Thirty quatrains of Poetry is Yuan Haowen's most systematic poetic work, and notes: "Ding Chou was written in Sanxiang at the age of three." It was written in the first year of Emperor Xuanzong of Jin Dynasty (A.D. 12 17) according to the Chronicle of Yuan Yishan's Complete Works by Guo Qi in Qing Dynasty and Zhou Shi Shi Shi Hua in Qing Dynasty.
In the first year of Emperor Xuanzong of the Tang Dynasty, Ding Chou was twenty-eight years old. Zhen you three years, Mongolian soldiers into gold.
Yan Dou, four-year-old Bingzi, lives in Sanxiang at the age of eighteen, ranking first in his class.
The first four years. (note 16).
Therefore, this is a youth work. To discuss poetry in the form of quatrains, Du Fu's "play is like six quatrains" has always been the target. Later, Li Yishan's Five Stories of Mancheng, Su Dongpo's The Second Rhyme of Kong Yiji, Dai Fugu's On Seven Unique Poems, Han Ju's Xue Shi and Wu Ke's Xue Shi are all famous quatrains.
Yuan Haowen's Thirty Poems inherits Du Fu's poetic view of "being elegant without criticizing the false style", and interweaves it with emphasizing the "normal style" as the classics and criticizing the poets of past dynasties as the latitude. The era covered by the whole poem began in the Han Dynasty, and went through Wei, Jin, Northern Wei, Qi, Liang, Tang and Song Dynasties, and the writers involved began in Cao. They are Cao Zhi, Liu Zhen, Zhang Hua, Ruan Ji, Liu Kun, Tao Qian, Xie Lingyun, Shen Quanqi, Song, Chen Ziang, Li Bai, Du Fu, Han Yu, Liu Zongyuan, Liu Yuxi, Lu Tong, Meng Jiao, Li Shangyin, Wen, Ouyang Xiu, Mei, Su Shi, Huang Tingjian, Qin Guan, (none. They are Jie Yuan and Lu Guimeng. They are Wang Dun and Hu respectively. Hua Xin is a person who talks about poetry by character. The total number of people involved is 34. The whole poem discusses these writers in the way of separation or meeting. Moreover, this is aimed at them in the history of poetry development.
China's ballad "Wei Shi Jiu" has different opinions, but no one has discussed it in detail.
Who is the chisel in the poem? For the time being, let's teach you to be quiet and clear. (1)
According to the first two sentences, since the Han and Wei dynasties, there have been many poetic styles, and no one has commented on them in detail so far. In the second half of the sentence, I don't know who is the big hand who chisels mountains and rivers, and I can temporarily judge the turbidity of the poetry world. This is the summary of the whole poem, and what is discussed below is the content of sparse chisel. From the poetic point of view, Yuan Haowen not only takes "carving hands in poetry" as his own responsibility.
Cao and Liu are sitting in a roaring tiger, and there are no two males in the four seas.
Unfortunately, Liu Yueshi, a native of Bingzhou, never taught Heng 'an Middle School. (Part II)
According to the order of "poems", it is said that "Cao Liu is the sage of his articles", which is the reason why Yuan Haowen wrote poems by Cao Zhi and Serina Liu. In "Poetry", he said that Cao Zhi "has a very high personality and adopts Hua Mao". On Serina Liu: "The fighting spirit loves strangeness, and the movement is full of vibration. It' s really like a white bone frost, and the high wind is extraordinary. " Therefore, the first two sentences of this poem say that Cao Zhi and Liu Zhen are sitting in the circle of whistling poetry, and there are many talents from all over the world, but no one can match them. The last two sentences are about Liu Kun (Yue's family), who was appointed as the secretariat of Bingzhou during Yongjia period of the Western Jin Dynasty. It is a pity that he still has the strength of Han and Wei.
Jin has a lot of love, but he still lacks pot songs.
