The characteristic of this kind of poems is to separate the description of natural scenery from the perception of Zen in the same poem, for example, "Hundred Steps of Flood": "The long flood bucket falls and jumps, and the canoe flies south.
The navy never calls the geese up, and the rocks line up. ..... where will you go, day and night than Silla still sitting and thinking.
Do you believe that thorns bury bronze camels in drunken dreams? I feel like I've lost a thousand pitches. Look back at the water.
Jun, look at Cang Shi on the shore. Since ancient times, your eyes are as busy as bees. However, this heart has no place to live, although the creation is like me! Go back to the boat, get on the horse and go home, and talk about what the teacher said. "
In the first half of the poem, firstly, the fast-flowing water is strongly rendered in a figurative way to symbolize the shortness of life, and the last fourteen sentences are about Zen, especially the link "Look at the moss on the shore, Artemisia has eyes like a honeycomb since ancient times", which vividly tells the Zen theory of how many boatmen have passed away, but the water is still flowing. It is pointed out that as long as the mind is nowhere, the above-mentioned law of creation cannot become the shackles of life.
Here, with the help of mountains and rivers, Su Shi realized Zen in the "static" and "dynamic" natural mountains and rivers. In the history of China literature, there has been a "pure" landscape poem of "Moshan flooding and roaming the landscape" since Jian 'an. In the decline of the dynasty, the poet realized that the "destiny" was fleeting. However, when they opened their secular eyes, they suddenly found that this common landscape was so magnificent and brilliant.
Therefore, there are more beautiful and valuable poems reflecting real life than "destiny". These poems often show a strong flavor of life, showing concern for social politics and secularism. They express their anguish and feelings for mountains and rivers by describing nature.
Just like Xie Lingyun's landscape poem "The field is clear, the sky is high and the clouds are light, and the autumn is crisp ("Going to the county for the first time "). After Sichuan, it will be peaceful, and Jason Wu will stop making money.
Sail for quarrying, hang seats to meet the sea and the bright moon. "(Swim Red Rock into Sailing Sea).
Feel the simple and real life scene in the natural landscape, and realize the transcendence of fame and wealth and reality in nature. However, in Liu Zongyuan's view, the creation of landscape poems is no longer a simple "flooding the mountains with water", but gives poetry a strong emotional color and becomes the embodiment of the poet's feelings.
For example, "Nan Jian Ti" "The breath of autumn wind gathers in Nan Jian, and you can swim alone in the pavilion at noon. ..... Birds are singing in the valley and cold algae are dancing.
I have been to the soul of China, and my tears are empty. "Climbing Liuzhou Tower and Sending Zhang Ting to Seal Four States": "On this towering tower, the town ends here, the wilderness begins here, and our thoughts are as far as the ocean or the sky.
The hibiscus flowers beside the moat are swaying in the sudden wind, and the oblique rain is beating the vines on the wall ... "Although these poems are written with profound feelings and soul-stirring, the creative subject is not divorced from nature.
Su Shi is different. First of all, in terms of creative thinking, Su Shi proposed to observe natural things with an "empty and quiet" mentality to wait and see. He said in the poem "To Ethan": "The body is like an empty spirit, and everything is saved by me."
"Two Rhymes of Monks and Gods" also said: "The water in the Taoist chest is bright, and everything is invisible." In "To the Teacher", he added; "Let poetry be wonderful, insatiable and quiet.
Static, so the group moves, empty, so it is a mirror. "In" Dingzhou in Han Ci ",it is once again emphasized:" Only when you are in the dark can you see clearly, and only when you are still can you see the feelings of all things. "
Su Shi suggested that poets should be quiet and attentive, and observe and capture everything in the world and its movements with a clear and open mind. In Su Shi's view, nature is beautiful. Poets should be good at spreading the gods of natural scenery, change everything in nature as much as possible, and be poor in the inherent principles of nature, including subjective feelings.
