Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin. Shi Hao officials went to Shihao Village at dusk, and some officials arrested people at night.
The old man climbed over the wall and left, while the old woman went out to watch. Why are officials angry? Why do women cry? Before listening to his wife's speech: three men are guarding Yecheng.
One man attached a book, and two men died. Those who drag out an ignoble existence are dead! There is no one in the room, only a baby and a grandson.
And grandma didn't go, and there was no skirt in and out. Although the old woman is physically weak, please come back at night and be anxious to prepare for cooking in the morning.
The night is long and silent, like crying and choking. Dawn will rise into the future, leaving the old man alone.
The thatched cottage was broken by the autumn wind, and the strong wind in August roared, rolling up my three hairs. Hair flew over the river and sprinkled on the periphery of the river. The highest one hangs a long forest tip, and the lower one floats to Shentang 'ao.
The children in Nancun bully me. I can stand being a thief. I openly carried Mao into the bamboo forest, and my lips were so dry that I couldn't breathe. When I came back, I sighed on crutches.
In an instant, the wind will set the color of the clouds and ink, and the autumn will be bleak and dark. This cloth has been as cold as iron for many years, and Joule has been lying down and cracking.
There is no dry place in the bedside table, and the feet are numb with rain. How can you get wet all night since you are in a mess and don't get enough sleep! There are tens of millions of luxury houses in Ande, which greatly protect the poor in the world, with a spring breeze and a mountain of wind and rain.
Oh! Suddenly I saw the house in front of me, and it was enough for me to freeze to death alone.
2. What ancient poems describe "historical changes"? 1, the Yangtze River flows eastward, and the waves wash away the heroes.
Whether it is right and wrong or failure, it is empty now and has disappeared with the passage of time.
Said by: Shen's "Linjiang Xian" rolled across the Yangtze River.
The Yangtze River flows eastward and never looks back. Many heroes disappear like flying waves. What is right and wrong, success and failure, are short-lived and not long-lasting.
2. Looking west means hesitating.
Sad Qin and Han dynasties, ten thousand palaces have been made of earth.
From: Yang Hao, Bird, Shanpo Sheep Tongguan E68A84E8a2ad32313133353236313431303231363365438+.
I looked at the ancient capital Chang 'an and thought a lot. Sadly, after passing through the ruins of Qin and Han palaces, I saw countless palaces turned to dust. The feudal dynasty established people to suffer; The feudal dynasty has perished and the people are still suffering.
3, misty rain surprised Watson, and the palace was the old imperial city.
If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City.
Said by: Sima Guang of Song Dynasty, passing through Luoyang Old Town.
Smoke and dust roared, and now there are only a few ancient palaces left in the former imperial city. If people want to know the law of ups and downs through the ages, just look at Luoyang City.
4. There are weeds and flowers beside Suzaku Bridge, and the sunset in Wuyi Lane is oblique.
Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.
From: Tang Yuxi's Wu Yixiang.
The Suzaku Bridge is covered with clumps of weeds and small wild flowers, and the sunset is in broken walls at the corner of Wuyi Lane. Swallows that once built their nests in front of Xie Wang Hall now fly into the homes of ordinary people.
5. Looking around Mount Li, A Fang was on fire. Where did you get the leisure at that time?
I saw that the grass was sparse and the water was lingering. I still hate foggy trees.
From: The Goat Li Shan Nostalgia.
Looking around on Mount Li, Epang Palace has been destroyed by a fire. It was prosperous and rich at that time. Where is it now? I see withered grass and water waves spinning around. The regrets left up to now are like fireworks.
3. Write a poem about historical changes: 1, Hao's "Climbing the Yellow Crane Tower".
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.
2. Tang Menghao's "Going to Lumen Mountain to Nostalgia"
In the morning, the boat bypassed the mountains in Xi 'an with great interest and crossed the Han River. The waterfowl in the bar can be identified at close range, but the trees by the water can't be distinguished. The boat came to Lumen Mountain leisurely, and the sun was shining, which made Shan Lan look pale. The pool between the rocks is winding, and the boat often twists and turns. I heard that Pang Degong came, but the mountain has not been returned. The mountain stream is suitable for the growth of Ganoderma Atractylodes, and the stone bed is covered with thick moss. The old man in Xiangyang was deeply grateful and pulled up the cable and climbed up. The remains of the secluded world can still be found, and Su Chao's style has been far away from this world. Accompanied by white clouds, I don't know when they drifted by, and planted osmanthus flowers with empty posture. The fun of remembering the past is still unfinished, and the setting sun returns to the western hills.