If Fengyun doesn't hate Zhang Hua so much, Wenli's new voice is Nelho. (Part III)
Yuan Hao, a poet in this poem, said: "Zhong Rong criticized Zhang Hua's poem, but he hated it for being affectionate with his children and lacking the wind and cloud." It can be seen that Yuan Haowen's poetic style was higher than Qi Liang's at the beginning of Jin Dynasty. Therefore, the first two sentences think that there are still many rhymes in Jian 'an poetry in Jin Dynasty, so take Wang Dun as an example. The second half of the sentence says: Zhang Hua's poems often use clever words, which seems to lack the atmosphere of the wind and cloud. However, compared with Wen and Li Shangyin's romantic works in the late Tang Dynasty, they are powerless. Although this poem excuses Zhang Hua, it actually advocates that poetry should not be "less stormy and more affectionate."
A word is natural and eternal, and luxury comes to an end.
South window day Xi emperor, did not harm Yuan Ming is A Jin. (4)
This poem Yuan Haowen asked "Self-Note": "Liu Zihou was Xie Lingyun in the Tang Dynasty; Tao Yuanming was the Bai Letian of Jin Dynasty. At the end of the poem "With the Rain Pavilion and the Party's Cause", Zhang Yun said, "Look at the concentration of pottery, and return to the field after drinking. Does this man write poetry? Does he write directly about the sky? Naturally hung on the carving, there are different authenticity. "Visible yuanshi county's admiration for tao yuanming. Xiao Tong's Preface to the Collection of Taoist Priests said that Yuan Ming: "The language has a point, but the arm is wide. Therefore, Yuan Haowen pointed out that Tao poetry is natural and often new, and it is prosperous, which shows its simplicity. Tao Yuanming's mind is as bright as day, just like the master of the Western Heaven Emperor. Yuan Ming's poetic style is so pure and natural. Although he was born in the Jin Dynasty, it did not prevent him from becoming a scholar. This poem praises the naturalness of Tao's poems, which shows that Yuan Haowen takes "qi bone" as the positive body and "nature" as the positive body.
Nothing can level a brick.
If an old Ruan is not crazy, he will "laugh when he goes out". (5)
According to Shi Pin, Ruan Ji's poem is called: "It's hard to find a way to return to happiness." Song Dynasty's Cang Hua says: "Ruan Ji's poems are very ancient and have the spirit of Jian 'an." "In the first half of this poem, it is pointed out that the reason why the poet expresses his distant feelings with a mysterious pen is because there is nothing else to pour out the block in his chest. It's not crazy. Only who can understand Ruan Ji's style, as Huang Tingjian's poem (Valley) said: "Facing the river in front of you, laugh loudly. "That's just a crazy song with a contemptuous attitude. This is the poetic style of "wild", which is Yuan Haowen's favorite style, juxtaposed with "vigorous" and "natural". In fact, there is infinite sadness and unspeakable ambition in it. Therefore, Ruan Ji's "magnanimity" and Cao Liu's "strength of spirit" have their inherent * * * commonness, both of which are true feelings.
Heart painting is always distorted, and the article would rather see people again.
High emotion is the eternal "leisure fu", which wins the trust of Anren and respects the dust. (ⅵ)
According to Yang Xiong: "Words, words, books, and paintings." Unfortunately, heart paintings are often distorted. Therefore, how can we judge the author's true character only by looking at the external performance of the article? The last two sentences point out that people (An Ren) wrote "Old Residence Fu" that year, which was full of lofty sentiments and deserved the eternal reputation; Who can believe that in order to seek official positions, he went out to see Jia Mi and bowed down to the road dust? This poem mainly satirizes Pan's different lines, pointing out that the article is based on temperament, and the authenticity of temperament directly affects the quality of the article. This is similar to the cloud in "Wen Xin Diao Long Cai Qing": "Deep ambition, but glorious; My heart is entangled in several things, but it is empty; Killing for survival is right, but it is just the opposite. " What I said confirms each other.
Generous songs are never passed on, but a song in the vault is natural.
