What is the philosophy in Su Shi's Qin poems?

Su Shi's Qin Poetry contains a strong philosophy and is full of Zen. Buddhism regards nothing, life as extinction, and pursues silence, concealment and immortality.

The truth of music is nothingness, so music doesn't matter whether it is true or not. It should be based on "harmony without silence, enjoying oneself" and "anti-smell self-nature, sex first" to achieve Zen's self-satisfaction and anti-enlightenment through inner feelings.

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Appreciate:

Poetry is obvious, that is, Qin and finger, that is, Qin and twelve Qin mentioned in the preface, are interdependent and indispensable. Without one, there would be no "sounds of nature". It seems that this poem by Su Shi is not about scenery, lyricism or writing, but about expressing a philosophy through the piano. This philosophy is that piano and fingers are the subjective and objective conditions for playing beautiful music, and they are interdependent and unity of opposites.

With the connection, everything in the world is famous, which is formed by the unity of opposites: a swift horse never meets Bole, and it is difficult for a swift horse to stand out. Talented people have no owners, and talented people will die.

Reading Su Dongpo's Qin poems, both in content and form, gives people a refreshing feeling. In terms of content, poetry understands things with things, and it is close and far-reaching.

In the form, the poem adopts the techniques of asking and answering, refuting and arguing, and freely replying, which gives people a fresh taste. Poetry in Song Dynasty is full of changes, and Su Shi is a pioneer in advocating "change". This innovation in Qin Shi is undoubtedly a spring breeze in the poetry circle of Song Dynasty.