China has a long history and profound culture. It has very rich forms, such as thought, theory, belief, morality, science, literature, art and so on. What fascinates me most is the Tang poetry in literature.
When I first came into contact with Tang poetry, I just felt that every word of Tang poetry was so rhythmic and catchy. Although I can't understand the content of poetry, this rhythm has made me deeply like Tang poetry. As I grew older, I began to understand the content of this poem and feel its emotion and charm.
The charm of Tang poetry is reflected in the pictures depicted in the poem. Look at Su Shi's "Peach Blossoms Outside the Bamboo, the Prophet of Warm Duck in Spring", Yang Wanli's "The lotus leaves in the sky are infinitely colorful, and the lotus flowers reflect the sun in a different color", Fan Zhongyan's "The sky is yellow with leaves, and the autumn waves are cold and smoky", and Cen Can's "It's like a strong wind in spring, and the petals of ten thousand pear trees are blown open at night", describing the scenery of spring, summer, autumn and winter so beautifully. Tang poetry, in addition to describing the scenery all year round, also has a quiet landscape painting of "moonlight in the pine forest, glittering and translucent stones in the stream" and a vast and magnificent moving picture scroll of "when the moon is full, and the horizon is at this time", and so on. Today, those beautiful and hazy pictures in the poem still appear in my mind from time to time. This is the charm of Tang poetry.
The charm of Tang poetry is also reflected in the emotions expressed in the poem. In "my friend's prince, spring has passed and you are still here. What does it matter?" We can realize Wang Wei's fascination with the beautiful scenery of nature and his pursuit, yearning, satisfaction and dissatisfaction with real life. "Misfortune is happiness, where the heart is concerned, where the fatigue is concerned, and where the wine is dusty", this is Du Fu's feelings of worrying about the country in difficult times, and it is also his depressed mood of wandering, illness and loneliness for many years. In "a moment that should have been eternal, unconsciously came and went", we can realize Li Shangyin's infinite melancholy and sadness when recalling the past. In a short poem, we can appreciate the poet's incisive feelings. This is not only the charm of Tang poetry, but also the charm of the poet's passionate feelings.
Tang poetry is small and refined, with only a few words. However, these few words have painted a beautiful picture, full of the poet's complex thoughts and feelings. I have to say that Tang poetry is indeed the most precious cultural heritage and the great crystallization of our Chinese culture.
People create culture, and culture is also shaping people. Excellent culture-Tang poetry can cultivate people's noble sentiments, enrich people's spiritual world and provide indispensable spiritual food for human life. Let's feel the charm of Tang poetry and the profoundness of China culture.
I like Tang poetry. I like its softness and freshness, I like its boldness and boldness.
It not only represents a dynasty, but also is the yearning of countless literati when writing poems, and it is also the pride of hundreds of millions of people in Qian Qian. Even if "talents have come forth in large numbers for hundreds of years." Did the unconvinced Zhao Yi really surpass Li Bai and Du Fu?
I like Tang poetry, and I like its fresh and free whispering like dancing on a summer night. Whether Zhang, who is waiting for Jiang Yue, sees the Yangtze River delivering water, condenses the eternity of the years into moments of meditation, or Du Mu, who is sighing in the long history flowing eastward, reveals the unique and elegant corners in the hearts of talented people in the prosperous Tang Dynasty. Not to mention Li Bai, who pinned his heart on the bright moon, and Wang Ji, who climbed high and looked far in the early Tang Dynasty and late autumn.
I like Tang poetry, and I like the heroism he reveals from one word to another. No matter in the prosperous Tang Dynasty thousands of years ago, a free and easy poet, under the bright moon Tianshan Mountain, released "the bright moon from the mountain of heaven, in the boundless haze of the sea of clouds". The mighty wind blew Wan Li and crossed Yumen Pass. "Those tens of thousands of Li Changfeng, carrying poets across Wan Li, China, blew through the hustle and bustle of Chang 'an, followed the footsteps of their predecessors, laughed it off when their official career was not smooth, vomited all the heroism in their chests, and condensed it into the swan song of" The wind and waves will break, and I will sail straight and deep in the deep sea ".He was half of Li Bai in the prosperous Tang Dynasty when he spoke in embroidery. Still drunk, Wang Bo, who still exudes "the sunset is lonely in Qi Fei, the autumn waters are * * * and the sky is one color", rode the bright moon and Changfeng until the Millennium. Yun Fan left, and Li Bai followed the ancients, but that heroic spirit, like the Yellow Crane Tower and Wang Tengting, stood for thousands of years.