Su Shi doesn't write scenes and express feelings like any poet in the previous generation, and doesn't even pursue the artistic conception of blending scenes. He just looked at nature with Zen eyes, divorced from nature and gained the freedom to grasp nature. When Su Shi first arrived in Huangzhou, he was poor and ill.
In the poems of this period, he repeatedly mentioned that he was "poor to the bone". In his letters to friends, he repeatedly said that he was seriously ill in his right eye and was ill for half a year. "Everyone fasted as a monk and all thoughts were destroyed" (With Cai). In this case, he "returned to the truth as a monk", devoted himself to studying Buddhist scriptures and began his further in-depth visit to Taoism. He summed up the reasons and mentality of studying Buddhism in Huangzhou in Huangzhou An Guo Ji.
"Sweep behind closed doors, cleanse the mind, retreat and miss, and seek a new side. On the other hand, it is never a gesture or the right way. It's not the only thing that offends people. If you want to be new, you are afraid of your husband.
If you borrow the analogy and ask for it, you will regret it. So I sighed:' Tao is not enough to resist qi, and sex is not enough to overcome habits. I will not uproot its roots, and I will do it after today's reform.
Return to the sincere Buddha monk and ask for a wash? Ankokuji is called the south of the city, where there are Maolin Xiuzhu and Beichi Pavilion. It will take a day or two to go.
Sitting while burning incense, deep introspection, then things and I forget each other, body and mind are empty, and sin and pollution are born without. A quiet mind, contaminated from depravity, from the outside to the inside, carefree, private enjoyment.
I went back at dusk and stayed here for five years. But after "building a rough house and giving a little food and clothing", he began to "self-reflect".
On the surface, this passage is a closed-door thinking, sincerely returning to the Buddha, but after careful tasting, I have another feeling. First of all, "nothing is right" is by no means a sincere confession, but an artistic way for them to express their anger; The latter words are not so much a prayer for happiness as a prayer for self-interest, mentally abandoning dirt and secular filth in order to achieve a "forgetful" situation.
Therefore, "I am not an escape from the world, but an opportunity to escape from the world" is Su Shi's distinct attitude towards Buddhism. In the history of China, the idea of Buddhism and Taoism often became the spiritual pillar of embarrassed literati, but when Su Shi was "poor", he did not accept the influence of Buddhism and Taoism like ordinary literati, thus moving towards an empty life of "transcending the world and becoming a Buddha".
Su Shi's "becoming a Buddhist monk" is not only to dispel his troubles and worries, but more importantly, to analyze the spiritual dimension of his past life and seek a more broad-minded and free-spirited attitude towards life. It can be said that Su Shi's poetry transcends nature with Zen theory, and the poet also has a clear understanding of the Zen meaning in the poem. "Take advantage of the poem to spend the night temporarily, and then participate in Zen if it is beneficial."
Therefore, if Xie Lingyun's landscape poems are the outer barrier of the poet's mind, they are only protecting the natural landscape.
2. Zen in Su Shi's poems Su Shi said Zen. Zen refers to understanding Zen from static and dynamic natural landscape in poetry creation, which is one of the concrete manifestations of Su Shi's landscape poetry creation.
The characteristic of this kind of poems is to separate the description of natural scenery from the perception of Zen in the same poem, for example, "Hundred Steps of Flood": "The long flood bucket falls and jumps, and the canoe flies south.
The navy never calls the geese up, and the rocks line up. ..... where will you go, day and night than Silla still sitting and thinking.
Do you believe that thorns bury bronze camels in drunken dreams? I feel like I've lost a thousand pitches. Look back at the water.
Jun, look at Cang Shi on the shore. Since ancient times, your eyes are as busy as bees. However, this heart has no place to live, although the creation is like me! Go back to the boat, get on the horse and go home, and talk about what the teacher said. "
In the first half of the poem, firstly, the fast-flowing water is strongly rendered in a figurative way to symbolize the shortness of life, and then the sentence 14 is about Zen, especially the link "Look at the moss on the shore, Artemisia has eyes like a honeycomb since ancient times", which vividly tells the Zen theory that how many boatmen have passed away, but the water is still flowing. It is pointed out that as long as the mind is nowhere, the above-mentioned law of creation cannot become the shackles of life.