Zhongzhou's eternal heroism also went to Yinshan Chilechuan. (7)
From the first two sentences, it can be seen that the generosity and boldness in Han and Wei ballads has ceased to circulate in the Six Dynasties, and only the Chile Song sung by Hu in the Northern Qi Dynasty still has this style. The last two sentences are probably about the heroism of the Central Plains since ancient times, and they have also spread to the Chile River in Yinshan Mountain. The original text of the song of Chile mentioned in this poem is very eye-catching. This poem exemplifies the characteristics of literature in the Northern Dynasties. Li Tang Yanshou's Biography of Northern History and Wenyuan once pointed out: "The prosperity of Jiangzuo Palace is more expensive than Qing Dynasty; The meaning of Heshuo is sincere and rigid, which is more important than temperament. Temperament is better than words, elegance is better than meaning. " Obviously, Yuan Haowen appreciates the temperament and grandeur of the northern literature masters, aiming to be on a par with the southern literature.
Shen Song traversed the field of calligraphy, and Qi and Liang Dynasties were not abandoned at the beginning of romance.
On merits and demerits, if it is equal to Wu's example, it is combined with Jin Zhu Er Ang. (8)
According to the book of New Tang Dynasty 107 Biography of Chen Ziang: "In the early Tang Dynasty, the article inherited the wind of Xu and Yu, and the ancestors respected him, and the sons became elegant and upright." This is the basis of the whole poem. Yuan Hao asked the poets in the early Tang Dynasty and only praised Chen Ziang. Because Shen Quanqi and Song are galloping in the poetic world, they still can't eliminate Qi's and Song's styles. We should follow the example of casting a statue of Wu and a statue of gold in recognition of his efforts to restore the style of Han and Wei dynasties. This poem points out that the magnificent poetic style of the Six Dynasties still existed in the early Tang Dynasty and began to become magnificent, so it is time to restore the character of the Han and Wei Dynasties and promote Chen Ziang.
Lu Wen still hates being redundant with Pan.
As long as the heart communicates, it is difficult to turn over. (9)
According to the first two sentences, writing farewell articles will only increase the workload of reading. Compared with Pan Yue and Lu Ji, Lu Ji's essays still have more regrets than Pan Yue. The last two sentences say that poetry is the voice of the soul, but it can fully convey the mind and achieve the goal. If the cuckoo cries, why can't it be said that Shi Shuo Xin Yu Literature? This is the basis of this poem. However, the main focus of the whole poem is not to compare the poems of Pan and Lu, but to exaggerate the struggle between Pan and Lu in criticizing the songs of Jin and Song Dynasties.
Parallelism is a special way, the fence is so small.
Shaoling has its own honesty, and it is known to fight for it. ( 10)
According to Tang Yuanzhen's Tomb Inscription of Du Jun, a member of the Ministry of Industry in Tang Dynasty, he deeply appreciated the conception, parallelism, style and right and wrong of Du Fu's poems. Yuan Haowen said, "It is just a way of poetry creation, but if it is limited to this, the fence will be too narrow." Yuan Haowen explained it in Du Shi Lun. This poem reiterates that Du Fu's poems are masterpieces of poetry, so wonderful that even Yuan Zhen can't understand them. This poem follows the predecessors' criticism of Jin and Song Dynasties, and indirectly accuses "extravagant".
Sneaking around is always untrue.
How many people came to Chang 'an to draw a picture of Qinchuan (11)?
The first two sentences say: what you can see is what you can think, which can be expressed in words and vivid. If you don't go to its territory to see it in person, you will never get a photo by groping in secret. Cha Chubai, a Qing Dynasty man, said, "Seeing is believing, and you will get something." That's what it means. The last two sentences say: Du Fu is in Chang 'an, and Qinchuan is full of poems, which is really charming, just like Zhang Mo wrote.
Wang's longing for love is crying in the cuckoo, and a beautiful woman, Jinse, is complaining about China's New Year.
