Du Fu was uninhibited in his early years, but in his later years, his character became more and more calm and his poetry gradually turned to realism under the constant blow of hopeless official career and the ruin of his country. Li Bai is good at self-expression, most of which are lyric poems, and his narrative poems are also lyric poems. His poems always focus on "self", emphasizing and strengthening the role of the subject, and even controlling and conquering the object (the described object). For example, it is difficult to get through the Shu Road. The poet repeatedly sang "Shu Dao can't pass through the sky", which shows that the poet's image is everywhere.
The social content of Du Fu's poems is directly presented through real and vivid pictures of social life. So it's easy to recognize. The images in Li Bai's poems are mainly the poet himself, not the objective social life, so his social content is not easy to be recognized. Li Bai and Du Fu are the two peaks of Tang poetry, which are called double-peak confrontation. However, their poetic styles are quite different: Li Bai's poems and songs are as unrestrained as sunrise and white clouds fall, and he is an outstanding representative of romanticism. Du Fu's poems, such as Chunshu in Weibei, are outstanding representatives of realism. Their poems are magnificent and have amazing artistic charm!
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