The sky meets clouds, and the Milky Way wants to turn to Qian Fan dance; It's as if the dream soul belongs to the emperor, and I smell the sky and ask where I belong. I have a long way to go, and I study poetry. There are surprising sentences; 90,000 Li Fengpeng lifts, the wind stops, Pengzhou blows away the three mountains.
Yujiaao
Knowing that spring is coming in the snow, the cold plum is dotted with delicate branches, and the face is half open and charming. In court, Jade Man put on new makeup. Nature may have done it on purpose, so the moon is taught exquisitely. * * * bounty honor green ant, don't get drunk. This flower is inferior to the flowers in the group.
This word should have been written after Yi Annan crossed it. Write the scene of the sea and sky in the dream and the question and answer with the Emperor of Heaven. Concealed disappointment with the dark social reality of the Southern Song Dynasty, pursuit and yearning for the ideal realm. With the artistic conception of romanticism and sleepwalking, the author imagines asking questions with the Emperor of Heaven, pouring out his worries and pinning his feelings on him. The scene is magnificent. This is an uninhibited word praised by critics as "without the slightest femininity", which is rare in her current ci works.
This poem is magnificent and heroic, and it is an alternative work by Li Qingzhao, a graceful poet, with obvious bold style. In modern times, Liang Qichao commented: "This is definitely a new school in Su Like, unlike the language in Shuyu Collection." It can be said that it hit the nail on the head.
Before Nandu, Li Qingzhao stayed at home and wrote more about her daughter's feelings in the boudoir. After the south, the field of vision began to broaden. According to the preface to the story of the stone, in the spring of four years (1 130), she sailed at sea and experienced the danger of wind and waves. Writing about the sea, sitting in a boat, the character being the Emperor of Heaven and the poet himself are all related to this feeling gained in real life.
At the beginning of the word, it shows a vast and magnificent picture of the sea and the sky. This kind of realm is open to the atmosphere, which is rare in Tang and Five Dynasties and Song Ci. Describing the sky, clouds, fog, the Milky Way and Qian Fan, the scene is very spectacular, and several verbs are accurately embedded in it, so the scene is vivid and dynamic.
The words "knot" and "connection" naturally combine hanging sky, stormy waves and diffuse clouds to form an endless realm. The words "turn" and "dance" vividly convey the poet's feelings in the stormy waves. The so-called "the milky way is turning" means that the poet looks up at the sky from the bumpy cabin, and the milky way in the sky seems to be turning. Qian Fan Dance is about a strong wind blowing on the sea and countless ships flying in the wind and waves. The boat is swaying and dancing, and the galaxy is turning, which is full of realism of life and illusion of dreams, laying the foundation for the whole story. Because the word is "dream", there are three sentences "as if" next. In the following three sentences, the writer saw the Emperor of Heaven in his dream. The word "dream soul" is the key to the whole word. After the poet sailed at sea, a wisp of dream soul seemed to ascend to heaven and see the kind God. In the fantasy world, the poet created a gentle and considerate God. "Ask me where to go", although it is only an extremely simple question, is full of affection and contains beautiful ideals.
This word is the same as the last one. At the end of the last movie, two sentences are about the problem of the heavenly emperor, and the other two sentences are written by the screenwriter. Between the question and answer, the tone is coherent and there is no pause. Can be called "cross-grid".
The word "Bao" in the sentence "I reported a thousand miles away" and the word "Wen" in the previous work are bridges across two blocks. The Long Way to Xiu Yuan reflects the poet's painful experience of loneliness and helplessness in his later years, but it also has its roots. Based on his own life experience, the poet expressed in Qu Yuan's Lisao that he was not afraid to travel long distances, but only sought the sky instead of dusk, so as to find the emperor of heaven and not seek heaven, which was implicitly included in the law. He only used the words "long road" and "sunset" to summarize the idea and process of "seeking up and down", and the language was simple, natural and vague. Its meaning is linked with "there are amazing sentences in learning poetry", which is the anguish of the poet's struggle to pour out his talents before the Emperor of Heaven.
The word "person" reveals strong dissatisfaction with reality. In reality, it is difficult for poets to meet bosom friends, and they have no choice but to appeal. Only through this fantasy form can he express his resentment heartily, which is the fate of China traditional literati. Although Li Qingzhao is a woman, as an outstanding writer born at an untimely time, she must have similar feelings.
"Ninety thousand Li Fengpeng Juzheng" was deleted from the dialogue, but it remained on the main line. Because the consistent action in the word is to cross the sea and take a boat, and the surrounding scene is the connection between the sea and the sky, which leads to Zhuangzi's thought. "Peng moved to Nanming, and the water hit three thousand miles, and the soaring nine Wan Li".
Saying "Peng" is a further contrast to strong winds. From reality to nothingness, the image is getting stronger and stronger, and the realm is getting more and more magnificent. At the moment when Dapeng held high, the poet suddenly shouted, "The wind will stop, and the ship will blow away the three mountains!" "
Magnificent, indomitable, generous! "Pengzhou" refers to a small boat as light as grass, which respects the lightness of the boat. "Three Mountains" refers to Penglai, abbot and Yingzhou in Bohai Sea. According to legend, there are immortals who live and can see, but when they go by boat, they are diverted by the wind when they approach, and no one can reach them in the end. The poet turned over the old classics to create new ideas, and dared to blow the three mountains with the wind that Peng had not gained for nine days. His boldness and lofty realm are rare in his poems. In the first part, the Emperor of Heaven asked the poet where he came from, and here he admitted that the fairy mountain in the sea was the poet's home.
Echoing before and after, the structure is meticulous. This word blends the feelings of real life into dreams, and skillfully uses dreams and life, history and reality, which will naturally be magnificent and magnificent. Fully show the uninhibited side of the author's temperament.