Zhang Tianji keeps two cranes and trains every day. 1078 During the Northern Song Dynasty, Zhang Tianji built a pavilion at the top of Yunlong Mountain. He puts cranes in this pavilion every morning, hence the name "He Fangting".
Su Shi was also influenced by Taoist thought in his early years. He grew up in his hometown, Meishan County, Sichuan Province, and studied under Zhang San, a Taoist priest of Tianqingguan Arctic Academy in Meishan for three years. As an adult, Taoism, Buddhism and Confucianism have almost the same attraction to Su Shi.
Su Shi's political career was bumpy, and he suffered political setbacks repeatedly, which further contributed to his free and loose character. Therefore, he is closely related to Zhang Tianqi. Among a large number of poems written by Su Shi in Xuzhou, Zhang Tianji's name appears frequently.
/kloc-in the autumn of 0/078, Su Shi wrote "Crane Pavilion" for Zhang Tianji, which not only described the unpredictable and charming scenery of Yunlong Mountain, but also praised Zhang Tianji's seclusion and created an extraordinary hermit image, so Yunlong Mountain and Crane Pavilion became famous all over the world.
Moreover, when Su Shi was in Xuzhou, the story of Feihe Pavilion mainly described the pleasure of dining with Zhang Tianji, and praised the hermit's pleasure by borrowing the ancient evidence to express his mood of wanting to go to Qingyuan when he was politically frustrated.
The article describes the scenery, but its characteristics are outstanding, its narrative is concise, but its organization is clear. Allusions can cut to the chase, and the lyrics are expressed in a vivid way of answering and singing, which is easy, free and interesting to read.
Among them, the third paragraph in "Flying Crane Pavilion" is the most famous and writes:
The mountain man smiled and said, "Yes!" It's a song about releasing cranes and inviting them. It says, "When the cranes fly to the western hills, choose the right one.". I turned my wings, gathered my troops, suddenly saw what I saw and struck again. Alone in the valley, pecking at moss, walking on the white stone. The return of the crane is the shadow of Dongshan. There are people below, crown grass, kudzu clothes and drums. Dig and eat, and you will be satisfied with the rest. Come back when you come back, and Xishan won't stay long. "
The third paragraph describes that hermits and monarchs have great differences in life tastes. Hermits can not only raise cranes, but even indulge in wine and spread fame, while monarchs are not. The beauty of this article lies in its momentum, naturalness and fluency, which is completely the expression of the author's temperament.
Crane Pavilion is not a place of interest, but it has been handed down because of this article.
Cranes are ancient saints. Lin Bu, a recluse poet in ancient Northern Song Dynasty, had a beautiful talk about "Mei's wife is a crane", and Zhang Tianji was also famous for being an official in seclusion. The actual meaning of releasing cranes is a metaphor for recruiting talents and talents.
In Su Shi's works, the image of Zhang is artistically processed, and Su Shi expresses his ideal of pursuing a secluded life through this image.
This is quite clear in the last two songs of Flying Crane and Calling Crane in Flying Crane Pavilion. Zhang Tianji is so extraordinary and high-spirited, like a wild crane floating in the clouds, living a carefree and happy life than "being in the south".
This is exactly the theme that Su Shi wants to express in the full text of Flying Crane Pavilion. The two songs, "Flying Crane" and "Calling Crane", are harmonious in sound and rhyme, lyrical and euphemistic, adding luster to the full text, so they have been passed down through the ages. So there are both crane pavilions and crane pavilions on Yunlong Mountain.
Later, Su Shi often took guests and officials to where to drink. Zhang Tianji is also a "drinking friend", and Su Shi went home drunk many times.
Su Shi described this situation in his poems:
Wanmu locks Yunlong, leaving Daigong every day. The road is lost in the mountains, and people are in western Yunnan and eastern Yunnan. Buckwheat in Chun Xue, cherry in the evening breeze. You didn't remember when you went to town, but you were drunk on the way back.
This poem is not only a confession of Su Shi's feelings expressed by Zhang Tianji here, but also a portrayal of the wonderful scenery of Yunlong Mountain seen in the crane pavilion. People love the elegant crane pavilion, and naturally miss Su Shi and Zhang Tianji who are elegant and bold.
By the Ming Dynasty, many scholars praised the crane pavilion because its reputation was growing. Qiao Yu, a scholar in the Ming Dynasty, wrote a poem "Flying Crane Pavilion", in which he wrote:
It rained in Kawahara and was surrounded by fireworks.
The wind returns to the bamboo tree temple pavilion to cool down.
Laughing at the road under Yunlong Mountain,
I can't do anything drunk.
Another scholar in the Ming Dynasty, Xu, also wrote a poem about He Fangting:
The yellow-haired man was still there when he went to Okada.
The crane pavilion is empty.
I want Ling Feng to reach the top,
The grass rustled in the flat forest.
It is precisely because of the travels of many poets and painters and the Mo Bao they left behind that the Where Pavilion has become more and more famous!