3. Tang Cuitu crossed the ancient city of Luoyang.
Thirtieth imperial city, depression is hegemony. The walls are dilapidated and the remains should gradually disappear. The wild path leads to the barren garden, and the sorghum reflects the far road. Lonely people don't ask, but complain coldly.
4. Sima Guang's Crossing Luoyang Ancient City in the Northern Song Dynasty
Four mountains are green, and three rivers are full of flowers. Spring breeze doesn't know the meaning of rise and fall, and the grass color fills the old city year after year. Smoke, worry, rain, noise, Nai Huasheng, Palace Que, Old Imperial City. If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City.
5. Song Xin Qi Ji's "Bodhisattva Man, Book Jiangxi Mouth Wall"
How many pedestrians shed tears in the middle of Qingjiang River in Yugutai. Looking at Chang 'an in the northwest, there are countless poor mountains. Castle peak can't cover up, after all, it flows east. The river is sad at night, and the partridges are heard in the mountains.
Why did the ancients like to write poems about historical changes?
On the one hand, it can express the poet's sentimental feelings about historical changes; On the other hand, it expresses the author's unfulfilled ambition.
4. Poems expressing historical changes pass through the ancient city of Luoyang.
Poet: Cui Tu's Complete Tang Poetry Library-Volume 679
Thirtieth imperial city, depression is hegemony. The walls are dilapidated and the remains should gradually disappear.
The wild path leads to the barren garden, and the sorghum reflects the far road. Lonely people don't ask, but complain coldly.
Sima Guang, a historian of the Northern Song Dynasty, crossed the old town of Luoyang.
Four mountains are green, and three rivers are full of flowers.
Spring breeze doesn't know the meaning of rise and fall, and the grass color fills the old city year after year.
Smoke, worry, rain, noise, Nai Huasheng, Palace Que, Old Imperial City.
If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City.
Shanyang Tongguan nostalgia
The peaks are like gathering, the waves are like anger, and the mountains and rivers are like Tongguan Road. Looking at Xijing, I hesitated, saddened by the fact that palaces in Qin and Han Dynasties were all made of earth. Xing, people don't live, die, people don't live!
How many pedestrians shed tears in the middle of Qingjiang River in Yugutai.
Looking at Chang 'an in the northwest, there are countless poor mountains.
Castle peak can't cover up, after all, it flows east.
The river is sad at night, and the partridges are heard in the mountains. -Xin Qiji's "Bodhisattva Man, Book Jiangxi Mouth Wall"
Book of Songs Feng Wang Lishu
He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
The separation of millet is the reality of millet. Walking decadent, center suffocation.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
5. Think of some poems about historical changes, hoping to help.
Through the ancient city of Luoyang
Poet: Cui Tu's Complete Tang Poetry Library-Volume 679
Thirtieth imperial city, depression is hegemony. The walls are dilapidated and the remains should gradually disappear.
The wild path leads to the barren garden, and the sorghum reflects the far road. Lonely people don't ask, but complain coldly.
Sima Guang, a historian of the Northern Song Dynasty, crossed the old town of Luoyang.
Four mountains are green, and three rivers are full of flowers.
Spring breeze doesn't know the meaning of rise and fall, and the grass color fills the old city year after year.
Smoke, worry, rain, noise, Nai Huasheng, Palace Que, Old Imperial City.
If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City.
Shanyang Tongguan nostalgia
The peaks are like gathering, the waves are like anger, and the mountains and rivers are like Tongguan Road. Looking at Xijing, I hesitated, saddened by the fact that palaces in Qin and Han Dynasties were all made of earth. Xing, people don't live, die, people don't live!
How many pedestrians shed tears in the middle of Qingjiang River in Yugutai.
Looking at Chang 'an in the northwest, there are countless poor mountains.
Castle peak can't cover up, after all, it flows east.
The river is sad at night, and the partridges are heard in the mountains. -Xin Qiji's "Bodhisattva Man, Book Jiangxi Mouth Wall"
Book of Songs Feng Wang Lishu
He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
The separation of millet is the reality of millet. Walking decadent, center suffocation.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
"Wang" is selected from the Book of Songs, and "Wang" refers to the capital of the king. After Zhou Pingwang moved to Luoyi, the royal family declined, and the emperor was equal to princes in other countries, so the poems written there were called Feng Wang. Feng Wang's works, especially the poem "Su Zou", have always been regarded as masterpieces of mourning for the motherland. However, it is difficult to see from the poem that Zhou Taifu was sad about the demise of the Western Zhou Dynasty, but saw the image of a wandering prodigal son and heard his angry cry because of his displacement.