I like Tang poetry, and I like the tenderness and loveliness behind it. Whether it is the song "Ode to Goose" sung for thousands of years, or the intimate and meticulous "Spring Dawn", although there is no "bright moon in Qin Dynasty, customs in Han Dynasty, people have not returned on the Long March." It is magnificent, but it also represents the femininity of Tang poetry. In the season of wet clothes and apricot flowers and rain, the willow wind awakened the poets in the countryside. In the early morning of early spring, the wind blows over the willows, which is the season of appreciation. However, the poet lamented that "putting the cart before the horse". Last night's strong wind must have blown off many fragrant petals, but when he heard the birds singing outside the window, he was happy again. Those birds, although they didn't have the ambition of "flying nine thousand miles in one flight" and the yellow crane never revisited earth beside "a clear tree in Hanyang", felt "misty clouds and a sky in Yueyang" with such poets. Isn't the faint tenderness outside a kind of enjoyment?
I like Tang poetry. I like its long Jiao Yong, gorgeous and elegant, its heroic breath and its eternal solo.
Composition 3 of the second day of Tang poetry washes people's hearts like music and is as pleasing as pictures. China's Tang poetry also has that fascinating charm.
I like Tang poetry, like Li Bai who wrote Tang poetry, like his "Laughing in the sky when going out, are we Artemisia people?", and I prefer his "Riding the wind and waves sometimes, and set my cloudy sail straight and bridge the deep, deep sea." Yes, this is what people should do: sing the song of life with a smile, don't complain that life has given too much hardship, and don't complain that there are too many twists and turns in life. The sea has lost its grandeur without the rolling of huge waves; The desert has lost its splendor without the wild dance of flying sand. If life only wants two points and one line of smooth sailing, life will lose its meaning of existence. It was Tang poetry that gave me this profound understanding.
I like Tang poetry, I like to write poems about Tang poetry, I like his "Clouds dream and fog around Yueyang City", and I like his "There are thousands of pavilions in Qian Qian, which is a great refuge for the poor in the world." In his works, the mountains are so steep, the water is so turbulent and the buildings are so magnificent. He is so broad-minded, so upright and so ambitious. It was Tang poetry that introduced me to this great man.
I like Tang poetry, and I like the saying that "young people don't work hard, but the old people are sad" and "black hair doesn't know how to learn early, and white heads regret learning late". Many things pass too fast to turn back. People don't know the meaning of life until they have experienced it Birds know how to cherish their rich freedom after flying out of the cage. Time always takes away happiness and freedom in a hurry, leaving only some scars and some dust for future generations to make up and struggle slowly. It's Tang poetry, which gives me a lot of feelings.
I like Tang poetry, and I like "Since God has given talents, let them find jobs!"! , spin a thousand silver, all come back! " . The true nature of the heart should be like this. Success, like the moonlight shining on flowers, the deep pool is slightly blue, no matter good or bad, no matter the detachment of success or failure, it is a post station that raises the whip and steers the horse to climb far away; Defeat, like a drop of water wears away a stone, merges into a sea, is poor and strong, is not arrogant, and has the stubborn honor of "being a man without a definite view and striving for self-improvement". The mountains and rivers remain the same, and the painting style remains the same, just like the mountains and rivers, familiar with the years, flashy and arrogant; Bear the burden of humiliation, Han Xin on his legs and cedar on his ass, like a feathered fairy, know how to take a step back and broaden the horizon. It was the Tang poetry that gave me this firm confidence.
Tang poetry, your charm lies in your breadth, your diversity and your tolerance.
Tang poetry, you have infinite charm.