Here, with the help of mountains and rivers, Su Shi realized Zen in the "static" and "dynamic" natural mountains and rivers. In the history of China literature, there has been a "pure" landscape poem of "Moshan flooding and roaming the landscape" since Jian 'an. In the decline of the dynasty, the poet realized that the "destiny" was fleeting. However, when they opened their secular eyes, they suddenly found that this common landscape was so magnificent and brilliant.
Therefore, there are more beautiful and valuable poems reflecting real life than "destiny". These poems often show a strong flavor of life, showing concern for social politics and secularism. They express their anguish and feelings for mountains and rivers by describing nature.
Just like Xie Lingyun's landscape poem "The field is clear, the sky is high and the clouds are light, and the autumn is crisp ("Going to the county for the first time "). After Sichuan, it will be peaceful, and Jason Wu will stop making money.
Sail for quarrying, hang seats to meet the sea and the bright moon. "(Swim Red Rock into Sailing Sea).
Feel the simple and real life scene in the natural landscape, and realize the transcendence of fame and wealth and reality in nature. However, in Liu Zongyuan's view, the creation of landscape poems is no longer a simple "flooding the mountains with water", but gives poetry a strong emotional color and becomes the embodiment of the poet's feelings.
For example, "Nan Jian Ti" "The breath of autumn wind gathers in Nan Jian, and you can swim alone in the pavilion at noon. ..... Birds are singing in the valley and cold algae are dancing.
I have been to the soul of China, and my tears are empty. "Climbing Liuzhou Tower and Sending Zhang Ting to Seal Four States": "On this towering tower, the town ends here, the wilderness begins here, and our thoughts are as far as the ocean or the sky.
The hibiscus flowers beside the moat are swaying in the sudden wind, and the oblique rain is beating the vines on the wall ... "Although these poems are written with profound feelings and soul-stirring, the creative subject is not divorced from nature.
Su Shi is different. First of all, in terms of creative thinking, Su Shi proposed to observe natural things with an "empty and quiet" mentality to wait and see. He said in the poem "To Ethan": "The body is like an empty spirit, and everything is saved by me."
"Two Rhymes of Monks and Gods" also said: "The water in the Taoist chest is bright, and everything is invisible." In "To the Teacher", he added; "Let poetry be wonderful, insatiable and quiet.
Static, so the group moves, empty, so it is a mirror. "In" Dingzhou in Han Ci ",it is once again emphasized:" Only when you are in the dark can you see clearly, and only when you are still can you see the feelings of all things. "
Su Shi suggested that poets should be quiet and attentive, and observe and capture everything in the world and its movements with a clear and open mind. In Su Shi's view, nature is beautiful. Poets should be good at spreading the gods of natural scenery, change everything in nature as much as possible, and be poor in the inherent principles of nature, including subjective feelings.
Su Shi doesn't write scenes and express feelings like any poet in the previous generation, and doesn't even pursue the artistic conception of blending scenes. He just looked at nature with Zen eyes, divorced from nature and gained the freedom to grasp nature. When Su Shi first arrived in Huangzhou, he was poor and ill.
In the poems of this period, he repeatedly mentioned that he was "poor to the bone". In his letters to friends, he repeatedly said that he was seriously ill in his right eye and was ill for half a year. "Everyone fasted as a monk and all thoughts were destroyed" (With Cai). In this case, he "returned to the truth as a monk", devoted himself to studying Buddhist scriptures and began his further in-depth visit to Taoism. He summed up the reasons and mentality of studying Buddhism in Huangzhou in Huangzhou An Guo Ji.