6. Excuse me, what is the poem "Crossing the Old Town of Luoyang" (Tang Dynasty) that laments the changes of history and times? Cuitu was the capital of the 30th emperor, and the depression dominated the map.
The walls are dilapidated and the remains should gradually disappear. The wild path leads to the barren garden, and the sorghum reflects the far road.
Lonely people don't ask, but complain coldly. "Crossing the Old Town of Luoyang" (Song) Sima Guang's four-in-one combination is surrounded by mountains, and the three rivers flow in parallel.
Spring breeze doesn't know the meaning of rise and fall, and the grass color fills the old city year after year. Secondly, the smoke worries the rain, the rain screams Watson, and the palace wears the old imperial city.
If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City. "Goat Tongguan Nostalgia" (Yuan) Zhang Qunfeng seems to gather, the waves are like anger, and the mountains and rivers are inside and outside Tongguan Road.
Looking at Xijing, I hesitated, saddened by the fact that palaces in Qin and Han Dynasties were all made of earth. Xing, people don't live, die, people don't live! "Bodhisattva Man, Building the Wall of Jiangxi Province" (Song) Xin Qiji fell into the Qingjiang River in Yugutai, and many pedestrians cried in the middle.
Looking at Chang 'an in the northwest, there are countless poor mountains. Castle peak can't cover up, after all, it flows east.
The river is sad at night, and the partridges are heard in the mountains. The Book of Songs Feng Wang Su Parting The Book of Songs is the seedling of Su.
The line is decadent and the center is shaken. People who know me worry me; What do I want if you don't know me?
Tiandaochang, who is this? Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this? The separation of millet is the reality of millet.
Walking decadent, center suffocation. People who know me worry me; What do I want if you don't know me?
Tiandaochang, who is this? Extended data:
Crossing Luoyang Ancient City is an ancient poem of the same name written by Cui Tu in Tang Dynasty and Sima Guang in Song Dynasty. The old city of Luoyang here refers to the old city of Luoyang in Han and Wei Dynasties and the old city of Luoyang in Sui and Tang Dynasties respectively.
"Old Tang Book Geography" contains: In the first year of Sui Daye, Luocheng moved eighteen miles and set up a new capital, which is now the capital. Cui Tu (854~? ), the word Lishan, is a native of Fuchunjiang, Zhejiang Province today.
Tang Xizong was a scholar in the fourth year of Guangqi (888). He has been wandering all his life, wandering in Bashu, Wu Chu, southern Henan, Qinlong and other places, so his poems are mostly about wandering life, with desolate artistic conception.
"Complete Tang Poetry" includes 1 volume of Tang poetry. Sima Guang (1019165438+1October 17-1086) is the son of Sima Chi.
Han nationality, a native of Guangshan County, Henan Province, was born in Sushui Town, Xiaxian County, Shaanxi Province (now Xiaxian County, Shanxi Province), and was known as Mr. Sushui in the world. Sima Guang was a politician, writer and historian in the Northern Song Dynasty. Born in Renzong, Yingzong, Zongshen and Zhezong Dynasties, he died in Taishi, Wenguogong, History and other countries.
He presided over the compilation of the first chronicle general history in the history of China-"Learning from the Same Experience". Sima Guang is gentle, humble and upright, and his personality under Confucian education is exemplary and has always been admired by people.
Reference link: Baidu Encyclopedia-Passing through Luoyang Ancient City.
7. The poem about history is 1. Li Bai's "Smelling the flute on a Spring Night in Los Angeles": Whose Yu Di flies secretly and scatters into the spring breeze.
Who can't get homesick when they hear that there is another village in the serenade? To understand the meaning of "folding willow" in the title, the key is to understand the image of "willow". There are some common ancient poems in the texts that students have learned, such as "Yang Liuan's Xiao Feng Canyue" (Liu Yong's Yulinling), "I heard the willow in the flute, but I didn't see the spring scenery" (Li Bai's Xia Sai Qu), and "Why should Qiangdi complain about the willow, because the spring breeze is not enough" (Wang Zhihuan's Liangzhou Ci). The past is gone, and Liu is reluctant to part.
