What does it mean to be in love?

You must be mistaken. Cao Tingdong's words are not to evaluate Zhu He's poetic style, but to evaluate his poetic achievements-"He Zhu's poems, words and prose are all good, with grace and courage" ("Hundred Poems of Cao Tingdong"). But as far as practical achievements are concerned, his poems are higher than prose, and his words are higher than poetry. His writing is both rigid and flexible, and his style is diverse, so Zhang Lei praised it as "Li Sheng is like gold, Zhang Zhitang is like swimming, and his curves are like holding and giving □; Quiet and clean as Qu and Song, tragic as Su and Li (Preface to Dongshan). Among them, the works that are deep, graceful and dense are the most. He Zhu once said: "My pen is in a hurry with Li Shangyin and Wen Tingyun. They are always in a hurry." (Jane Ji Kang, Volume 8, Biography of He Zhu) This mainly means that he is good at blending middle and late Tang poetry. His skill in combining the poems of his predecessors is comparable to that of Zhou Bangyan. Many of his words describing love are also inherited from Wen, Li and others, and they are written tactfully and emotionally. Such as the famous article [Jade Case]: "Ling Bo did not cross Hengtang Road, and watched Chen Fang go. Who is golden times, Qiao Yue Garden and Window Lock Pearl Lake? Only spring is known. Ran Ran Yun Fei, at dusk, drew a new topic, heartbroken sentence. If you ask how much leisure do you have? Yichuan smoke, full of wind, plum yellow rain. " Rhetorically beautiful, lyrical, write about his setbacks in love. In particular, three clever metaphors are used in succession at the end: tobacco, catkins and plum rain, which are novel and vivid. At that time, they were famous for their "fresh words and good intentions" (Volume II of Bi Zhi) and "Prosperity is more profound than others" (Volume VII of He Lu), and the resulting poems, such as He, Walking the Sand, Man and Tea Son, were all graceful and graceful, with beautiful words.

He Zhu has a few words that can go beyond the scope of romanticism and focus on personal life experience and some social realities. His character is close to chivalry, and he is called a scholar-bureaucrat with a heroic view. Because of the breakthrough of theme content, the style of these words is also very different from the gentle tone from Huajianji to the end of the Northern Song Dynasty, which is bold and vigorous, generous and tragic. The most representative is the song "Song of Six Kingdoms", which expresses a person's political feelings: "Don't seek long tassels, take arrogant species, and the sword growls at the west wind". In addition, we can also see the sadness that people who are committed to their careers are trapped in jail and have achieved nothing, such as "singing the tune", "complaining about others" and "reading a good tour". These works were obviously influenced by Su Shi, but they were implicitly inherited by bold literati in the early Southern Song Dynasty. Moreover, although some of his words are written on traditional themes, their ideological content has made a breakthrough. For example, he wrote five poems about women's lovesickness. Although this is a well-known theme in the Tang Dynasty, he can create a new story by digging into the inner world of women, such as "Under the slanting moon, before the north wind, thousands of anvil want to wear." Don't get a bad night's sleep for smashing clothes. The night is like a year. "Thinking of her long-missed husband, she couldn't sleep, so she had to spend the long night by smashing clothes, which made her feel more sad and sympathetic. These words reflect the suffering of military service at that time from one side, so they have certain social significance. He Zhu's ci has developed in the ideological realm, with diverse styles, rich language beauty and melody beauty, and is worthy of being a great poet in the Northern Song Dynasty.

He Zhu's poems are hidden in the name of the words, but in fact they have achieved considerable success. He studied poetry for three years at the age of seven and wrote more than five or six thousand poems in thirty years. After constant deletion, I only saved 9 volumes when I edited Poems of clear lake's Old Friends. It can be seen that the diligence and quantity of his writing are far greater than that of words. He once said that he learned poetry from his predecessors in eight sentences: "Plain and simple; Strange and ancient are not adjacent to eccentric; Inscriptions are not limited to the object, and the narrative is not greasy; Understand physics deeper than Xing, and use the ministries as one of their own; The case was found in the article and completely unforgettable; The gas is beyond words and indomitable. " (Tiaoxi Fishing Hidden in Conghua Part I, Volume 37) His poetry creation follows this principle. Because he is generous and pithy, his poems are also "graceful and unconstrained" (Cao Tingdong's Hundred Poems of the Song Dynasty) and "clean and self-made" (Sikuquanshu Catalogue), and the style is often close to that of Su Shi. However, the subject matter is not very extensive, and the works focus on personal life experiences, mainly on travel and travel, and rarely touch social contradictions. Poems such as Song of Peach Blossom House, Tour to the Yuhuatai in Jinling, Fish in the West Building of Hailing are bold and outstanding, with tragic style, while Sleeping at Qinhuai and Yang Liuzhi Ci are fresh and elegant. Tang Yan and other works in Qing Dynasty are close to fine print in style. "Luo Hao whirlwind" literally means grand and enlightened.