1, the spirit of man and nature is highly compatible, and the scenery and feelings are poetically combined. The whole poem is a harmonious whole, calm and beautiful. ?
2. These two poems are poems praising the feelings of seclusion. By writing about the scenery and mood I saw on my way to seclusion, I actually wrote about my feelings of returning to the mountains.
The difference: the song of night lumen is more simple, simple in description and light in pen and ink than "Bound Home and Songshan Mountain". "Song Shan Shi Hua Tie Jia Tu" has pictures, which are implicit and meaningful.
The Song of Returning to the Deer Gate at Night is a seven-character ancient poem written by Meng Haoran, a poet in the Tang Dynasty. This is a poem about scenery. This poem expresses the poet's seclusion feelings by describing what he saw, heard and felt when he returned to Lumen Mountain at night.
The original poem is as follows:
In the evening, the bell of the temple echoed in the valley, and a noisy voice sounded at Yulu Ferry. People walked along the shore to Jiangcun village, and I also returned to Lumen by boat.
The moonlight at the deer gate made the mountain tree appear, and I suddenly came to the seclusion of exile. Lonely mountain road and quiet forest road, only hermits come and go gracefully here.
Interpretation of Vernacular Chinese: At dusk, the bell of the Temple of the Mountain reverberated in the valley, and there was a noisy sound from Yu Liang Ferry. People walked along the sandy shore to Jiangcun, and I also returned to Lumen by boat. The moonlight at Lumen Pass made the mountain trees appear, and I suddenly came to Pang Gong's seclusion place. Cold mountain roads and quiet forest roads, only quiet people come and go here gracefully.
Returning to Songshan Mountain is a poem by Wang Wei, a poet in the Tang Dynasty. This poem expresses the author's quiet and indifferent leisure by describing the scenery he saw on his way to retire from Songshan Mountain.
The original poem is as follows:
The clear river flows slowly through the bushes like my chariot. I became a traveling companion and went home with the birds at dusk.
An abandoned city wall is above an old ferry, and the autumn sunset drowns the peaks. In a distant place, next to Songshan Mountain, I will close my door and get peace.
Interpretation of vernacular Chinese: The clear Sichuan water is surrounded by a piece of vegetation, driving a horse slowly and leisurely. The running water seems to be full of affection for me, and the birds in the evening return with me. The desolate city is close to the ancient ferry, and the afterglow of the sunset is full of golden autumn mountains. At the foot of the distant and lofty Songshan Mountain, I closed the door and refused to spend my old age in the secular world.
Extended data
The creative background of Six Songs at Night: Meng Haoran lives in seclusion in the South Garden of Xianshan. At the age of forty, he went to Chang 'an for an official position. After traveling in wuyue for several years, he returned to his hometown, determined to follow in the footsteps of Pang Degong, an ancient rural sage, in order to find a place to live in Lumen Mountain. This poem is entitled "Night Return to Lumen Mountain". When the author lived in seclusion at the age of 40, it was from the second year of Jinglong (708) to the first year of birth (7 12).
Although the whole poem praises seclusion, it still can't forget the excitement of the world and expresses the feeling that seclusion is helpless. Feelings are sincere and elegant, plain and beautiful and true. Obviously, the theme of this poem is to write "Returning to Deer Gate at Night", which is quite like a landscape sketch. But its theme is to express lofty and secluded feelings, interests and the destination of the road. The journey from sunset to dusk, to the moon hanging in the night sky, and from Hanshui to Lumen Mountain in the poem is essentially a secluded road from dusty secular to lonely and natural.
The poet truly expressed his inner experience and feelings with his heart-to-heart style, natural structure, clean pen and ink, and sparse contact, vividly expressed the image of a hermit who was detached from things, and formed a unique artistic conception and style.
Creation background: During the Kaiyuan period (the first year of Emperor Xuanzong of Tang Dynasty, AD 7 13-74 1), Xuanzong lived in Luoyang, the eastern capital, so after Wang Wei returned from Jeju (now Jining City, Shandong Province), he also had a secluded place in Songshan near Luoyang. This poem was written when he returned to Songshan from Chang 'an (now Xi 'an, Shaanxi).
The whole poem is progressive layer by layer. With the poet's pen, we can not only appreciate the changes of the scenery on the way back to the mountain, but also vaguely touch the subtle changes of the author's feelings: from serenity to sadness, and then to tranquility and loneliness. It shows that the author has both a leisurely and anxious side and a resentful and helpless resignation and retirement side. The poet writes casually, without carving, but vividly and implicitly, meaningful, without axe marks, but delicate and implicit.