"Sweep behind closed doors, cleanse the mind, retreat and miss, and seek a new side. On the other hand, it is never a gesture or the right way. It's not the only thing that offends people. If you want to be new, you are afraid of your husband.
If you borrow the analogy and ask for it, you will regret it. So I sighed:' Tao is not enough to resist qi, and sex is not enough to overcome habits. I will not uproot its roots, and I will do it after today's reform.
Return to the sincere Buddha monk and ask for a wash? Ankokuji is called the south of the city, where there are Maolin Xiuzhu and Beichi Pavilion. It will take a day or two to go.
Sitting while burning incense, deep introspection, then things and I forget each other, body and mind are empty, and sin and pollution are born without. A quiet mind, contaminated from depravity, from the outside to the inside, carefree, private enjoyment.
I went back at dusk and stayed here for five years. But after "building a rough house and giving a little food and clothing", he began to "self-reflect".
On the surface, this passage is a closed-door thinking, sincerely returning to the Buddha, but after careful tasting, I have another feeling. First of all, "nothing is right" is by no means a sincere confession, but an artistic way for them to express their anger; The latter words are not so much a prayer for happiness as a prayer for self-interest, mentally abandoning dirt and secular filth in order to achieve a "forgetful" situation.
Therefore, "I am not an escape from the world, but an opportunity to escape from the world" is Su Shi's distinct attitude towards Buddhism. In the history of China, the idea of Buddhism and Taoism often became the spiritual pillar of embarrassed literati, but when Su Shi was "poor", he did not accept the influence of Buddhism and Taoism like ordinary literati, thus moving towards an empty life of "transcending the world and becoming a Buddha".
Su Shi's "becoming a Buddhist monk" is not only to dispel his troubles and worries, but more importantly, to analyze the spiritual dimension of his past life and seek a more broad-minded and free-spirited attitude towards life. It can be said that Su Shi's poetry transcends nature with Zen theory, and the poet also has a clear understanding of the Zen meaning in the poem. "Take advantage of the poem to spend the night temporarily, and then participate in Zen if it is beneficial."
Therefore, if Xie Lingyun's landscape poems are the outer barrier of the poet's mind, they are only protecting the natural landscape.
Su Dongpo has a poem praising Buddha's feelings. On the first day, Wan Li was clear and windy. Sitting on a Purple Lotus is a poem with extraordinary verve and lofty artistic conception, which shows the cleverness and arrogance of Dongpo's lay man.
Su wrote this poem and immediately sent someone to cross the river for the Zen master to appreciate, hoping to get the praise of this foreign friend. I didn't know that after Jackson Fo Yin read it, he began to criticize the word "fart" and told primitive people to bring it back.
When Sue saw this rude and abusive comment, she couldn't help flying into a rage and went down to the river to talk to the Zen master. When the ship approached Jinshan Temple, Zen Master Fo Yin was standing by the river waiting for Su Dongpo. When Su Dongpo met the Zen master, he said angrily, "Zen master, we are close friends. If you don't appreciate my poetry and my practice, you just don't appreciate it. Why curse people? " The Zen master casually said, "What did I scold you?" Su Dongpo then showed the Zen master the word "fart" recognized in the poem.
The Zen master smiled and said, "Eight winds can't blow, but a fart has passed Jiang Lai." Sue was speechless and quite ashamed.
"Looking at the mountain side into a peak, the distance is different." This is just a small example of Su Dongpo's understanding of meditation to a considerable extent. It can be said that Su Dongpo has basically entered the third realm of life, but he still failed to "blow the Eight Winds" or even "hit Jiang Lai" without farting. This shows that we still have a long way to go from knowing to walking, so we understand a truth-knowing.
It can be said that the stock market has gathered all the external "eight winds" interference in the world, and at the same time, the stock market has naked exposed all the internal "human nature" interference. If we really want to reach the third realm, there is no possibility of survival without "knowledge" and "Tao" Just staying at the level of "knowledge" and "Tao" without "action" and "Tao" will eventually break the blood; Only by combining "knowing" with "doing" can we make a positive result and become everyone. The most important thing about this "trip" is that Su Dongpo, a great writer in the Song Dynasty, is well-read and versatile.
