Seek an ancient poem, which is very arrogant.

Appreciation of Huang Chao's Chrysanthemum Poems

The west wind is rustling all over the courtyard, and cold butterflies are hard to come by.

If I were Di Qing in another year, I would report to Taohua.

Waiting for September 8 of the lunar autumn,

Blooming chrysanthemums are in full bloom, Chang 'an is fragrant, the city is bathed in the fragrance of chrysanthemums-Italy, and the land is like golden chrysanthemums.

Appreciate Huang Chao (? ~884), the leader of the peasant uprising in the late Tang Dynasty, was born in Cao Zhou (now Heze, Shandong). Take Jinshi as an example. In 875, he led thousands of people to revolt in Cao Zhou and was called General Tian Chong. In 88 1 year, Chang' an, Kyoto, was conquered in the Tang Dynasty, and the peasant regime was established, with the title of Daqi. After the failure, I committed suicide. Two of his few poems are about chrysanthemums, and here is one of them.

Whenever the autumn wind is rustling, chrysanthemums are in full bloom, and flowers are blooming, life can't help but be poetic. Throughout the ages, there are countless poems about chrysanthemums, including Qu Yuan's Eating Autumn Chrysanthemums and Tao Yuanming's Picking Chrysanthemums under the East Hedgehog, but in contrast, I prefer Huang Chao's "Rebellious Poet" poems about chrysanthemums, "The rustling west wind is planted all over the courtyard, and it is hard to come to cold Hua Die; If I were Di Qing in another year, I would report to Taohua.

Although I have never turned my back, Huang Chao's poem reciting chrysanthemums, which is associated with strangeness and charm, really touched my heart deeply. Besides the unique cold aesthetic feeling of this poem, it is probably related to my feeling that chrysanthemums are neglected by butterflies in the spring breeze because of their unattractive and aloof temperament, to my dream of becoming the god of April one day and liberating chrysanthemums from the cold palace where butterflies whisper in the west wind, and to the poet's strong singing in the spring when flowers are in full bloom.

As the saying goes, "Poetry expresses aspiration", but people have their own aspirations, which is most obvious in poetry creation and appreciation. Of course, Huang Chao's chrysanthemum poems have the social desire to change the world, but my appreciation of Huang Chao's chrysanthemum poems has not liberated the beautiful social ideal of "cold-hearted Leng Xiang", which is the real master of the people, from the cold palace of harsh social reality. Probably at this point, the voice of the poet and I is stronger!

"If I am the emperor next year, I will repay it with peach blossoms"-I firmly believe that the day when the people are truly masters of the country in the future will be the time when a fair, reasonable and beautiful social ideal will be liberated from the cold palace of social reality and put into practice in the spring when a hundred flowers bloom!

At this moment, I can't tell flowers from people, dreams from reality.

Besides being proficient in martial arts, Huang Chao loves reading and can write poems and essays. He went to the capital Chang 'an to take the imperial examination, but failed. However, the failure of the examination hall gave him another gain: he saw the darkness of the examination room and the corruption of official management, which made him have a further understanding of the nature of Li Tang. After I failed the exam, I was full of pride. I sang chrysanthemums to express my arms.

"Until September 8th in Qiu Lai", it is pointed out that chrysanthemum is in full bloom in autumn. Especially on the ninth day of the ninth lunar month, this is the traditional Double Ninth Festival in ancient China, a day for friends and relatives to get together, climb mountains and drink and enjoy chrysanthemums, and a day for chrysanthemums to show their charm and make people admire. This custom was particularly popular in the Tang Dynasty. Didn't Meng Haoran, who was 140 years earlier than Huang Chao, make an appointment with his friend "I'll come back when I have a holiday on the mountain"? Huang Chao particularly emphasized "September 8th" here. The word "stay" is used to express the firm confidence that September 8 will definitely come. People are also looking forward to the Double Ninth Festival, and the word "Liu" has also played a role in urging people to welcome the arrival of this festival, showing people a bright future.

The second sentence of the poem is about the power of chrysanthemum: "I opened it, and the flowers killed me." There is no necessary connection between the withering of flowers and the blooming of chrysanthemums, but the poem says that chrysanthemums wither as soon as they open, which has become a causal relationship, just emphasizing the power of chrysanthemums. In the Tang Dynasty, peony was advocated and regarded as the national flower. According to Li Zhao's Supplement to the National History of the Tang Dynasty: "For more than 30 years, Jun traveled to the capital. Every spring, if the horses and chariots are crazy, they are ashamed not to play. " Contrary to traditional ideas, Huang Chao admired chrysanthemums. You see, the sharp contrast between "I blossom" and "flower killing" shows that chrysanthemums are full of energy and great power. The Double Ninth Festival is the Chrysanthemum Festival.

Three or four sentences in the poem describe the double ninth festival.

The third sentence says, "Tianxiang pervades Chang 'an". This fragrance is not light or fragrant, but it is "Tianxiang permeates Chang 'an". In feudal society, the sky is sacred and inviolable. It is the supreme authority and the master of all things in the world. Even the feudal emperor, as the supreme ruler of the world, can only be called the "son of heaven". His father, heaven and earth, is commanded by heaven to govern all people. But the fragrance of chrysanthemum can "soar"; Not only "soaring", but also filling the capital Chang' an. A "hurry" and a "transparent" show chrysanthemums, and also reflect the majestic spirit of the poet's contempt for heaven and earth.

The fourth sentence is written in color. If the third sentence is about the "god" of chrysanthemum, then the fourth sentence is about the "shape" of chrysanthemum. "The city is full of golden flowers" and "the city is full of chrysanthemums, all over Kyoto; "Bring the capital" means that all chrysanthemums in Chang 'an are full of golden flowers without exception. Wearing golden armor, standing in the rustling west wind, resisting frost and half cold, proudly blooming, how heroic! How handsome! Moreover, a "full" city is "full", like a cloud, reflecting the sky; Like a fire, it burned all over Chang 'an! What is sung and shaped here is not a chrysanthemum, but a "gathering of heroes" of chrysanthemums.

This poem takes chrysanthemum as the theme to express one's ambition and express one's feelings through things. By depicting the image of chrysanthemum and praising its mighty spirit, it shows the heroic spirit of the author waiting for an opportunity to change the world. When the "Double Ninth Festival" of the peasant uprising came, didn't the feudal ruling class completely lose its reputation and wither like those "flowers blossom"? When the mighty insurgents marched into Chang 'an, the soldiers in military uniforms were not as dazzling and majestic as the chrysanthemums in the city. This chrysanthemum poem is a tribute to the hero of peasant uprising in feudal society.

Although the poem is only four short sentences, it not only writes the spirit of chrysanthemum, but also writes the shape of chrysanthemum, which has both form and spirit; Not only did he write that the chrysanthemum was fragrant, but he also wrote that the chrysanthemum was full of color and taste, and the image was very distinct. The language is simple, magnificent and full of inspiring power.