There is also "Folding Yang Liuzhi" in the Northern Dynasty Yuefu's "Blowing the Drum Horn", and the lyrics are: "Don't catch the whip when you get on the horse, fight with Yang Liuzhi. Dismount and play the flute, worrying about killing guests. "
From this, we can understand that the "willow" in ancient poetry has a special meaning. Gentle and graceful, swaying in the wind, the homophonic sound of "willow" and "stay", and the ancient custom of breaking willow to bid farewell can easily be extended to the level of "willow-stay-farewell-reluctant to part".
Reminiscent of people, parting people will think of parting scenes when they see willows, and they will see farewell scenes to willows, and their hearts are full of sadness. This makes it easier to understand the meaning of "farewell and nostalgia" contained in the word "folding willow" in the poem.
2. Looking for flowers by the river Du Fu Huang Niangzi is full of branches and flowers are low. The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.
[Analysis] Du Fu, a poet in the first year of Shangyuan in Tang Suzong (AD 760), lived in Chengdu, Sichuan, and built a thatched cottage on the banks of Huanhuaxi in the western suburbs. He has a place to live for the time being and feels more comfortable. In the spring season, he walked alone by the river to enjoy the flowers and wrote a set of seven-line quatrains, the sixth of which.
The first sentence "Huang Siniang's home is full of flowers" points out the place to find flowers. A "path" is a path.
"Flowers are all over the path" means that many flowers cover the path and connect it. The second sentence is "a thousand flowers are low."
"A hundred flowers blossom" describes a large number. The words "pressure" and "low" in "Pressing branches low" are used very aptly and vividly, vividly depicting the dense, large and numerous flowers in spring, which bend the branches.
This sentence is the embodiment of the word "full" in the previous sentence The third sentence, "There is a butterfly dance".
"Linglian" describes butterflies flying around and reluctant to leave. Write the bright fragrance of spring flowers from the side.
In fact, the poet was also attracted by colorful spring flowers and stayed. The fourth sentence is "Jiao Ying chirps".
"Jiao" is a description of Ying Ge's softness and roundness. "Chen Wenjing Ti" means that when the poet came to enjoy the flowers, the oriole was singing.
Just because the poet was happy, he took it for granted that oriole sang for himself. This is the same as the previous sentence, saying that butterflies are attached to spring flowers, which is empathy.
Because the poet successfully used this technique to integrate things with me and create a scene, this little poem is more intimate and interesting to read. 3. Looking at Lushan Waterfall, Li Bai's Rizhao incense burner gives off purple smoke and looks at the waterfall hanging from thousands of rivers.
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth. Incense burner refers to the incense burner peak of Lushan Mountain, "in the northwest of Lushan Mountain, its peak is sharp and round, and the smoke clouds gather and disperse, like the shape of Boshan incense burner" (music history "Taiping Universe").
But when it comes to the poet Li Bai's pen, it becomes another scene: an indomitable incense burner, clouds of white smoke rising slowly in Ran Ran, ethereal between the green mountains and the blue sky, and turned into a purple cloud under the irradiation of the red sun. This not only makes the incense burner peak more beautiful, but also romantic, creating an unusual background for the unusual waterfall.
Then the poet turned his eyes to the waterfall on the mountain wall. "Before the waterfall hangs over the river", the first four words are the key points; "Hanging in front of the river" is the first image of "looking", and the waterfall is like a huge white practice hanging high between mountains and rivers.
The word "hanging" is wonderful. It transforms motion into stillness, vividly showing the image of a waterfall pouring from a distance. Who can hang the giant? "Zhuang Zaifu"! Therefore, the word "hang" also contains the poet's praise for the magical power of nature.
The third sentence also describes the dynamics of the waterfall. "Flying three thousands of feet", stroke by stroke, every word is forceful.
The word "fly" vividly depicts the scene of the waterfall spewing out; "Straight down" not only describes the steep slope of the mountain, but also indicates the urgency of the water flow. The sky is falling and unstoppable. However, the poet was not satisfied enough, and wrote another sentence, "It is suspected that the Milky Way has set for nine days". He really wants to fall from the sky and surprise his soul.
"Doubt is" is worth pondering. The poet clearly said it in a trance, and the readers know that it is not, but they all think that only in this way can it be more vivid and true. The secret lies in the image that has been bred in the poet's previous description. Look! The towering incense burner peak is hidden in the clouds. Looking at the waterfall in the distance is like flying down from the clouds and falling in the sky, which naturally associates with a galaxy falling from the sky.
