Brush calligraphy running script copying copybook appreciation brush calligraphy running script copying copybook picture 1
Brush calligraphy running script copying copybook picture 2
Brush calligraphy running script copying copybook picture 3
Brush calligraphy running script copying copybook picture 4
Brush calligraphy running script copying copybook picture 5
Characteristics of running script calligraphy
First, the body is unified. This refers to the unification of fonts and shapes. The font of running script should reflect the characteristics of running script, and should not be copied into seal script or official script. Even if you use regular script, you can't use regular script strictly. You can only use traditional Chinese characters in regular script, and you should use running script, otherwise it will be uncoordinated. The unity of structure and modeling means that the structure of running script is fat or thin, flat or long, vertical or horizontal, or strewn at random or flat, all of which will change under the unity of the main body. Contrast is also an artistic means, but it should not be blunt. In short, changes should be made under coordination.
Second, use the pen to unify. In other words, we should always use the running script in a work, and we should use a brushwork to achieve the consistency and style of brushwork. People who learn running script often learn too many household pens and are easy to mix. If they don't make good use of it, they will have different styles. According to personal preference, we can give consideration to fat, thin, square or round, Fiona Fang, horizontal and vertical, and always seek change on the basis of one stroke. The brush strokes are coordinated, harmonious, unified and changeable.
Third, the rules and regulations are unified. It refers to the size, reality, vertical and horizontal, flat and scattered, which should be unified and coordinated in a work. Of course, unification does not require uniformity, nor is it rigid and lifeless, but refers to consistent coordination and change. The key is to be good at dealing with the relationship between coordination and change, not stiff and monotonous.
Fourth, the style is unified. It is not simply that the format is unified, and banners, couplets, nave, banners and other formats all have their own format requirements. Here mainly refers to the book style of a work, that is, the style itself should be unified.
Learn calligraphy with a brush
Learning brush calligraphy and mastering certain brushwork skills are the primary tasks! Calligraphy experts say that the learning skills of brush calligraphy mainly include raising a pen and receiving words. Calligraphy can become colorful only by pressing, thus emitting unique charm. Receiving characters is to grasp the structure between fonts and make the overall composition stable and harmonious.
Brush calligraphy strokes are thick when writing, and thin when lifting. Just like a person's walking feet, one falls and the other rises, constantly alternating, and the pen keeps pressing in the process of writing. Only in this way can lines with different thicknesses be produced. There are three processes in writing brush calligraphy: entering, writing and receiving. Do you have a pen? Lu Feng? Method: Follow the stroke to make the beginning of the stroke sharp or square; what's up Tibetan front method? , head into the pen, horizontal painting first right and then left, vertical painting first down, so that the nib is hidden in the stroke, the beginning of the stroke is basically round. You must learn how to write. Center pen? , so that the front end often runs in the middle of stippling. In order to make strokes more powerful, we should learn to use the pen unsmiling, leaving lines in the middle and lines in the middle to avoid glitz. do you have a fountain pen？ Lu Feng? Take a pen out of the paper and draw a sharp shape, such as hanging a needle, skimming, pressing and hooking. Tibet Front? Put the pen tip back into the painting, such as hanging vertically, and the end of the stroke is round.
The knot in brush calligraphy learning is also called knot structure or frame structure. Mr. Qi Gong once pointed out that to write a brush, it is necessary to grasp the structure of the pen holder and practice the characteristics of strokes. Frame structure is more important than stippling. Words with good spacing are not prominent in stroke characteristics and pleasing to the eye; Not the other way around. Therefore, it is very important to study and master the structural rules of words carefully. So-called? Beginner in distribution, but seeking justice? . The study of brush calligraphy should start with regular script or official script. After mastering all kinds of brushwork, you will have the foundation to learn other calligraphy styles. Sticking is a necessary means to practice good handwriting. If you don't stick to your post, you can't write it yourself Learning to write Chinese calligraphy requires perseverance, perseverance, arrogance and rashness, and it can't get cold all at once. Often say:? As long as the time is deep, the iron pestle is ground into a needle? . As long as you stick to the law of learning, you will certainly learn something.