Li Kuai, member of Chinese Writers Association, member of China Television Association, national first-class creative (professor level), expert enjoying special allowance from the State Council, contemporary writer, poet and critic. Adjunct professor of Inner Mongolia University and Inner Mongolia Normal University.
Chinese name: Li Kuai
Nationality: China.
Occupation: writer
Masterpiece: Old Spring Well Style
Level: National Creation
Gender: male
A novel
long novel
Customs of Old Springs and Wells (published by Inner Mongolia People's Publishing House), Long River Filled with Fog (published by Inner Mongolia People's Publishing House), Rapids Surging (published by Inner Mongolia People's Publishing House), Beautiful Honggeertala River (published by China Federation of Literary and Art Circles Press in October) and Dog Sacrifice (published by 10/October).
medium-length novel
(35,000-55,000 words) Vegetable Market (grassland publishing, selected novellas), Las Vegas, grassland publishing, Magic Flute publishing (youth literature and grassland publishing), selected novels, published in China in 2009. Short stories, essays, plays, etc.
poetry
(More than 250 lines-more than 800 lines) Iron Pen Hero (published by Grassland) "Today, we love our motherland more" (published by China writers, newspapers, China Art Newspaper and Grassland) and "Ode to the East Wind" (published by China Reading Newspaper).
Other works
The large-scale symphony "Song of the Grassland" (10, with 8 movements, has been made into CD/DVD by Inner Mongolia Audio-visual Publishing House), the large-scale reportage "Moonlight Flowing and Sunlight Flying" (published by People's Daily and Inner Mongolia Daily, broadcast by Inner Mongolia People's Broadcasting Station with music) and "Beijing, Hunshandake reports to you".
More than 40 literary and artistic comments, such as "Exploring the spiritual and cultural motivation behind Return to the East and its artistic publicity" (published in the headline of the special issue of Guangming Daily Culture Weekly).
Character review
A fast and persistent watcher of pure literature.
Li Aiping China Reading Newspaper (September 20 12 19 03 Edition)
In China literary world, Li Kuai's name is as fascinating as his works. Li Xiaoyu, former deputy editor-in-chief of Poetry magazine, thinks that his poems are a long tune in Inner Mongolia grassland. Critic Radar believes that it is no accident that his grassland novels write things that many people can't see. Because Li Kuai has a special texture, that is, his almost fanatical love for literature and his special love for life make his works last forever and glow with unique charm.
Since the early 1970s, Li Kuai has never put down his pen and has published more than 4.5 million words of various literary works. What made him famous at one fell swoop was Old Spring Well Style. Once, he chatted with Liu Yunshan and said that he was going to write a novel reflecting rural life. According to Liu Yunshan, "Although I strongly supported his plan at that time, I always had some doubts in my heart. With his free writing skills and rich life accumulation, it is not a problem to write a large literary work. But he is the county party secretary of hundreds of thousands of people! " To Liu Yunshan's surprise, two years later, a heavy "Old Spring Well Style" was placed on the desk of the publishing editor and won the highest literary prize in Inner Mongolia "Suolongga". And his work is also quite excellent, "official promotion to the next level", and he has done leadership work in the league. Careful readers will find that the preface of Old Spring Well was written by Liu Yunshan, the current director of the Propaganda Department of the CPC. Liu Yunshan said affectionately in the preface that there are only a handful of county party committee secretaries who really write hundreds of thousands of words like this in the list of Chinese Writers Association. Writer Ding Mao attributed this to the phenomenon of "fast in the room". But at the same time, some people question, as an administrative leader, how can you have time to create? Should someone ghostwrite for him? In this regard, Li quickly laughed it off.
When people were still full of doubts and surprises about the book Old Springs and Wells, 1998+65438 February, the first part of Li Kuai's trilogy "Soul of the River" was published one after another, and the second part "Riptide Surging" was also published one after another. Its creative speed is incredible even for some professional writers. When someone asks this question, Li Kuai's answer is very common. He said that his creative time is not at work, but on holidays, weekends or evenings after busy work, but it never exceeds twelve o'clock in the evening to ensure that he works energetically the next day. Someone asked, how to solve the collection and experience of creative materials? Li's answer is quick. Years of life experience is a huge treasure house, and you can get anything you need. The most fundamental thing is that he put his emotions and hard work into his creation, and he often burst into tears when he wrote here. In addition, it is also related to his love of reading. He has read almost all the famous literary works at all times and all over the world. He is knowledgeable in politics, history, economy and philosophy, and is good at turning knowledge into skills.
If his previous works are accumulated for many years, the publication of Beautiful Tara River in hunger, Hating Taiwan in the Desert and Dog Sacrifice from 2007 to 2009 undoubtedly made him enter the ranks of powerful writers in contemporary China. Critic Radar pointed out that Li Kuai's grassland novels have the spiritual essence of local culture and grassland culture, and he incorporated a lot of poetic and lyrical factors into his narrative. Once this essence breaks out, it has a strong appeal. At the seminar of "Beautiful Tara River in hunger" held in China Museum of Modern Literature, scholars thought that this work had "unique aesthetic quality", and it was included in one of the 500 excellent novels created in the 60 years since the founding of the People's Republic of China, and then it was translated into Slavic and published in Mongolia, which caused great repercussions.
Under the guidance of grassland culture, Li Kuai's novels integrate realism and philosophy, unfold grand narration, perfectly integrate the outstanding achievements of many schools, and enrich the character gallery in China literary world with the uniqueness and personality strength of grassland novels; Language goes from experience to creation, and then forms a unique language system. Li Kuai's creation inherits the traditional art of China, and dares to study the world literary thoughts and schools for my use. This is related to his good at learning and paying attention to the frontier of literature.
As a contemporary "flag figure of prairie novels, Li Kuai's works reflect his aesthetic quality and his special contribution to China's literary world, and its complete connotation cannot be ignored". The poetic and classical artistic atmosphere created by the novel can naturally remind people of the Cossack grassland in sholokhov's The Silent Don, the flood in Faulkner's novella The Bear and the night scene in Chekhov's Grassland. (Geng Rui's Elegy of Prairie Heroes). It is conceivable what this means to Li Kuai, who is moving towards the classic beauty of literary creation.