These poems widely and profoundly reflect the reality of the destruction of the country and the death of the family, which is of poetic significance. Yuan Haowen's "Mourning Poem" is rare after Du Fu in terms of artistic generalization and sincere emotion. However, unlike Du Fu, he still has hope for the rejuvenation of the country. He was desperate and unwilling, and his repressed feelings made generate an infectious elegy. Moreover, these "mourning poems" set off another climax of realistic poetry style after Du Fu. For example, the second part of Qiyang, "One hundred and two rivers and grasses are not horizontal, and Qin Jing is dark for ten years. There is no faith in the west, and there is crying in the east. Wild vines are full of love and bones, and the sunset is empty. Who asked, the war sent Chiyou as five soldiers. Another example is "Crossing the North on April 3rd in Guangxi". " The road is full of exhausted prisoners, and cars used to flow like running water. Pink with Uighur horse crying, for whom to turn back step by step. ""With the camp, the wooden Buddha is cheaper than firewood, and the bells are full. Geometricians were plundered by Lu, and the ship arrived in Bianjing, which was muddy. " "Bones are messed up. In a few years, mulberries turned into dragon sand. I only know that there are many creatures in the river, but there are a few broken houses. "Pens and pens are blood and tears, and every word is indignation. As Zhao Yi, a great writer and historian in Qing Dynasty, said in Poems of Mountain Heritage: "The country is unfortunate, but the poet is fortunate, so it is convenient to give it vicissitudes. "It is the broken mountains and rivers and the poet's worries that have created these excellent works.
Of course, Yuan Haowen also has a large number of landscape poems. The overall style of these poems is magnificent, elegant and unpretentious, with many famous sentences. Such as "A Tour of Huangpi Mountain", "The turbulent sound turns to the ravine, and the snow is cold with the yin. Hanging over thousands of feet suddenly became an eye, feeling ill and washing my chest. Thunder and hail scattered, and the sun set on Changhong. A thousand miles of pearls pour down, and the sea overturns the dragon's sorrow. " The poet wrote the wonders of Huanghua Mountain Waterfall with powerful brushstrokes, giving people a magnificent feeling. In addition, Yuan Haowen wrote some poems on paintings in his later period. These poems are short and pithy, with far-reaching artistic conception, and they are often played with themes and have flavor, which fully sets off the connotation of the painting. For example, "Autumn Water Small Hair Map" "The car is rolling for * * * time. Draw a picture to kill a boat, Wan Li Qingjiang Wan Li Day. " As can be seen from the poem, the content of the painting is that Qiu Jiang is boundless and the boat is small, but the poet just takes this painting as the introduction, and it is difficult to walk by road and recite the world, which makes the artistic conception and connotation of the painting expand a lot.
Yuan Haowen's poems were very important in the Jin and Yuan Dynasties. His poems are original, clever and not beautiful, forming the Hefen Poetry School. On his deathbed, he asked his descendants to write only seven words on his tombstone, "the tomb of the poet Yuan Haowen", which shows that he attached importance to and affirmed his poetry creation. He is extremely confident in his poetic talent and has the same arrogance as Du Fu. He once said: "Poetry is crazy, but I can laugh at Du Fu." Poetry.
In addition, he is a brilliant literary theorist. His Three Poems, Thirty Poems, Langzhong Thesis with Zhang Zhongjie and School Series Postscripts almost summarize various poetic styles and important poets since the Han Dynasty. All the comments are concentrated in the seven-character poem, which is not only accurate but also incisive. "Poetry as Poetry" follows Du Fu's style.
He advocates "nature" and "truth" of family ties; Advocating the bold and unconstrained poetic style and advocating the compatibility of verve and style; Advocating that Li and Du are juxtaposed; Advocate the poetic style of multiple inheritance; He also put forward many technical principles in writing, such as opposing blunt and obscure, arranging allusions indiscriminately, and "really accumulating strength" in learning, which are the crystallization of his decades of personal practice and have practical guiding significance. Yuan Haowen left 377 words, and he was also the poet who wrote the most golden pronouns. The content of Yi Shan Ci is not as extensive as his poems, but it is the richest one in the field of Jin Ci, with Su Shi and Xin Qiji as examples in art, and various styles are bold and graceful. When expressing feelings, recite history, mountains and rivers, pastoral areas, express feelings, recite things, bid farewell, reward, mourn ancient injuries, and there is no calendar to control.
As a realistic poet in Jin Ci, his pen is realistic at first. There is a saying, "Wan Li, a soldier's dust, wrote home in March, and was speechless. How many times, how many times together, the teacher broke up. It is expected that the mother-in-law will hang more machinery than Ying Xiao Wo, and the panic team will be Jincheng Liu. "
Yuan Haowen is fond of nostalgia, and the form is mainly long and deep, such as Magnolia Slow. Pastoral words often show a leisurely and leisurely taste. Describing the magnificent mountains and rivers and expressing patriotic pride are important contents of Yishan's ci, such as Yishan's masterpiece "Three Methods of Water Diversion Xie Toufu".
The reason why the landscape ci of Yuanshi County is as indomitable as the landscape he wrote is that it is not only a vigorous landscape painting, but also full of generosity, strong thinking and ideals. In other words, the first smell is pure emotion, and the connotation of this word has deepened. From the point of view of ci, Yishan's love ci is unique, such as the famous Ci of Qiu Yan. Yuan Haowen witnessed the decline of the Jin Dynasty and the whole process of Mongolia's elimination of gold, and he has been in politics for many years. He has a strong sense of social responsibility of worrying about the country and the people, which makes him always pay attention to the fate of Jin State and the preservation of historical sites.
On the eve of Jin Ru's downfall, he suggested to politicians to write a history of Jin Dynasty in Jurchen fine print, but failed to do so, so he privately compiled Miscellanies of Renchen. After Jin's death, he was determined to compile a history of Jin with his own strength and paid a heavy price for it, with the patriotic belief that "the national history must die". After years of running around, he accumulated a considerable amount of information about the last words of rulers and ministers, which was later called "Records of Words and Actions of Rulers and Ministers in Jin and Yuan Dynasties". With the aim of "preserving history through poetry", he compiled Zhongzhou Collection. This is a collection of poems in the Jin Dynasty, including not only the poets who died or were not in Mongolia in the 2 1 16 Jin Dynasty, but also the two emperors and ministers in the Jin Dynasty, and even ordinary people in cloth (including 200 1 poem and 1 15 words).
Wen Zhuan was written on this basis, and the later Quan Jin Shu was also supplemented on this basis. At the same time, The Story of Zhongzhou also provides rich materials for the history of the Jin Dynasty. Unfortunately, just when he confidently said that it only took him three months to consult and copy the relevant contents in the Book of the Golden History, he could start writing the book of the Golden History, but one of his friends got in the way and failed to see the record of the Book of the Golden History in Zhang Rou, a Mongolian household and leader of the Han army, which made him regret it. Although Yuan Haowen failed to realize his wish to compile the Golden History before his death, the materials he collected provided a lot of first-hand materials for compiling the Song, Liao and Jin history of the Yuan Dynasty and even the Yuan history of the Ming Dynasty, especially laid the foundation for compiling the Golden History. Yuan Haowen respected historical facts, was unconventional and straightforward, so later scholars agreed that Jin Shi was closely related to Yuan Haowen, and The General Catalogue of Sikuquanshu was called "many books he wrote". In addition, Yuan Haowen's practice of revising the history of national subjugation was mostly imitated by later generations.