Sub question 1: High, straight, steep, dangerous
Sub question 2: To be an upright (upright, upright) person, life is important Establishing meritorious service (serving the country)
Quiz 1: Test question analysis: The word "cut" means that the mountain is steep and dangerous, "Qianxun" means that the mountain is high, and "upright" means that the mountain is straight , "Nothing to lean on" means that the mountain is dangerous, and "supporting the heaven and earth" means that the mountain is high.
Comments: To understand the content of a poem, you need to grasp some key words in the poem, understand their surface meaning and deep meaning, and what exactly the word in the poem expresses.
Small question 2: Question analysis: This poem was written by Xin Qiji when he was summoned by Emperor Guangzong of the Song Dynasty and passed through Jianglang Mountain when he went to Beijing to meet the saint. On the way, the poet was in a complicated mood, not knowing whether the trip would be good or bad. His long-standing ambition to fight against the Jin Dynasty was about to be revealed at this meeting with the saint. This poem describes the wonders and dangers of Jianglang Mountain. The poet uses Jianglang Mountain to show his majestic wisdom and magnanimous and fearless spirit. It shows that the poet has high ideals and wants to serve the motherland and do something good.
Comment: How to grasp the thoughts and feelings of poetry? 1. Read the prompts and set the tone. The title, author, annotation, etc. of a poem often give us important hints for understanding the emotion of the poem. The titles of some poems themselves are suggestive: for example, the word "happy" in Du Fu's "Happy Rain on a Spring Night" hints at the poet's joy and admiration for the arrival of the spring rain. 2. Grasp the image and dig out the connotation. 3. Study sentences and understand feelings. The first is to grasp the key phrases in the article that express one's feelings directly. The second is to pay attention to the correlation and comparison between allusions and historical figures.