The development path of China's new poetry can be divided into four periods from a hundred-year history: the first stage is1920-1930; The second stage was in the 1940s; The third stage is1950-1979; The fourth stage is 1979. The 1920s-1930s was a separation stage to bid farewell to China's classical culture.
Absolute anti-tradition requires burying classical poetry in exchange for the birth of new poetry. Today, it seems naive and unwise to take the elimination of tradition as a new premise.
Zheng Min talked about the direction of China's contemporary new poetry, which is a question under consideration. In my opinion, the problem of China's new poetry in the 2 1 century exists in two aspects. From the artistic and aesthetic aspects of new poetry, the biggest task of new poetry is to find contemporary poetry art with its own Chinese language characteristics and establish its own poetics of new poetry to keep pace with contemporary poetry in the world.