What does China take in the postgraduate entrance examination for modern and contemporary literature?

As far as the schools I took an examination of are concerned, most of them are schools, societies, a writer, a work and a character image in the work.

Major topics mainly focus on poetry and novels. Prose is more important than Zhou Zuoren (gentle dilution), Lin Yutang (humorous leisure) and Yu (cultural prose), and other exams are unlikely. Drama, too, Tian Han, Guo Moruo, Xia Yan, Lao She, Cao Yu and Gao Xingjian are more important, while other exams are unlikely. Contemporary literature prefers to test the artistic characteristics and themes of specific writers' works ... On the one hand, modern literature also tests the works of specific writers, on the other hand, it also likes to test the context.

I suggest you read more works. At present, the slightly better school exams are very detailed and deep, and the questions are difficult. You must read widely and know all aspects of knowledge.

Let me give some examples of the real problems in our school in previous years: Ming Jie: Shen Zhongshe, China New Poetry School, spring breeze blowing to Nuo Min River, Wenjie and Liang San.

Title: Poetry: 1. On the Existentialism of Feng Zhi's Poems with Specific Works. 2. The artistic features of Coal in the Furnace (the exam is very detailed, do you know that he is an article in Goddess, basically ...)

Novel: 1. On the personality characteristics of Chueh-hui in Home. 2. On the artistic features of Han Shaogong's novels. 3. Comparison between midnight and early morning in Shanghai. 4. Discuss the ideological limitations of "scar literature" in combination with the works.

The exam is very detailed and deep, so I'd better read more articles and comments. )

I hope it helps you.