Poets always love Quincy, but hate that no one writes about Jian Zheng. (12)
According to the first two sentences, it is said that the desire for the emperor's love is attached to the cuckoo's mourning; The golden color of the beautiful woman aroused her disappointment with the passing years. The second half of the sentence says: Li Shangyin, a poet in the late Tang Dynasty, is difficult to understand, similar to this. Poets always love Quincy's beauty, but it's a pity that no one explains his meaning one by one like Zheng Xuan's annotation of Shi Mao. According to the so-called Quincy, there are different opinions. Song He's Zhong Shan Shi Hua says: "No style." Song Shi Hui Hong's "Cold Zhai Night Talk" says: "Poetry reaches a mountain, which is called an article. With its use, it is called Quincy style. " Song Yu Yan's Cang Lang Shi Hua says: "Style, that is, Li Shangyin's style, is also called Wen Yu Yang and Liu Er in this dynasty." This poem seems to follow Hui Hong's interpretation.
There is a smooth road through the ages, and who is like Yuchuanlu?
True books don't enter people's eyes today, but children learn ghost paintings. (13)
Yu Chuanlu refers to Lu Tong, a poet in the middle Tang Dynasty. His poems are famous for ghosts chasing danger. Judging from Yuan Haowen's Preface to the Collection of Xiao Heng, Yuan County must hate the Ghost Painting Academy. Therefore, the first two sentences point out that since ancient times, poetry creation has proper methods. Who writes poems at will like Lutong? The last two sentences are about regular poems such as regular script, which are often not seen today. Strange poems that do not seek dangerous paths, like children's graffiti, are sometimes praised by the world. This poem aims to reprimand Lutong's poem, don't look for dangerous roads and deliberately pretend to be ghosts. It's really not the right way of poetry, and it's not enough training.
Listen to the source in another way, you can't buy cheap clothes in the mountains.
Hua Xin threw gold with the weight, but he was caught by the eye. (the first time 14)
According to the first half, people's origins have advanced and retreated, and there are various differences. Generally speaking, people who live in seclusion in the mountains look down on those well-dressed people in the temple. Hua Xin saw a piece of gold and threw it away without taking it. He was immediately respected by people at that time. In fact, he just pretends to be lofty in order to seek official positions. Those who admire Hua Xin are deceived by their own eyes. The disguise of poetry, like this, is the crime of deliberate forgery. Before Pan Yuezhi's Inconsistency between Words and Actions, this paper further discusses the loss of "deliberate forgery" and leads to the story of Hua Xin, not to criticize Hua Xin's character, but to show that poetry creation cannot be faked.
At the bottom of the pen, the milky way fell for nine days, and it never languished in front of the mountain.
In the world, treating Lu Lian is a waste of scholars. (15)
According to the first two sentences, Li Bai's poems are rambling and spacious, just as his poems show, "It's like the Milky Way setting for nine days." Did he ever mock Du Fu's bad poems? The last two sentences say that there are still some critics in the world who criticize Li Bai for using the power of the kings of the ages to make contributions while disturbing the Central Plains. This is another utility of scholars.
With love for autumn insects, Shan Gui cried in front of the lamp.
Jianhu Lake in spring is so beautiful that no one gives it a blessing. "Peach blossom waves grow on the shore." (16)
According to the first two sentences, since ancient times, expressing sadness is as sad as the cry of autumn insects; Writing about suffering is like tears in front of Shan Gui's lamp. It is easy to shake people's hearts and please them. This article covers Li He's comments in the late Tang Dynasty. The last two sentences say that few people can write as well as Lang Li in Spring in Taihu Lake, only Li Bai: "Peach blossoms are born on the shore", which is a unique step in ancient and modern times. This further takes Li Bai's poems as an example, suggesting that Li He is "cold and sad"
The floating sound is smart and deep, and the grinding sound is bitter.
Langweng Shuile has no palace sign, which is naturally the sound of Yunshan Shaoyun.
According to the first two sentences, Shen Yue's theory that "there is a floating sound before, and there must be a syncopation after" really digs out the mystery of poetic temperament.
