Poets love to use bright color contrast to increase the concentration of feelings. Bai Juyi recalled the spring pods in the south of the Yangtze River: "At sunrise, the flowers in the river are hotter than red, and the spring water is as green as blue." Yang Wanli praised the charm of the West Lake lotus: "The next day, the lotus leaves are infinitely blue, and the lotus flowers are of different colors." These beautiful sentences are bright contrasting colors, which make the picture look beautiful and make the emotion clear and warm. This kind of "color emotion" has the distinctiveness and intuition of painting, enhances the appeal of poetic artistic conception, and reaches the perfect realm of "painting in poetry and poetry in painting".
The poet also made good use of the dark contrast of colors. At first glance, he seems not to think so. After a little thought, he felt full of implicit paintings. Du Fu's "Wild Lu Yun is dark, rivers and boats are bright", and Li He's "Dark clouds crush the city, but real armor scatters the sun", all of which use large pieces of black and dark tones as the background color, dyed with bright spots, and the shades are very different, forming a clear picture.
Sometimes, the poet's use of color is not limited to a sentence or a couplet. The whole poem is colorful, richer in color, and the realm of the poem is more open and can be read. Bai Xuege bid farewell to Tian Wu. "The north wind rolled white grass and folded, and eight In the snow crossed the Tatar Day. It's like a spring gale that blows at night and blows open the petals of ten thousand pear trees. "At first, the snow falling on the trees was compared with the white pear flowers, vividly outlining the wonders of snow flying in August beyond the Great Wall. Then, together with the empty and desolate Great Wall, dark clouds and heavy snow, the farewell background is formed. "Until dusk, when the snow collapses our tent, our frozen red flag can't fly in the wind." In a silvery white world, the poet Tver 1 described the bright red flag. It is so beautiful and harmonious in the whole background and individual things, and it is really "unique". The whole poem shows a colorful, strange and magnificent frontier fortress picture. .
⑦ Poets sometimes pursue the change of monophonic pod instead of multicolor collocation. This can also penetrate emotions and receive a good lyric effect. "Children are eager to chase Huang Die, but they can't find the cauliflower anywhere" (Yang Wanli's Xugong Store in Su Xincheng). Light yellow and dark yellow set each other off, and butterflies and flowers blend together to express the poet's feelings.
⑧ There are poems that don't need to express colors directly, and all kinds of scenery are cleverly combined to form a pod of colors. The northern folk song "Chilechuan": "Chilechuan, under the shady mountain, the sky is like a dome, and the cage covers four fields. The sky is wild, and the wind and grass are moving to see cattle and sheep. " Heaven, grassland, cattle and sheep, these images of different colors constitute an endless picture.