Descriptive methods used in words

six common description techniques to describe scenery are one of the common contents in ancient poetry. By describing scenery, the author can render the atmosphere, express emotions, deepen the center and promote the plot development. When we appreciate poetry, we should not only understand the literal meaning, improve our ideological quality and aesthetic feelings, but also pay attention to the form and skills of poets writing landscapes in language. Descriptive techniques are mainly divided into frontal description and lateral description. There are six common descriptive appreciation angles in the college entrance examination: (1) Lateral description-setting off Wang Mian's "Bai Mei" in the Yuan Dynasty: this body is in the snow and ice forest, and different peaches and plums are mixed. Suddenly, the breeze rose overnight, and it broke up as a dry spring in Wan Li. This poem highlights the characteristics of plum blossom, which is cold-resistant, lofty and spring-welcoming. It mainly uses the methods of setting off and contrast. Setting off is a way to make B more prominent by describing A. Set-off is divided into set-off and contrast. For example, in tianmu Mountain Ascended in a Dream, "The rooftop is 18, feet high, and which, just at this point, begins turning southeast" is used to set off the height of Tianmu. In Pipa Travel, the moon in the river "and we saw the white autumnal moon enter the river's heart" sets off the fascinating pipa sound, and "when the river widened mysteriously toward the full moon" sets off the bleak mood of the characters. In Xiang Ji Xuan Zhi, the "silence of the court steps" is contrasted with "everything is alive". (2) Various rhetorical devices, such as Xin Qiji's Touching the Fish: Chun Xi has gone to Hai, moved to Hunan from Caocao, Hubei, and Wang Zhengzhi, the same official, bought a small mountain pavilion to pay tribute. How many times can you save the wind and rain? In a hurry, spring returns. Cherish the spring and be afraid of blooming early, not to mention countless red flowers. Spring and live, see said, there is no way back to the end of the world. Hating spring is silent. It is only diligent, drawing cobwebs and doing everything in Yogyakarta. Nagato incident, quasi-quasi-ritual and error, the beauty was once jealous. A thousand dollars buy each other like a gift, but who complains about this situation? Don't dance, don't you see, Yuhuan Feiyan is dusty! Leisure is the most bitter. Don't lean on the dangerous fence, the setting sun is setting, and the willow is heartbroken. The main rhetorical methods used by the author in the lyrical process of borrowing scenery are rhetorical questions and comparisons. The rhetorical devices used in poetry are roughly the same as those used in other styles. Students should be good at discovering rhetorical devices and explaining their functions. Such as metaphor for more vivid (is like a spring gale, come up in the night, blowing open the petals of ten thousand pear trees. )； The analogy is to personify things. )； The rhetorical question is to emphasize (if the two feelings are long, are they in the morning and evening? )； Exaggeration is to emphasize and highlight (white hair is three thousand feet, and sorrow is like a long one); Duality is to enhance the musical beauty of poetry, express conciseness, express lyricism and enhance the external formal beauty of poetry (leaves are dropping down like the spray of a waterfall, while I watch the long river always rolling on); In ancient poetry, metonymy and synaesthesia are common rhetorical devices, which students should pay attention to. Pay special attention to the difference between metaphor and analogy (metaphor pays attention to the similarity between different things, analogy pays attention to turning heartless into sentient beings), metonymy is to replace things with things related to them, such as partially replacing the whole (sails can replace ships, feather forests replace soldiers), and the difference between duality and contrast (contrast is mainly the opposite or relative of meaning content, regardless of structural form; Duality is mainly symmetry in structural form, which requires the same number of words and the same or similar structure), and attention should be paid to the comprehensive cross-use of various rhetorical devices. (3)