Although his efforts in research and creation should be affirmed, the last two sentences say: try Tang's Shui Yue Shuo: there is no palace sound, but it is also a natural music in the mountains. This is Yuan Haowen's opinion against artificial temperament, because he advocates that poetry is natural and has a natural tone, which is more valuable than artificial temperament.
Dongye was worried to death, and Gao Tianhou was a poet.
Jiangshan Yongchao Pen is located in Longyuan Bai Chi Building (18th floor).
According to the first two sentences, Meng Jiao liked to take poverty and sorrow as the theme of his poems until his death. He is in a high position, but he is imprisoned in bitterness, no less than a prisoner in his poems. The last two sentences say: Try to read Han Yu's articles after he returned to Chaozhou, which are as immortal as mountains and rivers. Compared with Han Meng, Han Yu should live in the 100-foot-high building where Chen Yuanlong is, so how can he be mentioned in the same breath?
You have been in the stream for a long time, but how can you be lonely and angry for a hundred years?
No one said that spring grass won or lost more with the weather. (XIX)
According to the first half of this poem, I don't know how many noble scholars have lived in the ravine since ancient times, but they haven't shown it to the world. How can I explain the poem of Lu Guimeng, a poet in the Tang Dynasty, "There are not many medicine gardens in Nanrong, but there are new seedlings. I don't know the famous products, and I am afraid to win or lose with Chuncao. " I used to use famous herbs and ordinary grass as a metaphor to say that children don't cherish them. I am afraid that I will win or lose the battle between famous grass and ordinary spring grass. The second half of the sentence regrets that no one told Lu Guimeng: the contrast of poetry quality can be much different, but it is a pragmatic abbreviation. This poem points out that the quality of poetry has nothing to do with its essence. If Tao poetry is not expensive to the people of the Six Dynasties, but it is more important than later generations, that is an example of its reputation. It is based on high talents and inspirational poems, and its essence should be taken from it.
Xie Ke's wind energy has gone from ancient times to modern times, and its origin is as deep as Liuzhou.
Zhu Xian's lingering sound is still there, but it is the lonely heart of that year. (20)
Yuan Haowen's note: "Liu Zihou was Xie Lingyun in the Song Dynasty." The first two sentences say: Xie Lingyun's spirit reflects ancient and modern times. There are many poets who originated from Xie Lingyun, but who can get more profound income than Liu Zongyuan? Liu's poems were praised by Cha Chubai in the Qing Dynasty as "eternal songs". The first four sentences of Xie Lingyun's "Reading Poems on Lent" say: "I have never seen a trip to Beijing before. Qing returned to the mountains and rivers, and his heart was lonely. " This can best highlight the feelings of thanking the guests. However, Liu Zongyuan has been relegated to Yongzhou and Longcheng, fled to the desert, abandoned mountains and rivers, and was unhappy. His loneliness is the same as that of Xie Lingyun. So the last two sentences say.
Embarrassed, I'm still dead and I'll never see my predecessors again.
There are lingyun pens vertically and horizontally, and they bow down to others for pity. (2 1)
According to the first two sentences, if a poem is embarrassed until death do us part, just like the works sung by later generations, we can't see the true colors of the poems written by former sages. The last two sentences say that poetry should adhere to Lingyun's pen and innovate itself, but if it can only pitch forward, it will be too pitiful. This poem points out that poets should innovate themselves and not follow in the footsteps of embarrassment. Du Mu's Southern Shi Hao Dialect says: It is self-absorbed. It is said that people's poems are only entertaining now, and it is no wonder that their words are not. "Ancient people and poems were not formal at first, but later they were all rhymes and secondary rhymes, which were too carved and distorted and had no interest at all. So this poem aims at mocking the singing style of Song people. Mr. Pi Shumin, on the other hand, thinks it is about various pavilions and pavilions of Quincy in the early Song Dynasty.
Strange things are even more surprising, with waves of unrest rising again.
Only when this poem arrived in Su Huang did you know who it was.
