Chinese characters have four scales: flat tone, rising tone, rising tone and falling tone, which make Chinese characters read with ups and downs, patchwork and sonority. Song Ci and Yuan Qu are both rhythmic and can be sung. Flat light, flat light, yin and yang echo impassioned, pouring out tenderness and moving. Su Dongpo's bold and unrestrained "River of no return, the waves are all romantic figures through the ages", Li Qingzhao's graceful and restrained "The geese return, and the West Building will be full in the next month", and Li Bai's "Didn't you see how the Yellow River water moved out of the sky into the ocean and never returned?" Du Fu's boldness, Du Fu's melancholy of "living in a huge building, accommodating the world's poor", and Wang Wei's poem "There is moonlight in the pine forest and crystal stone in the stream" are all vividly expressed in this square text and in the cadence. The pronunciation is clear and round, and there is a sweet sound like pouring pearls of all sizes into a plate of jade.
Chinese characters read like spring breeze, leaving fragrance on teeth and cheeks.