After the autumnal equinox, the smoke cage went away, and it was another trip to TIANYA DUAN.
Rain washes the green hills, so it's cold and the wind blows the paper.
Jiangcheng only sees vast colors, and the country dream gradually grows for no reason.
Wan Li, far apart, is more than a long-term love?
Rhyme, especially the seven rhythms, is the most important form of old-style poetry. One of the reasons is that seven sentences have a strong bearing capacity, and the expressive power of single sentences is quite advantageous in different sentences, which often plays an important role in various aphorisms. In addition, there are comprehensive and clear requirements for the antithesis of parallel prose and neck couplet, which is a way to cultivate antithesis technology.
The writing of seven laws helps us to improve our ability to write other forms of poetry. Although it is a bit rigid, it is still a recommended choice. Besides, it is not easy to write the seven laws well, and it is also difficult to write them badly.
Back to this poem, as a seven-tone poem, this poem is qualified as a whole and has a good ending. I recommend it.
The first couplet doesn't seem to fit the topic. In fact, there is a long enough distance between the poet and the object of chanting. Tianya is Jiangnan, not Jiangnan. The first sentence left a clue for the back.
The alternation of function words and content words in couplets makes the writing prospect closer to the side and goes on vigorously.
It is quite competent to transfer landscape writing to inner expression, but the word Jiangcheng is awkward because it is not demanding.
Tail couplet is very good, responding to the end of the world of the first couplet, the length of the distance, the breadth of mind, and making a reasonable and accurate connection because of a long love.
In fact, the misty rain in the south of the Yangtze River is not necessarily a scene, but it may also be a mood or even a hazy delusion, but what's wrong with it?
Zhang Chengyu's comments