According to the first two sentences, the extraordinary changes in poetry writing are often more extraordinary where there seems to be no extraordinary changes. This situation is that if waves flow, only one wave moves and ten thousand waves surge. In the last two sentences, from the past history, we only know that the development of poetry reached the extreme when Su Shi and Huang Tingjian reported the time, and later generations blowing in the wind, like the cross-flow of the sea, became more and more intense. Without this, the final flow cannot be adjusted and will inevitably surpass the present.
Interesting novels are deceptive and harmonious. Is it appropriate to write poems?
Nowadays people laugh at the stupidity of the ancients, but in fact they know nothing but polite words. (23)
According to the first two sentences, just like studying rural songs, false life is not real; Xiao Jia Zhen said that people are often cheated. Is it appropriate to write poetry with a humorous attitude and a scolding tone? Du Fu, Li Shangyin and Su Shi couldn't help it. Cang Hua said: "To learn poetry, you must first go through five customs: first, vulgar style, second, vulgar meaning, third, vulgar sentences, fourth, vulgar characters and fifth, vulgar rhyme." Almost the curse is poetry. "It can be seen that there are many works of swearing in the Song Dynasty. The second half of the sentence says: there are many such poets in contemporary times. No wonder they make fun of the pedantry of the ancients and think that they know nothing but elegant words. It further points out that there is no distinction between elegance and vulgarity in contemporary times.
"Affectionate peonies are in tears in spring, while weak roses lie on the branches in the evening."
I didn't know that the canal was a girl's poem until I read the retirement sentence (24) in The Rock.
Quote the first half of the original sentence of Qin Guan's poem "Spring Day". Yuan Hao asked "Biography of Mr. Xu Wangzhong Li": "I want to learn from my teacher and ask how to write poetry. Your teacher quoted Qin Shaoyou's Poetry of Spring Rain (according to the publishing house, it should be written as Poetry of Spring Day, the same below). As the cloud says, sentimental peony has tears of spring, but roses can't lie on the branches at night. Then "spring rain" is a woman's language. How can I learn from a woman? This theory was attacked by Wang Zhongli. Compared with Han's magnificent works, this poem is simply a woman's poem. It has been pointed out that Zhang Hua's situation is less, Wen and Li's children are immersed in love, and Qin Guan's delicacy is really getting worse and worse, which is a great warning to poets.
After the troubled times, Xuan lost his original foundation, and looking at flowers and poems was only sad.
Liu Lang is also a guest of human beings. He blames the spring breeze on the rabbit sunflower. (25th)
This is based on Liu Yuxi's two poems praising Du Xuan's view of peach blossom. According to Liu Yuxi's poem "Poems of Gentlemen Invited to Peking Opera from Langzhou in the Eleventh Year of Yuanhe", "The world of mortals is full of purple, and everyone looks back at the flowers. Du Xuan's view of peach trees is all about the departure of Liulang and the subsequent planting. " Yuan Haowen's comment is that Du Xuanguan has lost its old scale after the war. Liu's name. However, he can only express the sadness and resentment that has become obvious since he was a junior official. In the second year of Daiwa, Liu Yuxi wrote "Revisiting Du Xuan to Read Poetry": "A hundred acres of courtyards are half covered with moss, and peach blossoms are in full bloom. Why did the Taoist priests come again today? " Yuan Haowen's evaluation is that rachel himself is a passer-by, but he knows nothing about metabolism. When he visited Du Xuan again, he found that there were no peach trees there.
Gold never tires of going into the furnace, but it is subject to fine dust.
Sumen is a loyal minister, and his poems are full of new atmosphere. (26th session)
Su Shi's talent is heroic, his mind is broad-minded, and his works come out inadvertently, but they are pure, pure and true, with many characteristics. Yuan Haowen thinks that Su Shi's works are like gold in the furnace. They are never tired of being refined, but they are fine and true, and cannot be contaminated by fine dust. The second half of the sentence says that Su Shi's poems are extremely rich in material and will inevitably become dazzling. Honest and frank, a disciple of Su Men. Chen and Chao Chongzhi are "six sons of Su Men", both based on their talents and styles. Therefore, this poem is about Su Shi and Su Men's disciples, saying that Su Shi's poems are as pure as gold and beautiful, and it is difficult to keep up.
