Imitation poems on the autumn night river

On that autumn night, Jiang copied a poem, and the model essay is as follows:

Fan Wenyi:

High mountain peaks, although tired, still support the sunset with their heads. At one end, the sunset fell on the river. Baiyun also put on a red skirt.

Fan Wener:

On the river in autumn night, although the white clouds were tired, they dragged the sunset back. Let go of your hand and set the sunset on the river. Lovely stream, also put on a red skirt.

Fan Wensan:

In the sunset sky, leaves are falling. Even though I am weak, I still dance against the autumn wind. Put your hands together and sprinkle the sunset all over the path. The golden earth also reaps the joy of all things.

Works "Autumn Night on the River":

On the autumn night river, the homing birds are tired, but they bring the sunset. Flap your wings and set the sunset on the river; Reed with white heads has also been made into beautiful moments.

Jiang Shang on an Autumn Night is the work of modern poet Liu Dabai (1923), which is included in the collection of poems "Kiss by Mail" (1926) in Ming Kai Bookstore. From the overall framework, this poem adopts the popular style of small poems at that time, with small descriptions, concise outlines, prose sentence patterns and improvisation, and depicts a scene of the riverside in autumn evening.

This poem adopts the popular poem style at that time from the overall framework. Small description, concise outline, prose sentence pattern and improvisation all show the style of Tagore and Japanese haiku. Liu Dabai pays attention to the combination of emotion and scenery in his description of nature. This is the so-called combination of poetry and painting, and the blending of scenes in old poems.

Creation background of the work:

In the 1920s, poets who wrote new poems were greatly influenced by old poems, so all the new poems at that time had a strong style of old poems. In addition to writing in vernacular, the artistic conception and expression of poetry are often not much different from those of old poems. This is a major feature of poetry at that time.

The same is true of Liu Dabai. Although he tried to write a pure vernacular poem, this poem still followed the original requirements of classical poetry in terms of meter, so we can still see the traces of its influence from old poems. "On the Autumn Night" was created in this environment.