Gently/I'm leaving,
When I/gently come;
I gently/waved,
Farewell to the western world/cloud.
Riverside/golden willow
Be a bride in the sunset
In the wave/erotic shadow,
In my mind/rippling.
On the soft mud/green grass,
Oily/swaying underwater;
In Joubo, He Kang,
I would like to be an aquatic plant.
A pool in the shade of a tree,
Not a clear spring, but a rainbow in the sky.
Between broken/floating algae,
A dream of precipitation/rainbow.
Looking for dreams? Hold/support a long pole,
Go to greener grass/stroll back,
A ship full of stars,
In the light of the stars/singing.
However, I can't play this song.
Quiet/a farewell flute;
Summer worm/also silent for me,
Silence/It's tonight/Cambridge!
Quietly/I left,
When I/quietly come;
I waved my sleeve,
Don't take away/a piece/a cloud.
1 1 6th of the month
Expanding data to divide the rhythm of modern poetry;
1, divided by the word or phrase.
Generally speaking, a single word or phrase with similar meaning is a rhythm. The so-called similarity means that you can't open it. If you read it apart, it will sound incoherent and lack the rhythm of poetry. For example:
So, with the desire of a secret.
One day | I finally | climbed to the top of the mountain | (Wang Jiaxin is on the other side of the mountain)
Adding a comma after the word "so" in the previous sentence itself means pause, that is, rhythm, without scoring; "Huai" and "zhe" are verbs and auxiliary words respectively, but their meanings are closely related, indicating a state, which cannot be separated, and should constitute a rhythm as a whole.
2. Divide by meaning.
Generally speaking, a word or phrase with relatively independent meaning is a rhythm. The so-called relative independence means that you can express a meaning in a poem alone. For example:
In the age of hunger and cold, the ideal is food and clothing. (Liushahe "Ideal")
"Hungry and cold" and "Li Nian" here are phrases with relatively independent meanings and should be regarded as a whole to form a rhythm. "Ideal", "yes" and "food and clothing" are all single words, which all represent a relatively independent meaning and form a rhythm.
3. Divide words, phrases and meanings.
This method is the synthesis of the above two methods, and it is also the most practical. Because in a specific poem, you will encounter all kinds of situations. Therefore, only by combining the three methods can you divide the rhythm conveniently.