Taiwan Province poet loves to say, "Squeeze the Tang poetry, and at least half a catty of wine will drop out." In just two sentences, the charm of Shishi Tang's wine and the poems in it is vividly described.
Wine plays an important role in Tang poetry. Many poets are intoxicated with mellow wine, and the poems with fragrance in their works taste the different levels and styles of wine, as if they have absorbed the "spirit" of wine. Wine and poetry can be said to be connected with the poet's blood.
Li Bai said that "when wine enters luxury intestines, seven parts are moonlight, the other three parts are firm but gentle, and when embroidered mouth spits out, it is half of the prosperous Tang Dynasty", and even more "poetry" and "wine" cannot be abandoned. So "called the son of heaven instead of getting on the boat, calling himself Brewmaster". In the wine, there is a unique and broad-minded "enjoy a glass of wine while you are alive!" I don't care if my fame will survive! " ; There is "the sunset is drunk, and the white horse is arrogant"; Even when he sends his feelings to the mountains and rivers, he can't forget "drinking to make a sad face". Li Bai and his poems were influenced by lingering alcohol and magnificent scenery. Li Bai's poems are frank, bold and free of wine.
Du Fu, a poet and sage, was called the "seven-year wine emperor" since he was a child, and even pawned his clothes for wine. When he was worried about the country and the people and got the news that the government forces had recovered Hebei, he was also "singing praises" and "keeping company with youth", but Du Fu's wine was even more compassionate. Du Fu, whose evening scene was bleak, poured out his complicated feelings of wandering all the year round, being old and sick, and being lonely. Today, the Lebanese people are still suffering and the country is still in turmoil. At this time, only wine can interpret the poet's mood. Facing the "endless Yangtze River water", the poet also drank a cup of "turbid wine" mixed with his two lines of tears, which was full of sad taste.
The Tang Dynasty has a vast territory, and the soldiers guarding the border will also show their pride by drinking. William Wang, uninhibited and uninhibited, still drinks every day after becoming a scholar. He is a famous frontier poet and loves wine. At a banquet in a lonely frontier fortress, "if you want to drink pipa, you should be urged immediately." In this desolate desert, there is also a hearty feeling that cannot be separated from wine. To go to the battlefield, "don't laugh when you are drunk on the battlefield." How many times have you fought in ancient times? " Facing the cruel battlefield with a drunken attitude, why is it not the noble sentiment given to the poet by wine? In William Wang's poems, there is a kind of dripping and hearty, heroic and magnificent wine flavor.
In the voluminous Tang poetry, wine is always inseparable from it. Poetry is the essence of wine, and wine is the catalyst of poetry. Wine gives poetry courage, poetry makes wine refined, and poetry and wine depend on each other From the poem, we can realize the spirit and measure of wine, and from the wine, we can know the charm and taste of the poem. The wine contains the elegance, sadness and heroism of Tang poetry, and the taste of Tang poetry is just like the mellow wine, which will last for generations. ...
In the country of poetry, I have a dream of Tang poetry. How many times did I dream back at midnight? It was the Tang poem that haunted me. Her charm, the weather in the Tang Dynasty, the willow color in the street and the fireworks in Surabaya ... are the surging cultural genes in my blood, which nourish my soul and self-restraint, while pulling me and calling me to the sacred road of worshipping Tang poetry.
When I was three years old, I babbled, and the first poem my mother taught me was Luo's Singing Goose. I vaguely remember the scenes of learning poetry in those years. My mother taught me sentence by sentence, and I followed suit like a parrot. Some poems have to be repeated by my mother before I can read them carefully, especially the word "white hair floating green water", which is inexplicably pronounced as "dew" every time. My mother always takes pains to teach them again and again until they are more accurate. My mother's eyes are always closed when reading, and her face is comfortable, which makes me suspect that there are secrets in fairy tales. At that time, although I couldn't understand the ideological content of this poem, I followed my grandmother to the pit behind the village to release geese and watch them play in the water. The content of the poem was reflected in my mind like a painting. At that time, I thought this poem was good and wrote grandma's goose alive. Every night before going to bed, I always pester my mother to teach me to read poetry. Popular poems such as "Compassion for Peasants" and "Spring Dawn" have nourished my childhood and filled me with beautiful yearning for the artistic conception of Tang poetry.
