The poetic meaning of "Jiangnan Spring" is as follows:
Thousands of miles south of the Yangtze River, orioles are singing and dancing swallows are everywhere, peach blossoms are red and willows are green, a scene full of spring. In the villages near the water and the city walls nestled against the mountains, There were wine flags waving in the wind everywhere.
In the past, the Southern Dynasties were full of deep temples filled with smoke, but now these pavilions and pavilions stand in the hazy mist and rain.
Original text of "Jiangnan Spring":
"Jiangnan Spring"
Author Du Mu
Dynasty Tang
Thousands of Miles The orioles are singing, the green is reflected in red, and the wine flags in the water village, mountain and Guo are winding.
There are four hundred and eighty temples in the Southern Dynasties, and many towers are in the mist.
Content analysis:
"Jiangnan Spring" is a poem written by Du Mu, a poet in the Tang Dynasty. The whole poem uses brisk words and very general language to depict a vivid, colorful and powerful picture of Jiangnan Spring, presenting a deep and beautiful artistic conception and expressing wisps of implicit and profound emotions. It has enjoyed a high reputation for thousands of years.
This is a well-known landscape poem. A small space paints a broad picture. It does not focus on a specific place, but focuses on the unique scenery of the entire Jiangnan, so it is titled "Jiangnan Spring".
It reflects that the aesthetics in Chinese poetry and painting transcend time and space, are indifferent and free and easy, and have the "sudden enlightenment" thoughts of Confucianism, Buddhism, Taoism and Zen, and they mostly express nostalgia for the past, retreat into seclusion, Freehand poetry.
Creative background:
In the late Tang Dynasty when Du Mu lived, after Xianzong came to power, he was obsessed with his little achievements such as pacifying Huaixi, and had a dream of immortality. After Xianzong was killed by an eunuch, his successors Mu Zong, Jingzong, and Wenzong continued to promote Buddhism. The number of monks and nuns continued to increase, and the temple economy continued to develop, which greatly weakened the government's strength and increased the burden on the country.
When Du Mu came to Jiangnan (Jiangyin, Jiangsu) this year, he couldn't help but think of the piety of the Southern Dynasties, especially the Liang Dynasty, in serving Buddhism. In the end, it was all in vain. Not only did he not seek immortality, but he harmed the country and the people. Du Mu wrote "Jiang Nanchun" not only to chant history and recall the past, but also to euphemistically advise the rulers of the Tang Dynasty.