Read the following poems and compare their similarities and differences.

On the bridge of Erji Sunset Creek, half a ray of light smoke is in the willow shadow. How many violets depend on each other and hate each other, looking back at the west wind for a while. This poem is marked "even topic" and should be a lyric work on the spot. In the autumn season, the sun has set in the west, and the poet artistically cuts and dyes the scenery on the stream bridge, Liu 'an and the lotus pond that accidentally enters the line of sight, and combines it into a picture, with quiet images and emotional agitation. Under the author's wonderful pen, painting and poetry are perfectly integrated. The first sentence of the poem "On the bridge of two sunset poles" points out the time and place. Time is a "bipolar sunset", neither under Levin nor in the twilight. The light and brightness in this painting spread out in front of the reader, soft and appropriate. The location is "on the stream bridge", which means that when the poet is singing, he is neither walking on the shore nor rowing on the stream, which sets the direction for the last three sentences overlooking the willow shadows on the shore and the violet on the water. The second sentence of the poem is "half a wisp of light smoke in the willow shadow", which describes the scenery of the shore willow curled up from the creek bridge. The poet's observation is extremely subtle and his words are extremely precise. The "half smoke" in this sentence and the "two sunsets" in the previous sentence are not only literal, but also logical. It is precisely because of the setting sun that the shore willows in front of us will contain smoke; And because the sunset is still two poles high, it can't be hazy smoke, just a "half-ray of light smoke" as if nothing had happened; Moreover, this "half-ray of light smoke" can't emerge where the sun shines, but can only float in the "willow shadow". The first two poems are purely about scenery, but from the sunset and the scene of smoke and willow chosen by the poet, readers will feel that the scenery of the picture is not so bright, but slightly dim; The artistic conception of this poem is not so cheerful, but slightly sentimental. This is a harmonious environmental atmosphere arranged to arouse the "hate" of the second half of the green lotus. In the third and fourth sentences of the poem, "How many green lotus flowers live together and hate each other, and the west wind will look back later", and the lotus leaves seen from the bridge are written. Except for the word "how much" in the question, these two poems all show the swaying beauty of Fengshen in the text content. The first sentence uses the word "lean" to indicate the graceful and crowded shape on the water surface, and the next sentence uses "moment" before "looking back", which vividly captures the moment when the gust blows and the lotus leaf flies with the wind. In classical poetry, we can pick up many sentences about wind and lotus, among which the most well-known is the words "The sun on the leaves dries up, the water is clear and round, and the wind and lotus blow at one stroke" in Zhou Bangyan's Su Mu Zhe. Wang Guowei praised these words as "those who can really get the truth of the lotus" in "The Thorn on Earth". However, if only a little comparison is made, it should be said that these two poems by Du Mu make the form of Feng and Lian more vivid, not only vividly in the pen, but also full of emotion between the lines. Here, the poet not only "turns with things" when writing the scenery (Wen Xin Diao Long Xun pian), but also describes the shape and dynamics of the wind and lotus in a subtle way; And "Wandering with Your Heart" writes the expression and modality of wind and load differently when feeling things (ditto). Of course, Feng He is heartless, so there should be no hatred. The hatred of wind and load is presented from the poet's mind. The poet threw his feelings into the lifeless wind and lotus, and looked at the wind and lotus "leaning against each other" and "looking back" with his own emotional color. He felt that they seemed to have feelings and hatred, so he combined the description of the external state of things with the revelation of self-knowledge. On the surface, what is written here is the hatred of the green lotus, but in fact, it is to see me in things and to write the hatred of poets. So, what is the hatred of the poet in this poem? Li Jing, the leader of the Southern Tang Dynasty, wrote the first poem "Spread the Huanxi Sand", and changed the first two sentences of the second half sentence of the poem "The drizzle dreams back to the crow's house and blows through the jade cold", which has been told by people all the time. However, Wang Guowei thinks that these two sentences are not as good as the first two sentences in the first half of it, that is, "Xiang Xiang sells green leaves, and the west wind worries about green waves", and appreciates that "many people are indecent and beautiful." There are still two sentences in the original words: "It is still less ugly." These words and Wang Guowei's praise can be used as footnotes for Du Mu's two poems. Judging from Du Mu's experience, what he shows is such a hatred that beauty is dying. Du Mu is a man with political ambitions and opinions. Unfortunately, he was born in the declining period of the Tang Dynasty. He is determined to win all his life without asking for anything in return. At this time, he was excluded and became an official, with a hidden pain of hard-to-pay ambition. Therefore, even the heartless violet in front of us looks sad. The grass shook its head and suddenly reported Nong, and the shawl stopped a westerly wind. The lotus is still hot at dusk, and its lower face is hidden in a blue umbrella. Du Mu's poems are lyrical on the spot, and through the anthropomorphic description of Qinghe, his grief and indignation are revealed. In On Two Sunset Bridges, the poet sings on two sunset bridges. "Half a wisp of light smoke is in the willow shadow" "Half a wisp of light smoke is floating in the willow shadow as if nothing had happened. These two poems outline a very clear picture through the images of "sunset, small bridge, light smoke and willow shadows", quantifiers of "two poles" and "half wisps" and directional words of "upper middle school", and at the same time, they are slightly sentimental, and there is a faint thought in this extremely beautiful picture. "How many green lotus leaves hate each other, look back at the west wind for a while", and three or four sentences are written about the lotus leaves seen from the creek bridge. Lotus leaves in the pond lean against each other with hatred (because autumn is coming). Autumn wind blows through the pond, and they turn around at the same time, with their backs to the west wind (the same is true in reality). Here, the author completely externalizes his disappointment and sadness to the lotus. By describing the lotus's personality, he just overlaps and corresponds his subjective feelings with the objective scenery. On the surface, what is written here is the hatred of the green lotus, but in fact, it is to see me in things and to write the hatred of poets. Judging from Du Mu's experience, Du Mu is a man with political ambitions and opinions. Unfortunately, he was born in the declining period of the Tang Dynasty, and he was determined to do things all his life. At this time, he was marginalized, became an official, and had a hidden pain of unrequited ambition. Therefore, in his eyes, in his pen, even the heartless violet in front of him seems to be full of sadness. Yang Wanli's present poetic style is rich in imagination and unique. He is good at being original and writing in unexpected places. In order to achieve this artistic effect, his poems are particularly good at using anthropomorphic techniques and show the author's love and joy through his strange imagination of lotus flowers. "The fine grass shook off and suddenly returned to the farmers, and the shawl blocked a west wind." One summer evening, the poet went to the lotus pond to enjoy the cool, the breeze blew and the grass swayed. In the eyes of the poet, it was the grass that nodded and told me that the wind was coming. Lift up your skirt and stop the west wind. Write the tacit understanding between grass and lotus in the hot summer evening with anthropomorphic methods, and use "fine grass to shake off" to set off the mood. "The lotus is still hot at dusk, and the lower face is hidden in the blue umbrella." The lotus pond where the author swims is lush, like a blue umbrella, and the lotus leaf is low and small, hidden in the lotus leaf. The poet wrote this natural landscape in which lotus flowers are afraid of heat and enjoy the cool under an umbrella. The author moved his fear of heat to the lotus, which was amazing. It is precisely because the poet himself deeply felt the residual heat that he felt that lotus flowers were also afraid of hot air. At night, he still hid under the lotus leaf and refused to show up. He used the "deep hiding" of lotus flowers to describe the heat of the weather. Imagination is quite strange and interesting, and at the same time it turns static into dynamic beauty.