There are no fixed musical rules for ancient poetry in new poetry. Western branches are introduced to strengthen the sense of rhythm and melody in order to achieve musical effects.
A. branches vary in length, density and height according to poetry. Poetry lines follow the inherent law of poetry-emotional rhythm, and its form is a structural form that intuitively shows inner feelings. Whitman expressed his bold, free and romantic feelings at the time of the founding of the People's Republic of China. His poems are very long, just like the vastness of the New World. Mayakovski showed the drastic changes of the October Revolution, and his lines were stepped and undulating.
The use of ellipsis and jumping in poetic lines is arbitrary and produces new structural meanings. The juxtaposition of the upper and lower lines produces a new idea: "Zhumen wine stinks, and the road has frozen bones."
C. branches change visual intervals into auditory intervals to express rhythm. This is the effect of reading. Reading together can't reflect the rhythm.
D. branches attract aesthetic attention and make people appreciate it with poetic psychology.
Requirements:
A, pay attention to the organic combination of lines. The key is to cross lines-one sentence accounts for more than two lines. This is to make people stop and concentrate on appreciating the next line-emphasizing the most valuable and brilliant language.
B. Branches are changeable and should be original. Such as traditional emotional mode, into pictographic mode and cognitive mode.
C this branch pays more attention to the visual effect of poetry, and changes from "auditory art" to "visual art". This is because the inherent complexity and multilayer of new poetry are difficult to express directly through recitation, and only the arrangement of words can maintain poetry. Kale (America) believes that whether a passage is a poem or not does not necessarily depend on the language itself, but on the arrangement of the words, that is, the visual form.
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