What are the representative works of nine-leaf poets' poems and songs of resistance that attack the dark reality and reactionary policies?

Many of kuya's poems are songs that attack and struggle against the dark reality and the reactionary policies of the Kuomintang. In the question and answer, he also said, "I will say it even if I die." This is an answer to the Kuomintang's control of thought and strangulation of freedom of speech. Chen has a symphony collection and a welcoming collection. Her "Defense" put forward a powerful defense against fascism, and she could only endure it with her eyes closed and was not allowed to ask right and wrong. What they want is to face the filthy and ugly reality. Logically Sick Spring and On a Winter Night Bridge are both about deformed urban society, and both want to "expose the true face of the world". Tang Qi has his first collection of poems. His Time and Flag is a political lyric poem with modernist poetic style, which also reveals that Shanghai is a "monster of the city" and even praises those who "lead people forward underground".

Hang Youhe studied Lu Yi in Yan 'an, and his Myth and Pioneering expressed his nostalgia for the liberated areas, comparing them to "paradise" and "Xanadu". He has published three poems, such as Picking the Stars, and a long political lyric, The Land of Resurrection, which is magnificent. The poem describes all kinds of characters and scenes, portrays Shanghai as an adventurer's paradise as a sea of gluttony and debauchery, and describes the end of a semi-colonial city. In the poems of nine-leaf poets, people heard the sound of waves that shocked China's plays in the late 1940s. Hangqiao's Nightmare is a protest against the reactionary civil war of the Kuomintang. Many poems are dedicated to Li Gongpu, Wen Yiduo and Zhu Ziqing, which contain great indignation at the bloody repression and persecution of Democrats. They also have some unique political satires. Du Fu's The Chaser of Prices satirizes the inflation phenomenon in the Kuomintang-controlled areas and also shows the bitterness of the victims. Yuan Kejia's Nanjing satirizes the Kuomintang government with sonnets, which is unique and elegant.

Kuya's works also include oppressed and insulted lower-class figures and laborers, such as Zheng Min's The Little Painter and the rickshaw puller, and Tang Qi's The Coal Miner and the Old Prostitute. However, it does not focus on portraying the faces of characters, but writes the feelings and attitudes of poets through these characters. The innocent but hopeful eyes of the young painter added pain to the poet's heart. However, from the coal digger who crawled in the mine like a small beast and was abandoned by the sun, the poet saw that "there is a fire underground." This kind of poetry can best reflect the emotional tendency of the Nine Leaves Poetry School towards the oppressed people.

Like the "July" school of poetry, in the late 1940s, the poems of Jiuye poets called for the birth of a new China. In the Prelude to Power, Chen shows that people are waiting for the dawn in a passionate and painful struggle. Du Fu's Thunder has 12 sentences, 12 "Here they come!" The thunder rolled in, marking the people's victory approaching step by step. These poems seem to make people hear the "soaring" during the May 4th Movement. Soar! Sing! Sing! Cheers, but cheers are no longer vague "freshness", "beauty" and "fragrance", but a real new China!