His works often reveal transcendental and intriguing Zen machines. He has a good friend outside Fo Yin, Zen Master, who is a famous monk in the Song Dynasty. Su Dongpo was very close to him and was deeply impressed.
Su Dongpo wrote a poem praising Buddha during his relegation. On the first day of the ceremony, the sky was high and the clouds were pale, so the poem Purple Lotus was very heroic and had a high artistic conception, which showed the cleverness and arrogance of Dongpo lay man.
Su wrote this poem and immediately sent someone to cross the river for the Zen master to appreciate, hoping to get the praise of this foreign friend. I didn't know that after Jackson Fo Yin read it, he began to criticize the word "fart" and told primitive people to bring it back.
When Sue saw this rude and abusive comment, she couldn't help flying into a rage and went down to the river to talk to the Zen master. When the ship approached Jinshan Temple, Zen Master Fo Yin was standing by the river waiting for Su Dongpo. When Su Dongpo met the Zen master, he said angrily, "Zen master, we are close friends. If you don't appreciate my poetry and my practice, you just don't appreciate it. Why curse people? " The Zen master casually said, "What did I scold you?" Su Dongpo then showed the Zen master the word "fart" recognized in the poem.
The Zen master smiled and said, "Eight winds can't blow, but a fart has passed through Jiang Lai." Sue was speechless and quite ashamed.
"Looking at the mountain side into a peak, the distance is different." This is just a small example of Su Dongpo's understanding of meditation to a considerable extent. It can be said that Su Dongpo has basically entered the third realm of life, but he still failed to "blow the Eight Winds" or even "hit Jiang Lai" without farting. This shows that we still have a long way to go from knowing to walking, so we understand a truth-knowing.
It can be said that the stock market has gathered all the external "eight winds" interference in the world, and at the same time, the stock market has naked exposed all the internal "human nature" interference. If we really want to reach the third realm, there is no possibility of survival without "knowledge" and "Tao" Just staying at the level of "knowledge" and "Tao" without "action" and "Tao" will eventually break the blood; Only by combining "knowing" with "doing" can we make a positive result and become everyone. The most important point of this "line" is to adhere to the discipline of the "line" and strictly follow the discipline. Only when all the previous efforts and efforts are fully realized, can all the previous practices reflect the meaning of their existence, otherwise they will fall short and fail.
We know that even Buddhists should use strict precepts to restrain practitioners. Only when you have precepts can you be sure, and only when you have certainty can you have wisdom.
A master trader like Jesse Rifemo was penniless in his later years and finally committed suicide. The reason lies in "knowledge" rather than "line". There is nothing wrong with his trading strategy. As he himself said, "I am a human being, and I also have human weaknesses." The weakness of human nature, greed and fear have overwhelmed the iron discipline. So we must use iron discipline to stifle our greed and fear of human nature.
If you think you can do it, you can't guarantee it at all. You always change your well-thought-out trading plans temporarily, you can't help but adopt hearsay news, and you always ... think about the terrible consequences of Jesse. It's not too late to make up your mind to quit this market. If you think you are determined enough to get through the last hurdle like Buffett, or you can practice after reading this book, well, let's move on.
4. Su Shi's famous poetry story Buddhism Su Dongpo once asked Fo Yin Zen master: "Zen master, what do you think I look like?" Zen master Fo Yin said, "You are like a Buddha."
Su Dongpo was so happy that he asked the Zen master, "Why didn't the Zen master ask me what you looked like?" Jackson didn't answer. Su Dongpo said, "Zen master, you ask me what you look like."
