In mid-March, I will cherish Laufey when I am old, knowing that every reward will be rewarded, and gold has no spear.
After drinking wine, I will teach you to be slightly drunk, and when the flowers bloom for half a day, I can't describe it, for fear that the world is unknown.
Said by Shao Yong, a poet of the Song Dynasty, Singing in a Comfortable Nest.
After staying in this comfortable nest for three months, I will only feel sorry for my youth when I am old. I admire myself, but I can't help it. Gold can only be left. I am slightly drunk after drinking and I am seeing beautiful flowers. Such a beautiful scenery is hard to express, even I don't know if there is any world.
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This poem "Sima Zhengwen Gong Ji" was not collected, with Shao Yong's "Yi Ji Chuan Ji Geng", which was written in the seventh year of Xining (1074). The title of Shao Yong's original poem is Shu Chao Yin, and Sima Guang's poem has no word "duty". However, the first sentence of the first poem of Yong Shi says: "It is easy to learn by yourself". Some anthologies add the word "post" to the title of Hehe poems (for example, Chen Yan's "Song Poetry Essentials").
Shao Yong lived in Luoyang for a long time, and named the place where he lived as Rose Flower Bed, calling himself Mr. An Le. In the third year of Xining, Sima Guang urged Wang Anshi to keep the county because of his disagreement with Wang Anshi's political views. In April of four years, I changed my sentence to Xijing Yushitai and came to Luoyang, where I first met Shao Yong (see Shao's Lu Wenjian, Volume 18), and soon became a best friend who never turns his back on me.
Philosophically, both of them pay attention to the study of image and number, politically, they all oppose Wang Anshi's new law, but they are different in form. They often sing poems together, and both Sima Guang's poems and Shao Yong's poems are attached to The Collection of Tapping Earth. This is one of them.
The first couplet tells the wonderful truth of "nourishing the heart". Nothing in my heart is the greatest happiness, and there is no need to "persist all my life." This is a poetic summary of Shao Yong's "Sincerity is a matter for my family, and today's people seek nature outside". As the basis of Lotte know life, this "no desire, no desire" embodies the thoughts of Lao Zi and Zhuang Zi, and it is also a kind of self-comfort for the poet after being frustrated politically.
Parallel couplets and neck couplets are concrete descriptions of secondary vocational work in comfort zone. Shao Yong has a poem saying: "Close the door in cold and hot weather, go out in cold and warm weather", which is similar to Zhuan Xu's meaning. This is the most commonly used method to write "harmony" poems. The "green eye" in the neck couplet is quite interesting to the "white head", which is not only very neat, but also humorous.
Seeing pine bamboo with Ruan Ji's "green eyes" shows the poet's love for the spirit of pine bamboo and his tenacious personality. Although the officialdom is frustrated, I haven't lost my personality at all. Putting peach blossoms and plum blossoms on the "white head" is, in today's words, playing with old romance, which is very funny and humorous. When the reader smiles, there should be other meanings to be discovered.
Humor in poetry often contains Zhuang harmoniously, and banter is full of serious theme-cynicism. Aside from the right and wrong between the poet and Wang Anshi, at least one thing, Wang Anshi's rejection, attack and even persecution of Han Qi, Ouyang Xiu, Su Shi and Sima Guang at that time, and his reuse of traitors such as Li Ding and Cai Jing, made the poet angry.
This couplet expresses the close friendship between the poet and Shao Yong. The poet lived in seclusion in Luoyang, lived and worked in peace and contentment, and wrote the historical masterpiece "Zi Tongzhi Jian". He will also take time out of his busy schedule to go upstairs and sincerely welcome his friends. This should also echo Shao Yong's two poems, "When flowers are like brocade, the grass is in the shop".
This poem is full of the feeling of know life, which should be the real emotional experience of Sima Guang when he wrote a book in Luoyang.
Sima Guang didn't use the title of poetry in the Song Dynasty, but his writing style was often steady, organized, clear and tasteful, and his poetic style was relatively dull. This poem vividly summarizes Shao Yong's thoughts, life, personality and quality, and also expresses their profound friendship. As can be seen from the above quotation, his poems are true and all extracted from real life.