Baduan Hu tong
Walk in a line
bent
Reflection phenomenon
Wan Li is worried.
left crus
decade
Right foot
decade
Mom.
I'm trying.
give you
go to
Lai 1. Li's On Poetry:
This poem won the Wu Xin Poetry Award at 1978. 1936 After Ma Fei was born in Taichung City, he moved back to his hometown in Chaoyang, Guangdong Province with his family. 1948 came to Taiwan with his father. Soon, the mainland changed color and lost contact with her mother who stayed at home.
Although this poem is about homesickness. The title "Drunken Man" itself has multiple meanings, which can refer to real drunkenness leading to homesickness after drinking, or to the trance of infatuation with love.
But from the description in the poem, it is a sad scene to show a drunkenness that is afraid of being close to home. The contrast between "alley" and "sad heart" strengthens the process of approaching the door and seeing relatives again. The "short" alley has the sad feeling of "Wan Li", which not only makes you feel that the heavy footsteps are out of reach, but also contains the real significance of Wan Li's search for relatives. The alley may be really tortuous, but isn't it a rather tortuous dilemma to overcome all difficulties and reunite relatives? Probably only "thrilling" can describe the taste of rubbing ups and downs.
The metaphor of "one foot left/ten years/one foot right/ten years" is not only separated for a long time, but also unable to move forward as soon as it is near the door. Saying "I'm trying to find you" to my mother is not only an effort to suppress sadness and open up rural customs. I really don't know how many inner struggles I have to get rid of, as well as the obstacles and troubles of external reality.
Although the brevity of words and the shortness of melody are the characteristics of non-horses, every word at the end of this poem implies the distance of the road.
Almost every poem carries multiple meanings and symbols, which is the most important part of non-horse poems. Therefore, several seemingly short poems are often saturated with self-sufficiency and self-reliance and symbolic extension, which is also a discovery that makes people feel more comfortable and moved when reading poems.
Step 2 check dry
What moved me most was his masterpiece The Drunk. This is a classic poem composed of only 39 square characters, each of which has the weight of a stone. Its artistic conception and symbolism can't be carried by ordinary novels and masterpieces. ....................................................................................................................................................... ...........................'s "left foot/ten years/right foot/ten years", the pain of separation and drifting is shocking; The mental journey of finding relatives without dreams is even more "thrilling"
3. Wu Zhichun
This poem, written in 1977, describes a tramp who lives in a foreign land and walks with difficulty. It is only the appearance of things, and expressing and reflecting on the homesickness of ethnic division is the connotation of this appearance. One of Ma Fei's poems is devoted to seeking artistic conception beyond appearance. He skillfully combined the realism of being drunk and dreaming of death with homesickness, profoundly unified the naked reality with the harsh sense of history, and gave readers a strong impact. Turning a short straight lane into a winding Wan Li sorrow reminds readers of the small Taiwan Province Strait that was frozen for decades at that time. The lovers on both sides of the strait are even farther away than the Milky Way in the sky across the Cowherd and the Weaver Girl. A wanderer who drown his sorrows in wine has ten years left foot and ten years right foot. The pace of trying to walk to the mother is urgent and short, giving people breathless pressure.
4. Sun Jilin:
There are many places in this poem that can be understood as having multiple meanings. Is "drunk" homesick after drinking, or in a trance like a drunk? Turning "short straight lane" into "Wan Li's sorrow" is a metaphor for approaching the house, or an illusion like a drunk; "Mother" can be understood as both mother and motherland. Of course, there are other interpretations, which are determined by the uncertainty of meaning, thus opening up infinite space for readers' reading and aesthetic expectation.
5. Travel to Beijing
These are the personal psychological experiences of lyric subjects, not the normal perceptual world. The application of illusion technique sets off the image of a prodigal son living abroad. How bitter he is, how eager he is to return to his hometown, but how slim he is, and he will stagger to his mother. An alley turned out to be Wan Li's sad heart, and it turned out to be ten years under his feet, which was surreal and unrealistic, but more realistic than realism.
6. Meng Xiangsheng
It is refreshing to endow the daily static image with a dynamic life form through the surprisingly successful metaphor and the elaborate structure of words, and I have to admire the novelty of the poet's imagination. ..... This poem, especially the previous paragraph, makes a wanderer's homesickness move completely, turns a short straight lane into twists and turns, and echoes Wan Li's sadness with the word "go". It not only contains wanderers' obsession, trance and infatuation with homesickness, but also implies a narrow Taiwan Province Strait, which will take decades to cross because of numerous barriers. This short straight lane is really winding and sad for Wan Li.
7. Li
For example, the poem "Drunkenness", which won Wu Xinshi's masterpiece award, aims to write about the homesickness of overseas wanderers leaving their hometown for the countryside. This is a theme full of realism and a sense of the times, and many poets in Taiwan Province Province have made successful attempts. However, Ma Fei still made a unique and outstanding performance on it, and his uniqueness lies in his symbolic and transcendental handling of realistic themes. The protagonist "drunk" in the poem is a realistic portrayal of overseas wanderers, and at the same time it is a transcendence symbol of "walking on the decadent road and intoxicated in the center". In the first section, "short straight lane" symbolizes that the actual distance to return to hometown is very short, while "Wan Li's worry" shows man-made distance. The contradiction between "short" and "Wan Li" stirs up, forming a powerful and thrilling tension. The second section "Mother" is realistic, because Fei Ma 1948 went to Taiwan with his father, which was 30 years different from his biological mother who stayed in the mainland. However, "mother" is also a symbol here, symbolizing the motherland where the poet's soul passed away overnight. The superficial meaning of "left foot/ten years/right foot/ten years" is to write the stumbling gait of drunkards. In fact, the comparison between footsteps and time is used to describe the distance of the road and the difficulty of returning. This symbolic image contains tragic consciousness in the distance, which is a tragedy of the times and a tragedy of life.