Zen master Fo Yin was full of his wishes and said, "What do you think I look like?" Su Dongpo said, "I think you look like shit." At home, Su Dongpo proudly said to Su Xiaomei, "Little sister, I beat Jackson Fo Yin today. Do you want to hear it? " Su Xiaomei asked, "How did you defeat Jackson Fo Yin?" Su Dongpo said, "Do you want to hear it? Let me tell you something.
..... "After hearing this, Su Xiaomei said," Fo Yin didn't lose, you lost. " Su Dongpo was puzzled. Su Xiaomei said, "Master Fo Yin looks at people with the Buddha's heart and regards you as a Buddha; You have a poor eye for people, so ... "Su Dongpo lived together for several years after being demoted to Huangzhou.
One night, he and his good friend monk Fo Yin went boating on the Yangtze River. When Su Dongpo raised his glass, he suddenly pointed to the riverbank and smiled without a word.
Fo Yin looked around and saw a yellow dog gnawing at a bone. He realized something and threw a fan engraved with Su Dongpo's poems into the water. The two men looked at each other and couldn't help laughing.
It turns out that this is a dumb couplet. Su Dongpo's first couplet is: a dog gnaws at a river bone (monk)
Fo Yin's bottom line is: Liu Shui Dongpo's body (Dongpo's poem). One noon, Su Dongpo beat about the bush to visit Fo Yin.
Fo Yin is busy cooking. Just as he brought the cooked fish to the table, he heard the young monk report that Dongpo lay man was visiting. Fo Yin was afraid to reveal the secret of eating fish, so he was in a hurry. He put the fish in his mouth and hurried out to meet the guests.
Both of them went to the meditation room for tea. When Su Dongpo was drinking tea, he smelled the smell of fish and saw the upside-down chin on the table. Because Qing is a percussion instrument used by monks to do Buddhism, it is usually mouth-up. Today, there must be something wrong with it.
Fo Yin said, "The layman is here today. What do you think? " Su Dongpo deliberately played a joke on the old monk, pretending to be serious, and said, "I have a problem today, so I'll ask my predecessors." Fo Yin quickly put his hands together and said, "Amitabha, how dare you?"
Su Dongpo said with a smile: "Today, my friend wrote a couplet. The first couplet is: The first spring is always at Xiangyang Gate. If you can't get the next couplet, please advise. "
Fo Yin didn't know what the plan was, and blurted out, "A very talented person, a layman, has learned a lot. Why are you so forgetful today? This is an old couplet, and the bottom line is: gather good people to celebrate the rest. " Su Dongpo couldn't help laughing: "Since the predecessors made it clear that there are fish in Qing (Qing), please let me feast my eyes!" According to legend, Su Dongpo and Wang Anshi were walking once, and they happened to see a house. The foundation moved and the wall tilted to the east.
Wang Anshi hit Dongpo's last sentence: "The Dongpo of this wall is inclined!" Su Dongpo looked up and laughed, that is, recited couplets and retorted Wang Anshi: "It's too much, taking stone as the key link!" Ingenious names are clever, and puns are especially wonderful. When Qin Shaoyou secretly helped the groom marry Su Xiaomei, it was difficult again and again. Arriving at the door of the new house, Su Xiaomei made another couplet: close the door to launch the window and the moon.
Qin Guan thought for a long time, but he couldn't write couplets. Su Dongpo helped each other, picked up a stone in the distance and threw it into the lake. Qin Shaoyou was inspired and blurted out: Throw a stone to break the underwater sky. There is no end to learning. When Su Shi was young, he was brilliant. He read a lot of poems, studied classics, studied history and was good at writing, so he was appreciated by people and his self-esteem sprouted.
One day, Su Shi wrote a couplet in front of the door: "Know all the words of the world; Read all the books on the earth. " Both "doing" and "times" are right, vividly drawing Su Shi's pride at that time.
Unexpectedly, a few days later, an old man with a childish face made a special trip to Su Zhai to ask Su Shi for advice. He asked Su Shi to recognize the book he brought. Su Shi didn't care either. When he saw it, he froze, and he didn't know a word in the book. Su Shi, who is so proud, can't help but feel ashamed. He has to say no to the old man again and again, and the old man laughs and floats away.
