Where is your hometown? It's leisurely to think about it.
Autumn night in Huainan, the high house smells wild geese coming.
As can be seen from this poem, Yan Wen consciously used the sentence patterns, language and expression techniques of ancient poems to form a lofty and far-reaching artistic conception, while maintaining the characteristics of "meaning should be implicit and language should be inclusive". Between verses, avoid excessive jumping, and the language also strives to be concise and natural, avoiding carving. One or two sentences are also mixed with sentence syntax of scattered culture.
An autumn night in the mountains
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
"Climbing the mountain and seeing the sea is satisfactory." The scenery in Wang Wei's works is actually the materialization of the poet's mind. Only by expressing one's inner feelings with foreign objects can one feel lasting, subtle and meaningful touch.
Liu Zongyuan pays more attention to the implicit expression of emotion. In "Answering Wei Zhongli's Teacher's Book", he said his composition: "I never dare to treat it lightly, for fear that it will go wild and stay; Never dare to be lazy and free, for fear that it will relax; Never dare to faint, afraid of its ignorance; I have never dared to do it proudly, I am afraid it is arrogant. "
Si Kongtu wrote twenty-four poems. He divided these poems into twenty-four according to artistic conception and style. One of them is "implication". Si Kongtu explained the meaning clearly in a few short sentences, and also explained why it was implicit. Finally, he taught us how to be subtle. The original text is as follows:
"Without saying a word, everything is romantic. Language is not difficult, and it is no longer worrying. There was a real massacre, followed by ups and downs. Green as wine, flowers return to autumn. Dust in the sky, suddenly the sea. The depth is gathered and scattered, taking one in ten thousand. "
First of all, Si Kongtu tells us what "hint" is. "If a word doesn't agree, it's all romantic", which shows the essence of "implication". Then, use "language is not difficult, it is no longer worrying." In order to further explain the meaning. The combination of the two gives an appropriate definition of implication, that is, conciseness, meaning without revealing, implication without revealing, and endless aftertaste. It fully expresses Si Kongtu's so-called poetic beauty interest of "image is beyond image", "rhyme is beyond rhyme" and "taste is beyond taste", which has been valued by poets of all ages.
Mei's poems are subtle, profound, subtle and delicate, which is also lacking. The most obvious weakness of his poems is that sometimes he only pays attention to the catharsis of feelings, ignoring the scrutiny of emotional expression and the internal tension of language, making them rough and even endless.
But there are also some small poems, written by Su Shunqin, which are quite exquisite, such as "Boating Calf in Huaizhong":
Weeds are green in the spring shade, and sometimes there are flowers and trees. At night, under the lonely boat ancient temple, Sichuan is full of wind and rain.
The second sentence is a bit prosaic, but it uses the word "time" to make the scene move, as if in a piece of green grass, flowers and trees jump into the eye from time to time. "Quiet" and "bright" are unique in describing flowers, emphasizing psychological feelings and vision. The rhyme of the whole poem is close to that of Tang poetry, but it is more quiet and delicate, and its meaning is more flowing and tortuous.
Lu You's Spring Rain in Lin 'an
For years, the taste of this world was as thin as gauze. Who will be the rider in Beijing? The world is as thin as a transparent yarn in the years. Who asked me to ride a horse to live in Beijing? ]
Living in a small building and listening to the falling spring rain, you will hear the sound of selling apricots in the depths of the alley early in the morning. Living alone in a small passenger building, listening to the rain all night, tomorrow morning, there will be the sound of selling apricot flowers in a deep alley.
Slowly spread out small pieces of paper sideways, every word is organized, carefully boil water and tea under the sun window, skim it and try to taste famous tea. [Short piece of paper with a pen on its back, writing cursive script in my spare time. At the window where a light rain began, I watched the small white bubbles on the water when making tea, playing to distinguish the grade of tea]
Oh, don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to the mirror house in Lake Ubak. As a humble plainclothes, don't lament that dust will stain my clothes, and you can go home to Qingming.