At the age of ten, Tang poetry opened a skylight to the spiritual world for me. Besides the city where I was born and raised, there is more space in the world. The Tang poems in primary school textbooks could not meet my needs, so my mother bought me 300 Tang poems and so on. Many poems, although they don't understand the content, are just like the feeling and taste of reading Tang poetry. The feeling full of heart when copying Tang poetry is the most wonderful. How many times have I dreamed of returning to the Tang Dynasty and living in the country of poetry?
At the age of thirteen, Tang poetry told me that life is a space trip from time. Tang poetry is a high-speed train across just visiting. It takes you to appreciate the different scenery of life, taste everything, taste everything and enjoy life. Reading Du Fu's "Reach the Peak, the other mountains all appear dwarfs under the sky.", we are full of lofty aspirations of independence, helping the people and overlooking everything; Read Wang Wei's "Moonlight in the pine forest, crystal stone in the stream", its beautiful moment, when the stream sings and sleeps on the pillow; Reading Bai Juyi's "Wildfire Endless, Spring Breeze High", lamenting the greatness and infinity of life; Reading Du Mu's "",I am worried about the country and the people everywhere, and I am affectionate. ...
Thirteen years of hard life, countless Tang poems linger. Singing all the way, Tang poetry is a good companion to return to China!
Throughout the five thousand years in China, the Tang Dynasty was undoubtedly the most prosperous dynasty. The prosperity of the country, the stability of people's livelihood, the smooth flow of the western regions, and the arrival of hundreds of parties in the DPRK have also made culture prosperous, which has also given birth to Tang poetry, a charming literary carrier.
The charm of Tang poetry is embodied in the beautiful scenery. Spring tide in Lian Haiping, the bright moon on the sea is a mighty river tide, and a bright moon goes straight into the sky with the tide. Frost flows in the air, but it is like frost-Bai Yueguang, the river is clear in the sky, and there is no dust.
When the moon came out, the birds were shocked. When the spring water was silent, a mist came from Yunmeng Valley and surrounded Yueyang City. This is the mighty Dongting Lake. When you stop to sit in love with the maple forest, the frost leaves are red in February, and the flowers bloom in the maple forest. The desert is lonely, and the yen is a magnificent sunset. Once you climb to the top of the mountain, you will see that other mountains look very short under the sky. They are all magnificent scenery in the Tang poetry of Mount Tai, which is unique and has its own merits.
The charm of Tang poetry is embodied in emotion. Five-legged horses, autumn with thousands of gold, give them to that boy to exchange for good wine and sell them with you. Worry through the ages is tragic and heroic, and Mochow has no confidant in the road ahead. Everyone in the world doesn't know that you are a high-spirited, bold and open-minded person. It is still Wang Changling's ambition to serve the country that the yellow sand wears golden armor in hundreds of battles, but does not break Loulan. "You come from my motherland, tell me what happened!" It is Wang Wei's yearning for his hometown.
The charm of Tang poetry is embodied in language. Among them, I want to know why my Jinse has fifty strings, and each string is like a flower, representing the loss and melancholy of youth, the sunrise in the East and the rain in the West. Ruthless but affectionate, they wrote a pun on the girl's confusion and attachment. Once the sea was difficult for water, the eternal amber was profound and sincere. There are also lofty sentiments, killing one person in ten steps and staying a thousand miles away. Things brush away, hidden merits and fame are the generosity of chivalrous people, not seeking fame and fortune. One day, I will ride the wind and waves, sail straight and build a bridge on the deep sea. They laughed and died, but our people ignored them and were free and easy.
The charm of Tang poetry has been integrated into everyone's life. It exists in Qiangdi in Gucheng, between the Yellow River and white clouds, after the rain, the mountains are empty, and Xunyang is autumn. Some people even say that as long as you see a scene, you can release the images hidden in your heart and be in a poetic state of mind.
This is the unique charm of Tang poetry, which is everywhere.