Su Shi was ashamed and ran to the door and added two words to the couplet. The realm is new, and all the neighbors scratch their eyes: "I know the words of the world when I am angry; Determined to read all the books on earth. " When Su Dongpo visited Moganshan, he sat in a temple.
The host monk in the temple met a stranger and simply said, "Sit down." He shouted to the young monk, "tea."
After the two sat down to talk, the host monk found the words blurted out by the other party, expecting this person to be extraordinary, so he invited the guests into the wing to talk. After entering the room, the host monk said politely; "Please sit down!" He also called the young monk, "Tea!" Upon further inquiry, it was found that this tourist was the famous Su Dongpo. The host monk bowed quickly, respectfully led him into the living room and repeatedly said, "Please sit down!" " And commanded the young monk: "To fragrant teas!" When Su Dongpo left, the host monk asked him to write a couplet.
Su Dongpo had answers and smiled and waved. In an instant, he wrote: sit, sit, sit on tea, serve tea, and serve tea with fragrance. One day, Su Dongpo and his brother-in-law, Qin Shaoyou, went out of town to play in the suburbs and saw a "thunder bridge" made of three stones on the path. Su Dongpo kicked the stone bridge and sang a couplet at the same time: he kicked three stones of Leiqiao, looked back and asked him to make a couplet.
Qin Shaoyou thought for a long time, but he didn't get the bottom line, so he went home glumly. Su Xiaomei looked at her husband's displeasure and only knew what had happened. I didn't know it was a couplet until I asked.
Without saying anything, she wrote the word "Chu" on a piece of paper and cut it in half with scissors. Qin Shaoyou suddenly realized, and revealed the bottom line: Cut out the word Shuang Shan. Note: The title of the previous article was "Cold Temple", and he laughed and thought it was not bad.
The title of this article, "A Bright Lamp", refers to something that Qin Shaoyou didn't know, but he still understood it after clicking it. Smile.
It is said that in order to find Mr Right, Su Xiaomei used literary works to choose her husband. As soon as the news came out, there were countless suitors.
One of them is a rich boy named Fang, who has admired his little sister for a long time. After hearing the news, he quickly made a choice. He presented many proud poems, but when my little sister saw them, they were as light as white water, so she picked up a pen and approved a pair of couplets on it: the pen is short of talent, but she has no idea.
Su Dongpo was worried when he saw the couplets of Miss Sister. In order to avoid right and wrong, I quietly added a sentence to my sister's couplet and changed it to: a little talent at the bottom of the pen has infinite strategies in my heart.
Fang was ecstatic after reading it. He is eager to meet Su Xiaomei to express his heart. Su Dongpo knew that little sister didn't like him at all.
5. Su Shi's poem about tea, "Er Yun Cao Fu sends open source to try baking new buds".
The Cao Ling of Xianshan is wet with clouds, and the fragrant muscle powder is uneven.
The bright moon comes to vote for Yuchuanzi, and the breeze blows Wuling Spring.
You know, Jade Snow has a good heart, not a new face.
Don't laugh when you play a poem. Always beautiful.
Yoshioka fried tea
Living water must be boiled with living fire, which is clear from the fishing stone.
A big ladle stores the moon and spring urn, and a small spoon divides the river and the night bottle.
Snow milk has been turned over and fried, and the wind suddenly makes a diarrhea sound.
My heart hasn't changed because of three bowls, but I sat there listening to the length of this abandoned city.
Cooking tea in the experimental hospital
The crab's eyes are over the fish's eyes, trying to make the breeze.
The velvet falls out of the ground, and the dazzling turns around the snow.
The silver bottle of diarrhea soup boasts second place, and I don't know the meaning of water decoction in ancient and modern times.