Lu You writes more implicitly and profoundly here. Although he used more lively words, his intention was to express his depression and melancholy. It was against the background of beautiful spring scenery that he was in sharp contrast with his feeling of loneliness.
Wang Shizhen's slogan is the guiding ideology of his criticism of literary works. Verve theory mainly includes the following meanings:
1. He emphasizes the implication of art, opposes being too straightforward and too exposed, and advocates profound hints. He said: "Tang poetry is mainly about emotion, so there are many records;" Song poetry is dominated by qi, so it is exposed in many ways. " Therefore, he repeatedly repeated Yan Yu's "endless words, endless meaning" and Si Kongtu's "taste is beyond sour and salty" and "nothing is romantic".
Wang Wei is good at painting, and his pastoral poems show the beauty of blending poetry and painting. This paper discusses its beauty from the perspectives of the blending of poetry and painting and the beauty of painting, and reveals its artistic subtlety. Wang Wei used the painter's eyes to observe the structure, to paint without color, to use imagination, exaggeration and other methods, not to stick to one pattern, to shape things, to vividly portray them, to gain their natural interest, and to inject the poet's strong feelings. Thus, with the beauty of color, composition, dynamics, vocal music, simplicity, imagination and emotion, the beauty of painting and poetic art are condensed, so that the art of poetry and painting is more and more mature, lasting and elegant.
Wang Wei's application of artistic dialectics can be described as perfect. The quiet and beautiful scenery in the poem comes from the "interest outside the image", which shows some special interest and implication in natural scenery and rural life. "Motion" in Wang Wei's landscape poems is only an artistic means, and the theme of his landscape poems is to describe and express the quiet and beautiful realm of nature. As a dynamic artistic means, its purpose and function is to serve the creation of static artistic conception, thus creating a certain artistic effect.
Both Wang Wei's pastoral poems and landscape poems show the beauty of silence, but there are still differences in the characteristics of silence between the two types of poems. His pastoral poems mostly describe the quiet state of mind and the clear and indifferent atmosphere in quiet leisure; And his landscape poems, in the deep and cold atmosphere and rich and gorgeous colors, mostly show a quiet artistic conception.
Let's take a look at his pastoral music (6).
Peach is full of rain, willow is full of spring smoke.
The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.
Peach blossoms in full bloom, with glittering and translucent water drops, are even more bright red and delicate on a bright spring morning. This is a close-up shot. In the distance, willow trees with green leaves look a little greener in the gauze-like morning fog. The petals of a courtyard blown down by the rain on a mountain have not been cleaned up by the children. The oriole's sweet news, sound of spring, came from afar, breaking the tranquility of this spring mountain from time to time, and the "mountain guest" was still dreaming in the harmonious spring. Although there is movement in the poems of Flowers Falling and Yingying Singing, it makes the dwelling place and artistic conception of Shanke more and more quiet, so its artistic conception mainly lies in the word "quiet", which is a leisurely and quiet environment.
Reduplication can enhance the sense of rhythm or emphasize language. Such as "searching, lonely and miserable." ("Slow Whispering" Li Qingzhao)
These onomatopoeic words can make poetry more vivid and make people feel immersive.
Zhang Xian's "Fairy" is on the beach, and on the poultry pond, the clouds break through the moon. Heavy curtains obscured the light. When the wind is uncertain, people will calm down first. Tomorrow's sunset should be complete. -Wang Guowei commented on this word, saying that "clouds break the moon to make a shadow" has the word "agriculture" in it, and the realm is gone. How to understand it?
Analysis: 1, the word "de" can arouse people's association, "flowers make shadows", so what is making flowers? 2. The word "de" brings the lifeless scene of "shadow" to life, which is to make a contrast between static and dynamic. 3. The word "Nong" contains the meaning of "frolicking" and "teasing", which makes the picture full of vitality and interest.