Repetition is a common artistic technique in poetry creation, while circular sentence pattern is a rhetorical method of repeating the same type of sentences or words, that is, several parts of a very complete language unit are connected and arranged in a circular shape to form a harmonious whole in meaning and tone. It can be divided into two components, three components, four components and many components. This poem uses many elements.
The poem reaches its climax at the beginning, which is Shu Ting's consistent technique. The first two clauses in the first section are balanced sentences, which contain sound and color descriptions. Three or four sentences are shortened and not depicted; The five sentences are elongated, the lines are short and tight, and the intensity exceeds the previous four clauses, so the subject (motherland) appears.
In the second quarter, we start with an anti-preceding section, which is straightforward and does not even use adjectives. Three or four sentences summarize the front, and then the subject appears. Hope for a better life in the future. Among them, "it is a flower that has not fallen to the ground for thousands of years" refers to the repeated failure of the good hopes of ancestors.
the third quarter is another change. The five clauses are divided into seven lines, and the rhythm is staggered. If the first and second sections are written in the past ("flowers that have not fallen to the ground for thousands of years between the sleeves of flying"), use the present tense; This third section is about writing about the future ("the newly brushed white starting line"), and also using the present tense, which is more concrete and realistic, connecting the preceding with the following, and the pain rises to hope, so the subject appears again. It symbolizes that China is getting rid of the shackles and thriving, and writes that the motherland is moving towards a bright future. The poet's feelings reached the climax, and his strong feelings turned into a magnificent oath to the motherland, a strong sense of national responsibility, mission and lofty dedication, which sublimated the thought of poetry.
in the first two lines of the fourth quarter, one billionth is small, and 9.6 million square meters is large. The unity of the big and the small is an enhancement in contrast, which means that "I" is a part of the motherland, but my chest contains the whole motherland. Next, the scarred breasts fed me and taken from my flesh and blood, which is another contrast, highlighting my inseparable connection with the motherland; Even confusion, deep thought and boiling are the opposite of richness, glory and freedom, so as to see the infinity of pain and joy. If the first three sections are about my relationship with my motherland syntactically, the fourth section is about my relationship with my motherland in turn, which is the theme. Syntactic ambiguity is the expression of extreme excitement, which ends the whole article in the double-call sentence of the subject (the subject at the end of the first three paragraphs is a single call sentence) and reaches its climax. It describes that the author is connected with the fate of the motherland, and has an inseparable relationship, flesh and blood, honor and disgrace and * * *.
There are only thirty-four lines in the poem, but fourteen semicolons are used. The clauses in these semicolons are short in duration and reflect the changes of rhythm and melody. This poem is political, but it does not discuss, but only describes, which is also a feature. All the symbols and metaphors in the poem are both simple and beautiful, and every word is closely related to the scenery and image depicted. The poet not only observes with her own national elements, but also writes the spiritual essence and typical tone of people's inner life and external life with national language means and expression methods that people can understand. What she feels and says is exactly what her compatriots feel and say.