Embroidering five lines adds weak lines, and blowing six lines moves floating ash.
the shore is ready for the willows, and the mountains are cold and want to blossom.
clouds and things are different in different countries, so teach your children to take the cup in their hands. Time Life Translation and Notes
The weather and personnel change rapidly every day, and it's the winter solstice in a blink of an eye. After the winter solstice, the days are getting longer and longer, the weather is getting warmer and warmer, and spring is coming back.
Embroidery women workers can embroider more colorful silk threads because of the longer days, and the six laws of blowing pipes have already made the dust fly.
The embankment seems to be waiting for the twelfth lunar month to pass quickly, so that the willows can stretch their branches and sprout new buds, and the mountains should break through the cold, so that the plum blossoms can bloom.
Although I am in a foreign land, the scenery here is no different from that in my hometown, so let the children pour the wine and drink it at once. Appreciation
Due to the specific solar terms and natural environment of the winter solstice, poets and poets will sigh about time and life, sigh about the end of the year and the cold winter, and eulogize the Winter Solstice Festival. The word "Xiaozhi" in the poem "Xiaozhi" by poet Du Fu refers to the day after the winter solstice.
Xiaozhi describes the seasonal changes before and after the winter solstice, which not only shows the increase of daytime with embroidery, but also shows that the willows by the river are about to turn green, and the plum blossoms on the mountain are eager to bloom, vividly describing the scene of spring in winter. The last two sentences of the poem say that he evokes memories of his hometown from the scene in front of him. Although in a foreign land, the clouds and things are different, so the poet taught his children to pour wine and drink a glass. This move is consistent with the tone of the poem that winter breeds spring atmosphere, and both reflect the poet's rare comfortable mood. Creation background This poem was written by Du Fu in Kuizhou in the first year of Tang Daizong Dali (AD 766). At that time, Du Fu's life was relatively stable and his mood was relatively comfortable. Du Fu (712-77), with beautiful words, was called Shaoling Yelao, known as "Du Gongbu" and "Du Shaoling" in the world. He was born in Gongxian County, Henan Province (now gongyi city, Henan Province) and was a great realistic poet in the Tang Dynasty. Du Fu was honored as a "poet saint" by the world, and his poems were called "history of poetry". Du Fu and Li Bai are called "Li Du" together, and in order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Li Du", Du Fu and Li Bai are also called "Great Li Du". He is concerned about the country and the people, and his personality is noble. About 1,4 of his poems have been preserved, and his poetic skills are exquisite, which is highly respected in China's classical poems and has far-reaching influence. He lived in Chengdu from 759 to 766, and was commemorated by Du Fu's Caotang in later generations.
Du Fu
Du Fu (712-77), with a beautiful word, was called "Du Gongbu" and "Du Shaoling" in the world. He was born in Gongxian County, Henan Province (now gongyi city, Henan Province) and was a great realistic poet in the Tang Dynasty. Du Fu was honored as a "poet saint" by the world, and his poems were called "history of poetry". Du Fu and Li Bai are called "Li Du" together, and in order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Li Du", Du Fu and Li Bai are also called "Great Li Du". He is concerned about the country and the people, and his personality is noble. About 1,4 of his poems have been preserved, and his poetic skills are exquisite, which is highly respected in China's classical poems and has far-reaching influence. He lived in Chengdu from 759 to 766, and was commemorated by Du Fu's Caotang in later generations. ? The 1539 poems
don't carve the willow in front of the saddle, the jade looks lonely and the flowers are ashamed, and the cold wind blows the rain after dusk. The curtain controls the hook, covering the pearl tower, and the wind and rain replace the flowers. —— In Yuan Dynasty, Georgi wrote "always in my heart in Spring Don't Carve Willow in Front of Saddle"
always in my heart in Spring Don't Carve Willow in Front of Saddle
In Yuan Dynasty, Georgi didn't carve willow in front of Saddle, and the jade looks lonely and ashamed, and the cold wind blows the rain after dusk. The curtain controls the hook, covering the pearl tower, and the wind and rain replace the flowers. Always in my heart, sigh, time, sympathy, the woman was in the Phoenix Pool last year, playing the silk in the silver candle night. The fragrance disappears when the water sinks, the pear clouds are warm and the embroidered curtain hangs in the deep courtyard. Who knows what's on your mind when you neglect Jiangnan night this year? The willow wind is soft, the begonia is pale, and when you lean on the fence alone. -Sadula's "Little Dry Last Year in the Phoenix Pool" in Yuan Dynasty
Little Dry Last Year in the Phoenix Pool
Yuan Dynasty: Sadula was in the Phoenix Pool last year. The fragrance disappears when the water sinks, the pear clouds are warm and the embroidered curtain hangs in the deep courtyard.
who knows what's on your mind this year when you left Jiangnan alone? The willow wind is soft, the begonia is pale, and when you lean on the fence alone. Graceful and sentimental, at the beginning of the Yuan Dynasty, we should put clothes on the west and cross the Tianchang Road. After more than forty years, in the first month of Xin Chou, he revisited his old place to avoid thieves. Sighing the years, I occasionally become this word. Young Liu Suqing, so the stream stopped raining, and Chuan Jiong didn't feel the spring credit. Camel brown cold invasion, is pity the first day, light shade must be covered. With a sigh, I went all the way, and I was late with Tangpu, arguing for knowledge, and the journey was all the way, standing in the dust. I miss Zhu Yan's brilliant hair, and I have been everywhere, and my old place makes people feel awkward. The road is connected with three Chu, the sky is low in four fields, the trees are in front, and the road is inclined. I yearned for my thoughts and lost sight of Dongling, and Peng Ze returned, enjoying the piano and books around me, and the pines and chrysanthemums were interdependent, not to mention the romantic temples. Thank you, my old friend, for kissing Zheng Yi, and being gracious at times. I advised this stay for a long time to be homesick when * * * passed away. -Song Dynasty Zhou Bangyan's Xiping Music and Young Liu Suqing
Xiping Music and Young Liu Suqing
Song Dynasty: Zhou Bangyan
At the beginning of Yuan Feng, it was given cloth to the west and crossed the Tianchang Road. After more than forty years, in the first month of Xin Chou, he revisited his old place to avoid thieves. Sighing the years, I occasionally become this word.
When I was young, the willow was sunny, so the stream stopped raining, and Chuan Jiong didn't feel the credit in spring. Camel brown cold invasion, is pity the first day, light shade must be covered. With a sigh, I went to the lonely place, and I was late with Tang Pu * * *, contending for the full text ∨
Yuan Fengchu, giving a cloth to the west and crossing the Tianchang Road. After more than forty years, in the first month of Xin Chou, he revisited his old place to avoid thieves. Sighing the years, I occasionally become this word. Willow, nostalgia, nostalgia for time.