When the false is true, it is true; Only inaction. -written by Cao Xueqin
As the couplet says, if you take falsehood seriously, it really becomes falsehood;
If you treat what you don't have as something, some will become nothing.
This pair of couplets explains the philosophies of "falsehood", "truth", "existence" and "nothingness", which seems to remind readers of their own lives and should not be penetrated; At the same time, it gives people profound enlightenment to understand and think about complex life.
Personally, I think it can also be compared with Jia Baoyu and Zan Baoyu (true and false Baoyu) in the book; The combination of Jia Yucun and Zanyinshi (falsehood hides truth) can speculate on the book, and also implies that readers have something to dig deep into its essence.
The second sentence:
No sad songs for me, I don't know what happened!
The source is Cao Qingxue Qin's A Dream of Red Mansions with Daiyu Burying Flowers.
Appreciating the poem "Dai Yu Buries Flowers" shows Lin Daiyu's spiritual world with rich and peculiar imagination and strong and sad artistic conception of famous sentences in A Dream of Red Mansions. There are persistent love, passionate pursuit, strong indignation, protest and accusation in the poem, and more pessimistic sadness and helpless sadness. The poem "No elegy for me, I don't know when the flowers will fall" is the interpretation of "helpless flowers will fall". Daiyu lamented the falling flowers, which meant mourning for herself. She is a typical weak person. Although she has the spirit of resistance, but there is nothing she can do, so she has to lament the loss of life.
The third sentence:
The man who buried the flowers is laughing today, but who did he know when he buried them?
The source is Cao Qingxue Qin's A Dream of Red Mansions with Daiyu Burying Flowers.
Appreciate that I am still burying flowers here, and people laugh at me for being stupid; But who knows who will bury me when I die in 2008? This is Lin Daiyu's funeral speech in A Dream of Red Mansions. She buried flowers with tears in her eyes, but she couldn't help but think of her own life experience, and even lamented that life was limited and personnel were impermanent.
A Dream in Red Mansions
Hui's novel, the first of the four classical novels in ancient China, was originally named Zhi Yanzhai's Re-evaluation of the Stone Story, also known as Love Monk Record, Feng Yue Bao Jing, Return Tears, Jinyuyuan and so on. Meng Jue's preface was officially named A Dream of Red Mansions. The first 80 chapters of this book were written by Cao Xueqin, and the last 40 chapters were continued by Anonymous. Arranged in Cheng Weiyuan and Gao E.
A Dream of Red Mansions is a great work with high ideological and artistic quality. As a literary work written in the late feudal society and the middle of Qing Dynasty, this book systematically summarizes the culture and system of China feudal society, profoundly criticizes all aspects of feudal society, and puts forward hazy ideals and propositions with preliminary democratic nature. These ideals and concepts are the tortuous reflection of the budding factors of the growing capitalist economy at that time.
Because there are many versions handed down, and the appreciation angles and motives are different, scholars have many different views on all aspects of A Dream of Red Mansions, which can be roughly divided into literary criticism, secret biography and autobiography. By studying the ideology and culture of this book, the author's original intention and so on, a Dream of Red Mansions was formed.
20 17 1 10, 20 17 "examination notes" of Beijing volumes were published, and A Dream of Red Mansions was included in the compulsory range of the college entrance examination.