Question 1: Sunset in a foreign land, the sad cry of black apes, autumn night in first frost, and the bleak si
Question 1: Sunset in a foreign land, the sad cry of black apes, autumn night in first frost, and the bleak sight of white geese coming from the south.
Rendering: The western sunset, the shrill cry of apes and the white geese flying in the south of my hometown vividly render the sad environment. (You can also answer: borrowing scenery to express feelings, combining audio and video, personification)
Topic 2: homesickness, aging (old, weak, sick and disabled), and feelings of worrying about the country in encounter.
Question 1:
Analysis of test questions: this question examines the image of scenery and artistic techniques. When answering the question of scene image, we should first analyze what scene is written and summarize the characteristics of the picture. The neckline of the poem describes the sunset, the crying of mysterious apes, the falling frost and fog, and the return of geese. This painting is characterized by desolation and cold. This sentence is a scene-writing sentence, and the commonly used techniques are lyric by borrowing scenes, rendering, combination of motion and static, audio-visual combination, combination of distance and so on. From the analysis here, we can see that the most prominent features should be audio-visual combination, lyricism and rendering.
Question 2:
Test analysis: the analysis of poetry emotion should be combined with the whole poem and analyzed one by one, so as not to miss the main points.
The first couplet shows the poet's keen interest in life when he climbed high in illness.
Zhuan Xu, the poet never drank alcohol when the pen changed, so he ordered that chrysanthemums never bloom, which shows the poet's hard life and poor health.
Neck couplets express the poet's loneliness and homesickness.
Tail-to-tail, express one's feelings directly, pity distant brothers and sisters, express one's sadness in the war, and place one's sense of wandering and desolation.
To sum up, it is the sentimental feeling of homesickness, the sentimental feeling of always urging people (the old, the weak, the sick and the disabled), and the feeling of worrying about the country when they are injured in battle.
Auxiliary materials for poetry appreciation
A dictionary of Tang poetry appreciation;
This poem was written by Du Fu on the ninth day of September in the second year of Dali (767). The poet's feelings, ideological realm and artistic attainments of climbing Chongyang Mountain on September 9 are far above the general climbing articles, which relate to the fact that tourists stay in Kuizhou for two years.
The first couplet shows the poet's keen interest in life. Among the guests, the poet arrived at the Double Ninth Festival. He was in a good mood for a while, set up a sickbed, drank a glass of wine alone, and enjoyed the gorgeous colors in September. The poet's indifferent mood of drinking and loving life is vividly expressed in his poems.
Zhuan Xu's poem suddenly turned. Drinking and enjoying chrysanthemums on the ninth day of September is a tradition of ancient literati. However, the poet gave up drinking because of illness. Although he entered the stage, he drank "no points" and had no intention of enjoying chrysanthemums. So the poet gave the chrysanthemum an order: "From now on, chrysanthemums don't need to bloom"! This poem, with strong subjective feelings, is fascinating and seems to be somewhat capricious, which just proves that the poet likes drinking and enjoying chrysanthemums. The poet's willfulness made him angry, which was obviously caused by his difficult life experience. In this couplet, Du Fu skillfully uses the antithesis (that is, the so-called "true and false antithesis" by Shen Deqian), borrowing the word "bamboo leaf" of "Zhuyeqing" wine as opposed to "chrysanthemum", and "Little Three is not embarrassed by rope ink" (poet jade chips), which is called Du Lv's creation. Although chrysanthemum is a real scene, "bamboo leaves" are not real things. However, due to the neat and appropriate wording, it is particularly fresh and unique, and the All-China Federation has become a famous sentence that has been passed down all the time.
Poets farther away in the Necklace have aroused people's concern and thinking, and touched thousands of sorrows because of the injury of the scene. The poet was single and wandering in a strange land. When he heard the cry of the black ape at sunset, he couldn't help crying. On autumn nights in first frost, when white geese come to the south, it is more likely to arouse the poet's homesickness. The poem compares the phenology of a foreign land and hometown, which naturally reveals the secret of the poet's heart: it turns out that he gave up drinking and enjoyed flowers not only because of his lung disease, but also because he was homesick!
At the end of the couplets, I miss my loved ones with festivals, express my pity for my siblings, and pin my feelings of drifting away. The last sentence was remembered by the wild goose. The next sentence lamented that he suffered from war, aging and illness. While cursing that "fighting" happened one after another like forcing people to die, the poet regretted that the years kept urging people to die, and vented more dissatisfaction with the root of life tragedy-"fighting". This is a direct expression of the poet's thoughts and feelings of worrying about the country and the people when he is hurt.
This poem is based on abstinence from drinking due to illness, promiscuity, black apes whining and white geese coming from the south, which leads to the feelings of missing hometown and brothers and sisters, and then shows the sentimental feelings of war and aging. The ending sublimates the theme of the poem: the poet's ascent is homesick for his loved ones, but also hurtful. As the saying goes, "Ling Du has a saying that he cares about the country and the people", the whole poem is correct, the language is fluent and natural, vigorous and powerful, with both momentum and temperament. Every sentence tells poetic rhythm without trace, much like writing prose; Direct dialogue, combined with images, is not boring at all. Scenery and narration can be closely related to the poet's mind. Emotions converge at the end of the pen, and the protagonist is vividly portrayed, which can quite express the tragic style of Du Fu's seven-rhythm poems in Kuizhou.