It can be seen that although the metaphor of "doubt is the milky way for nine days" is strange, it does not appear out of thin air in the poem, but naturally emerges from the portrayal of the image. It is exaggerated and natural, novel and true, thus arousing the resonance of the whole article, making the whole image more colorful, magnificent and magnificent, which not only left a deep impression on people, but also gave people room for imagination, showing Li Bai's artistic style of "Wan Li fell, but the trend was still strong at the end".
Ewong? was disabled in spring, and so was he in spring. How can he be a woman in green? Falling Flowers Independent, Swift Qi Fei.
The soul of the eye will be broken, but the dream of the year will not be broken. It is comparable to the sadness of dusk, and the cicada glow of dusk in Xiao Sa.
Poems about pregnant women in late spring. The first sentence points to the theme and is written in an eclectic way.
In a sentence, the word "you" begins with the word "ye" and ends with an adverb and a modal particle, which is rare in poetry. However, the author uses it naturally, which makes the sentence abrupt, strengthens the tone and strengthens the sadness of the heroine in the poem. It has the function of covering the whole article and is a new writing method.
The word "you" also corresponds to the following "year", suggesting that this woman left her lover at this time last year, so she is particularly sensitive to phenological changes. The second sentence "how to get out of the garden" and "how" means unbearable.
The first sentence is that this woman suffered the pain of separation here and now last year. After a year, I still remember it here and now. How dare she go there again?
8. What is the poem "Crossing the Old Town of Luoyang" that laments the changes of history and times?
(Tang) Cui Tu
Thirtieth imperial city, depression is hegemony.
The walls are dilapidated and the remains should gradually disappear.
The wild path leads to the barren garden, and the sorghum reflects the far road.
Lonely people don't ask, but complain coldly.
Through the ancient city of Luoyang
(Song) Sima Guang
one
Four mountains are green, and three rivers are full of flowers.
Spring breeze doesn't know the meaning of rise and fall, and the grass color fills the old city year after year.
Secondly,
Smoke worries and rain screams Watson, and the old imperial city hangs in the palace.
If you ask about the rise and fall of ancient and modern times, please only look at Luoyang City.
Goat Tongguan nostalgia
(yuan) Zhang
The peaks are like gathering, the waves are like anger, and the mountains and rivers are like Tongguan Road. Looking at Xijing, I hesitated, saddened by the fact that palaces in Qin and Han Dynasties were all made of earth. Xing, people don't live, die, people don't live!
"Bodhisattva Xia, build a wall in Jiangxi."
(Song) Xin Qiji
How many pedestrians shed tears in the middle of Qingjiang River in Yugutai.
Looking at Chang 'an in the northwest, there are countless poor mountains.
Castle peak can't cover up, after all, it flows east.
The river is sad at night, and the partridges are heard in the mountains.
Book of Songs Feng Wang Lishu
He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
The separation of millet is the reality of millet. Walking decadent, center suffocation.
People who know me worry me; What do I want if you don't know me? Tiandaochang, who is this?
Extended data:
Crossing Luoyang Ancient City is an ancient poem of the same name written by Cui Tu in Tang Dynasty and Sima Guang in Song Dynasty. The old city of Luoyang here refers to the old city of Luoyang in Han and Wei Dynasties and the old city of Luoyang in Sui and Tang Dynasties respectively. "Old Tang Book Geography" contains: In the first year of Sui Daye, Luocheng moved eighteen miles and set up a new capital, which is now the capital.
Cui Tu (854~? ), the word Lishan, is a native of Fuchunjiang, Zhejiang Province today. Tang Xizong was a scholar in the fourth year of Guangqi (888). He has been wandering all his life, wandering in Bashu, Wu Chu, southern Henan, Qinlong and other places, so his poems are mostly about wandering life, with desolate artistic conception. "Complete Tang Poetry" includes 1 volume of Tang poetry.
Sima Guang (1019165438+1October 17-1086) is the son of Sima Chi. Han nationality, a native of Guangshan County, Henan Province, was born in Sushui Town, Xiaxian County, Shaanxi Province (now Xiaxian County, Shanxi Province), and was known as Mr. Sushui in the world. Sima Guang was a politician, writer and historian in the Northern Song Dynasty. Born in Renzong, Yingzong, Zongshen and Zhezong Dynasties, he died in Taishi, Wenguogong, History and other countries. He presided over the compilation of the first chronicle general history in the history of China-"Learning from the Same Experience". Sima Guang is gentle, humble and upright, and his personality under Confucian education is exemplary and has always been admired by people.
Reference link: Baidu Encyclopedia-Passing through Luoyang Ancient City