8. Wu
Through the image of a "drunk" stumbling in a winding alley, the author strongly confided his feelings for his hometown and mother. Among them, the words "Lane has become Wan Li's sorrow", "One foot on the left for ten years" and "One foot on the right for ten years" are very dynamic, which not only spans the space of Wan Li, but also transcends the years of being away from home for decades. In action, time and space are staggered, which arouses people's strong feelings and makes readers feel an open and broad sense of tragedy and aesthetic power. It is natural that people are used to seeing this poem as one of the author's representative works.
9. Modern Reconstruction of Poetry by Tang Lingling and Zhou Weimin.
This root-seeking poem shocked the souls of many readers. For various reasons, families are separated. Ma Fei expressed this kind of historical sorrow with his refined poems, and revealed the deep-rooted yearning for his hometown relatives in the process of seeking roots. Poets not only seek their spiritual home in their poetry creation, but also pour out their deep worries on behalf of thousands of Qian Qian wanderers. This poem, deeply rooted in reality, stood in front of the times and shouted out the inner voice. This long and difficult pace of "one foot left/ten years/one foot right/ten years" is a symbol of turbulent times. Ma Fei said a meaningful sentence when answering a question from the writer Liu Qiang:
Poetry is written to find the root, the root of life, the root of feelings, the root of family and nation, the root of the universe and the root of life. After writing "Drunk", it seems that there is a thick but gentle root stretching out to me from a distance. Holding it, I cried happily.
A root-seeking poem has brought the flesh-and-blood ties between the two sides of the strait closer for half a century and connected the hearts of Chinese people all over the world. The root of this universe, the root of life, contains deep and gentle love, and the love contained in the poem is full of the universe. What is written in non-horse poems is not only the deep-rooted yearning of overseas wanderers for their loving mothers, but also the heavy price paid by human beings in disasters in special times. The poet burns every reader's heart with the flame of spirit. Can't such a poem get a strong response from society?
10. The Humanism and Poetics of Sorghum ── On Non-poem Gema
Mr. Ma Fei did not elevate this poem to the height of thought. What moved us was the power of humanity and emotion. Its high generalization fully shows the poet's ability to grasp language and his keen sense of language. Therefore, this poem fully expresses what I said: humanity and poetry.
1 1 He Wei
This little poem with only 40 words is just a pillow of homesickness that Ma Fei has just crossed over 40 dreamlike spring and autumn periods. It has been regarded as a classic to express homesickness by thousands of China wanderers. Similarly, for readers in our old country, this ultra-short poem named "A Drunken Man's Drinks Are Not for Wine" is just a special pass for strangers who are not horses to reach our hearts.
12. See the crane in the clouds
The whole poem is full of twists and turns, the characterization of characters and the expression of affection are all in people's hearts and lungs, and it is a rare work in modern new poetry. Being good at eliminating weeds and preserving essence is the main reason why non-horse poems are short and pithy.
13. Yan Zi
One of the important reasons why this exquisite poem is beautiful and moving is that his personal transformation is skillfully used. The subject of the first seven lines consists of topics, which can be regarded as the third person (alcoholic), that is, "(alcoholic) turned into a short alley/turned into a tortuous/reverberating/Wan Li melancholy/left foot for ten years/right foot for ten years". At this time, the author (reader) and the protagonist (drunk) still keep a certain rational distance in life or emotion. Then in the last three lines, the author begins to reveal the theme: "Mother/I am trying to come to you/",and the third person is also transformed into the second person (mother-you) and the first person (me), so that the author and readers can be integrated with the protagonist (drunk). It has reached a harmonious state, thus revealing the theme and subliming the emotion, thus making the ending of the poem look interesting and pleasant. At the same time, the word "Lai" brings the camera closer and expresses the author's hope and confidence.
14. Lv Zhida: "Affectionate and True Homesickness Song"
Non-horse's "Drunk" seems to polish the undercurrent under the tip of drifting waves, reflecting clear ideological sparks and shocking powerful ideological power. In this simple poem "Drunken", profound thoughts and feelings are expressed in such an interesting life segment as the ordinary behavior of "Drunken". Poetry has the beauty of painting, but this beauty of painting must be seen with heart, not just with eyes. I pay attention to and interpret the poem "Drunk" with the "scepter" in my heart. Ma Fei (1936~) is a Chinese-American poet, scientist and artist. I come from Guangdong and was born in Taiwan Province Province. Editor-in-chief of Forty Modern Poems in Taiwan Province Province and Selected Modern Poems in Taiwan Province Province. Published 65,438+04 volumes of Chinese and English poetry, prose 1 volume and various translations. His works have been included in more than 100 anthologies, including textbooks of middle schools and universities on both sides of the Taiwan Strait, and translated into more than 10 languages. Consultant of North American Chinese New Literature Society, Chicago Chinese Writing Association, New World Poetry Magazine, Oriental Magazine, Poetry Sky, Ivy League, Wenxinshe, Maple Leaf in North America, Plum Blossom Forum, China Poetry Translation Research Center, etc., editor of New Poetry Circle and International Chinese Poetry, editor of Contemporary Poetry Circle. He has been selected into the list of international writers and writers for many times, and served as the chairman of the Illinois Poets Association. There is a website of non-horse art world on the Internet. Now living in the United States. He used to work in Argonne National Institute. He is the author of Selected Poems of the Windy City, Selected Poems of Non-horse, White Horse Collection, Dog's Hoof Sounds, Selected Poems of Non-horse Short, Selected Poems of Non-horse, etc.