It took a hundred years to realize that the ancient style was back, and Yuan You people came here for the second time.
Others say they dare not learn from Jinling. Why did they waste Omei? (27)
Poetry said that the poetry circle in the early Song Dynasty was addicted to "Kunxi style" and gradually lost its true colors; A hundred years later, I woke up and returned to the ancient style; Therefore, the second rise of hundred schools of thought should be attributed to the advocacy of Ouyang Xiu and Mei. According to Ouyang Xiu's poems, Wu Hanyu stepped forward, focusing on style, making good use of ancient prose, style and charm, all of which were ingenious. Mei is subtle and profound, and she is unique. As far as poetry is concerned, Ou Mei's poems are quaint and decent, and should not be abandoned lightly. Wang Anshi's poems have profound implications and strict statutes. Therefore, it is understandable that future generations dare not learn from Wang's poems. Why did Ou and Mei destroy them at the same time? This poem points out that Europe and Mei played an important role in restoring their quaint bodies and guiding Su and Huang.
It is difficult to be beautiful and intimate with a child in an elegant way, and the purity is completely lost.
On Shi Ning's worship of Fu Weng and its failure to integrate into Jiangxi society (28)
According to the first two sentences, it is hard to say that the poems of Jiangxi school are similar to Du Fu in elegance, but they completely lose the essence and truth of Li Shangyin in purity. Praise Li Shangyin with "purity". But no one in Jiangxi Poetry Society can compare with him. Therefore, the last two sentences say: At this point in poetry, I would rather worship Huang Tingjian than be a member of Jiangxi Poetry Society. Jiangxi Poetry School is a big school after the Southern Crossing in Song Dynasty, and its main goal is to pursue elegance and avoid closeness. But because he inherited Huang Tingjian's strange poetic style, he deliberately focused on words. This is why Yuan Haowen criticized Jiangxi Poetry Society. However, Huang Tingjian's poems originated from Du and Han, which is a unique poetic style, so Yuan Haowen is willing to bow down to show his respect.
The spring grass in the pond is Xie Jiachun, which is a new word.
Chen Zhengzi, who speaks behind closed doors, is pathetic and useless. (XXIX)
"Spring grass grows in the pond, and the willows in the garden become singing birds." This is a famous sentence in Xie Lingyun's poem "Climbing the pond upstairs". It describes the swing of spring, but it is written naturally. Although these five words have passed through the ages, the times are still new, so Yuan Haowen quoted them specially and praised them. However, Xie Lingyun's style is actually re-carved. In Song Dynasty's poem "Wen Xin Diao Long Ming", Chen Shidao paid attention to originality and forgot nature. In particular, he lay moaning and found a sentence behind closed doors, which was cited as an interesting talk by later generations. It was a deliberate poem, somewhat similar to Xie Lingyun. Therefore, the second part says: If Chen Shidao comes back from the dead, you must send him a message: It is no help to find a sentence behind closed doors, and pity for him is just a waste of spirit. On Yuan Haowen's Poets.
The fly shakes the tree consciously, and the scholar loves to talk about quantity.
I left thousands of poems in the past, and whoever is shorter is longer. (30th)
The first two sentences say: commenting on the merits and demerits of ancient poetry is like shaking a big tree, and it feels very arrogant. The reason is that scholars always itch in their hearts and like to compete with each other in quantity. According to Han Yu's "Zhang Ji" cloud: "Du Li's article is there, and the flame is endless; I don't know if the group is stupid, so I will use the old saying to hurt the tree. This is ridiculous, but I don't measure it myself. " It can be seen that Yuan Haowen used Korean poems and laughed at himself. The second half of the sentence says: after he dies of old age, he may leave behind a thousand poems, so I don't know who will proofread the shortcomings. This poem is a summary of the whole article, thinking that it will also be measured by future generations.