What are the main aspects of poetry now?

Such as the beauty of artistic conception

The artistic conception of China's classical poems presents that kind of beautiful form, which is repetitive and multifaceted. It is presented to us in various forms. In other words, people feel different artistic beauty when reading poems. It is not that the beauty of artistic conception is an artistic conception or that the feeling of beauty is a feeling. That's not true. Actually, the beauty of artistic conception is very rich. I sum it up in eight aspects. The first artistic conception is called "majestic and broad". The second is called "openness and cheerfulness"; The third is called "desolation and tragic"; The fourth kind is called "deep gloom". These four types have one thing in common, that is, they show a kind of "masculine beauty". In addition, there are four types, the first is called "magnificent"; The second is called "cold silence"; The third is called "fresh and elegant"; The fourth kind is called "cold cold". Generally speaking, these four kinds all show one thing in common, that is, "female beauty." Therefore, this artistic beauty of poetry gives us nothing more than "masculine beauty" and "feminine beauty". Then a kind of "masculine beauty" is the artistic conception of "vigorous and broad", this artistic conception poem. In language, it is often exaggerated and shocking. The second is called "cheerful", and the general characteristics of this artistic conception are as follows. Writing scenes is often dust-free and refined, and the reality and reality coexist. When expressing feelings, it is often open, cheerful, soothing and long, and in language, it is generally vigorous, lively and fantastic. The third is called "desolation and tragic". The general feature of this artistic conception is that lyric is often heroic, generous and sad, while language is often simple, vigorous, upright and tragic. The fourth is "deep gloom". This kind of poetry is generally characterized by deep content accumulation, deep feelings and stagnation. In language, it is often unpretentious, rarely exaggerated, and good at moving with events.