses and sunset, all have obvious late autumn colors and are invisible. Just like a river flowing eastward, "sorrow" has nothing to do with "water", but the author refers to the number of rivers, and they are "like". It is very profound to express infinite sadness with the scenery of river of no return. Natural scenery was originally devoid of thoughts and feelings, but when the poet incorporated these objective things into aesthetic comprehension and feelings, they were endowed with emotional colors. But it is a very ordinary landscape, but when it is in the same picture as Tianya heartbroken, it is no longer an isolated scene, but a fuse that breaks the heart of heartbroken people and brings a sad atmosphere to the picture. The so-called "emotion is manifested by scenery, and scenery is born by emotion" is the truth. Qiu Si, with a sand patio, can be called a scene of affection, affection and scenery.
Although the song "Tianjingsha" is not long, it is well known by many people and can be said to be a masterpiece through the ages. In just 28 words, it depicts a very real and vivid picture of the sunset in the suburbs in autumn. The first three sentences are correct, and nine paintings have been launched one after another.
Face: Dead vines, old trees, faint crows, small bridges and flowing water, people's homes, ancient roads and thin horses in the west wind. With the scenery as the background, the scenery gives birth to feelings and outlines the wandering and sad feelings of travelers on the desolate background. Here, the author created.
The ingenious combination of isolated natural objects makes the whole picture full of fluidity and life. At the same time, consciously highlight the darkness and coldness of the picture, fully showing the strong wandering sadness of heartbroken men.
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