Don't you see that in the past, Li Sheng's hospitality was self-frying, and you made a new spring from the fire of life.
I can't see how fried tea can learn from Western Shu and how Dingzhou porcelain can carve rubies.
I am poor and ill, and I am always hungry. I didn't have a sliced jade bowl, so I made tea like the public. Bo Hearthstone goes hand in hand.
I don't need to put five thousand volumes of words on my stomach. I hope it will be a long time when I get enough sleep.
Prelude to Water Melody
After several storms, the night before thunder, flag guns, Jian Xi spring scenery. Take a tongue, pound it to expose smoke, and make a pile of ziyun. Gently move the gold mill, the green dust will fly, the old dragon ball and the true phoenix marrow will be lit in the future, and the tongue will be withdrawn instantly. Wake up Qingzhou, fight back against the sandman by millions, and never dream of a balcony. There is a breeze under my arm and I want to go to Penglai.
6. Inquire about Su Dongpo's tea poems. Su Dongpo's poem about tea is:
1, Huanxisha
Clothes towel falling jujube flowers, cars ringing in the south of the village. Cow clothes and ancient willows sell cucumbers.
The sun is shining, but he is too thirsty. He wants to find some water to drink. Then knock on a villager's door and ask, can I have a bowl of tea?
2. Moon Rabbit Tea
A ring is not a ring, nor is it a ring. There is a fuzzy jade rabbit in it.
Just like last month's beautiful dress, the full moon is still missing, so what year is it missing this month?
Didn't you see that the tea fighting boy couldn't bear to fight a small group with double ribbons on it?
3. "The Tibetan Rites of Monks with Two Rhymes"
Taoist priests have clear water mirrors in their chests, and everything can escape.
The ancient temple planted autumn chrysanthemums alone and should accompany the poet to dinner.
People ask whether there is any north or south, and there are many geese.
Sitting on Yi Chan's sofa behind closed doors, the years in my mind are empty and eventful.
I occasionally went out to seek Buddhism this year, trying to add trouble to Hui Jian.
A cloud of new mountains and rivers emerges, and first frost is not surprised.
You can't get it if you want to know, so you know there is no city to rely on.
Autumn wind dreams of Huai water and wants to see orange pomelo hanging in the air.
An old friend is in a corner of the sky, like the morning star.
Cheng Peng has been guarding his feet, and Zaolin Sangye invited him to see him.
Qianshan is not afraid of the distance, and his feet want to fly lightly.
Many colorful words can't be worn out, and there is still a feeling of a poet.
Apes have no intention of singing cranes, and they don't know there are pedestrians.
The rain at night is empty and clear, who makes loneliness hide tears.
I will plant Yao grass in Xianshan, and sigh when it will be full.
Books, whips, paintings, filling in committees, making tea and burning chestnuts.
Begging for Mani is like turbid water, * * * watching the moon set.
4. "Leave two elders of Tong Yuan, the Baojue of Jinshan"
It was cool at night after a bath, and the remaining teeth and cheeks smelled of tea.
When the ship was about to cross the north shore, I found that Dong Xuan didn't want to be busy.
Ji Kang has a unique way to cure foreign things.
Romantic parents are still there, and it is still slim to see my return.
5, "take an examination of the hospital to make tea"
The crab's eyes are over the fish's eyes, trying to make the breeze.
The velvet falls out of the ground, and the dazzling turns around the snow.
The silver bottle of diarrhea soup praised the second place, but I don't know what the ancients meant by decocting water.
Don't you see that in the past, Li Sheng's hospitality was self-frying, and your enthusiasm made a new spring.
I can't see how fried tea can learn from Western Shu and how Dingzhou porcelain can carve rubies.
I'm poor, sick and hungry today, and I don't have a jade bowl for moths.
And learn to make tea and drink, followed by masonry.
I don't need to put five thousand volumes of words on my stomach. I hope it will be a long time when I get enough sleep.
Note: As the old saying goes, water decoction means tea decoction.